It is the representation or a draft of an object or an area with specific measures. It is normally done with the aid of rulers, scales, compasses, etc.…
A representational style is natural objects in recognizable forms and many might misinterpret the Blue Horse I as representational. However, Franz Marc’s oil painting cannot be: representational because although the viewer can tell there is a horse in the painting, but horses cannot be blue; nonrepresentational because the image refers to something in the natural world; or realism because this painting is not something we actually see on top of the hills. The artist painted a horse and anyone who looks at the painting will, without a doubt, know it is a horse. In addition, a viewer can tell that behind the horse are overlapping hills. Also, it is evident there are patches of grass or leaves by the blue horse’s feet which seems like the only part of the painting that is representational because Franz Marc painted the grass green that leads to the question of why he chose to represent the patch of grass green and not a different color similar to the rest of his painting. Franz Marc possibly wanted to provide a hint for the viewer to know this painting is of a horse on a hill. However, the various choices of colors Franz Marc used in Blue Horse I make the style of the image…
The art of its printing will include a picture of an all ready painted project (as The White House, Disney or Hollywood sign) and the containers.…
4. A small amount of material is released onto the two dimensional medium, leaving a visible mark.…
This method of Etching causes the lines to seem blunter than we would see in engraving or drypoint. Aquatint along with etching technique cause half tones. Lines are not drawn on the plate instead asphalt dust is used to reveal the plate at distinctive stages thus allowing for varied tones of densities. The combination of etching and aquatint allows for alternative tonal that coincides with…
1. What is the composition of latent print residue and how does it affect the viability of latent prints.…
2 – What are three essential elements to consider when preparing art for printing / publication?…
This new technology led to the artists to begin to mass-produce their works. Before the work could be mass-produced the block of wood had been formed into the image. This was done by “[t]he artist’s design is either drawn directly on the block or on a sheet of paper which was glued to its surface. The cutter uses a knife similar to a penknife and carefully cuts away all the wood away from the sides of the lines which the artist has drawn.” After the wood was brought to the desired image/design the artist would season the wood to ensure that the block would not crack or warp. With this block the artist could then begin to produce prints. Prints could be produced cheaply and efficiently lowering the cost of what art used to cost for an original. The main reason for the reduced cost was the reduced the amount of time spent by the artist to produce the work. The artist could carve one block and transfer that image onto potentially thousands of mediums. With the creation of the concept of prints the middle class could begin to enjoy art a luxury that had been reserved only for the wealthy. With the emergence of a larger demographic of consumers’ artists began to produce more works propelling the industry…
faster and more accurate design tool than hand-drawn (manual) drafting. Computers make printing and duplicating…
pressing. It is for drawing across the field of skin. Like a slender fish, it waits, at the ready,…
A pencil is being used when parking chromatography plates because the ink could take part in reacting with the substance that it is placed in.…
Two periods of production: 27,000-26,000 BCE and 30,000-32,000 BCE. Oldest drawing carbon dated at 32,900 BCE.…
Which of the following is a printmaking technique in which the surface of a plate is scratched with a needle?…
Artists who willfully damage or manipulate a print for creative purposes are addressing this careless attitude. The decision to make the print part of their methodology rather than solely the end product opens up a completely new way of making art in photography. Allowing the print to be as a blank canvas is to a painter brings a new dimension to saturated medium. This bring the preciousness back to photography, these works are one off, irreplaceable ‘objects’.…
Schultze's work was improved upon through the efforts of Louis Jacques Mandé Daguerre who, in 1837, developed a process for printing images on a silver coated copper plate. This type of printed image is called a daguerreotype, and is made by polishing and cleaning a silver-coated copper plate and then reacting the silver coating with iodine vapors to form light-sensitive silver iodide. The silver iodide coated plate is then exposed to light through the optics of a camera that projects and focuses an image on the plate.…