Scarface, starring Al Pacino, is the greatest film to ever hit the film industry. Scarface was released in December 1983 and is technically assumed to be a remake of the 1932 Scarface movie. The 1932 Scarface film was centered in Chicago during the Depression-era, however, the 1983 remake shifted the action from Chicago to Miami during the 1980s-era (Bayard). The directors did this on purpose; because the 1980s-era was the time the Mariel Harbor boat lift happened, thus in a approach to give the movie a new relevance (Berardinelli).…
The Maltese Falcon is the classic hardboiled private-eyed movie that is a great example of prototypical film noir. The main character Sam Spade is undeniably a tough and smart guy whose actions are provoked by a stunning femme fatale Brigid O'Shaughnessy. While everyone in the story eagers to find a priceless artifact, the black statuette of a Maltese Falcon, and is driven by their greed, Spade acts as he is to fulfill his own personal code of honor often ignoring the law. He knows how to handle the police, and he is good at revealing thieves and liars, yet inflicts pain upon himself and his loved one in the process. The belief that love can conquer…
Casablanca exhibits the Classical Hollywood cinema in which its focal point is the resurgence of mankind. General focus points in Classical Hollywood era are narration, aspects of space and time, cutting (“invisible style”), and lastly the characters.…
In the various types of modern music in films from the late 1940s through the early 1970s produced three general types of music, which is American nationalism, expressionism, and avant-garde. During this time of musical film, it was the advent of the film noir, it is a film style of cinematographic film that is shrouded by a mood of pessimism, fatalism, and menace. This term is also used to define American horror/crime films back in the 1940s. An example of film noir is “The Black Cat,” this film is a 1943 American horror film that became the universal pictures biggest box office hit of the time.…
Debate rages over the definition of what constitutes a Film Noir. The consensus seems to center on the time period in which noir films were created which is early 1940’s through late 1950’s. It was an era of film making that used low budget sets, light and dark elements of lighting, altered space (sparse), and sharp photographic focus shot at odd angles. Scripts were often based on pulp novels from the 1930’s. The protagonist, generally were of questionable moral character and were in some desperate emotional frame of mind usually due to their own bad choices. Throughout the movie the lead character seems trapped in a web of intrigue and bad luck from which they are unable to extricate themselves. Noir films were created to cause a sense of anxiety or discomfort. They are meant to disturb, to show the darker side of humanity. These films sprang from a shift in the social values of a changing American culture due to World War I and II and prohibition. Their impetus also lay in the constraints placed on the film industry by new censorship laws which began in the 1930’s prohibiting taboo subjects. These factors as well as limited budgets during WW II led to this phenomenon known as Film Noir or Black Film.…
Hollywood entered a new phase with the coming of sound movies in 1927 and it was also chronicled as the golden decade for the crime film, with the flourishing of two classical genres-gangster film and prison film. The gangster films echoed the financial predicaments of many ordinary Americans during the Great Depression, and in doing so it influences the succeeding genres. Gangster films connected criminality with economic hardship and portrayed gangsters as underdogs. They soothed the financially struggling Americans and at the same time attacked crime and the government’s inability to control it. Prison films also had its root in silent films which became popular in the 1930s, left the audience cheering for the “wrong side” (Rafter 20).…
“Mildred Pierce”, originally a book written by James M. Cain, is based upon a strong, ambitious woman’s downfall, all from utter devotion to a money-hungry, monstrous daughter. It was then adapted into a film in 1945, directed by Michael Curtiz. He was responsible for many cinematic classics, such as The Adventures of Robin Hood and Casablanca. He thrived in the heyday of the Warner Bros. studios in the 1930’s and 40’s. His specific style helped emphasise the Film Noir genre within the film, which was extremely popular during it’s time of release.…
Film noir’s darker themes and stylistic features enable it to address and explore the crux of the existential angst that humanity endures. Thus, the fifties are revived in Bryan Singer’s film, ‘The Usual Suspects’ by its translation of The Classic Questions into a modern context. In certain scenes of this film- ‘Redfoot-LA’, ‘Meeting Kobayashi’ and the ‘The greatest trick the devil ever pulled...’ most notably- the work’s central preoccupation is expressed with remarkable vividness. Through the investigation of how the downward spiral which permeates the criminal world isolates those within it, how the futile attempt to escape one’s past can lead to entrapment and how the exploration of truth highlights the ambiguous nature between reality and illusion in these scenes, Singer concludes with a refreshing perspective on human existence and society.…
Adapting a novel into a screenplay is an extremely difficult prospect as the film has to convert the image that was captured over several hundred pages into a few hours of video. Challenging as this endeavour may be, few novels present as daunting a challenge as La Confidential, written by James Ellroy. Ellroy’s epic masterpiece features almost 500 pages of several intriguing and complex plot threads, nonpareil disturbing graphic violence, hundreds of detailed three-dimensional characters and deception and betrayal in every page. Curtis Hanson, however, took the challenge and directed the film adaptation of Ellroy’s novel. The movie is an excellent adaptation to the novel as it still maintains the same conflict and plot line and grasps the action and suspense which the novel invokes in the reader. However, the film does not capture everything which the reader experiences through the novel. Ellroy’s original work possesses many elements that create an atmosphere of darkness, absent from Hanson’s adaptation. This contrast in atmosphere is seen through the difference in the development and presentation of Jack Vincennes, the contrast in character of Ed Exley and the difference in the theme of the two mediums.…
Film Noir is most often seen as a man’s world- the hard boiled detective is the ultimate…
I plan to use conventions of the crime genre throughout, such as venetian blinds, smoking, gambling and characters including cops, suspects and a femme fatal.…
In the early 1900’s silent films amazed audiences with images, later talkies impressed with sound, today we have 3D. As technology continues to evolve so too will film genres. Genres, while having some shared characteristics, also differ in terms of stylistic devices used. For instance, the dramatic film “The Notebook” effectively uses color to reinforce theme and has plausible performers as the two main protagonists.…
Every scene, and from the opening on, reads virtually like a noir type of thriller, with language and description never veering from a tough and realistic presentation of what is occurring. In the beginning, for example, when Tom Ripley perceives he is being followed, the rhetorical…
Many of the most recognizable early noir films were mysteries involving a hard-boiled detective like Sam Spade (played by Humphrey Bogart) who gets involved with a woman who hires him to delve into the criminal underworld to solve a case. Many of these tales are based on dime-store novels (also known as "pulp fiction") written by authors like Dashell Hammett ("The Maltese Falcon").…
This paper will discuss various elements of mise-en-scene, specifically; character development, lighting, performance, costume, makeup in the film "Casablanca".(Michael Curtiz,1942) The setting of the story sets the tone for the entire film. Shots of tanks and planes show the violence of war that coincides with the cutthroat city that is Casablanca. From there, those sentiments are reinforced when a man is shot in the street while another man pick pockets someone whom is distracted. The mood of the movie stays on the dark side of things when we enter Rick's Café, where we meet our protagonist played by Humphrey Bogart. In this scene we are treated to the jaded portrayal of night club owner. We see his utter disregard for a French woman even though there's a hint of caring for her, when he tells his bartender to take her home and that's it. This creates an interesting dichotomy in this character's development that is illustrated throughout the film. It's consistent with someone dealing with an inner struggle.…