A Study of 20th Century Man's Search for Self
A Study of the Origins of Evil
"...a man's future is inherent in that man..."
-Faulkner in the University. p.139
Faulkner's Light in August is a metaphor. In fact it is many
metaphors, almost infinitely many. It is a jumble of allusions,
themes, portraits, all of them uniquely important, many of them
totally unrelated. In fact no 20th century writer has even
approached the sheer quantity of symbolism Faulkner packed into
every page, with, perhaps, the exception of James Joyce who went so
far as to surpass Faulkner in this regard. So obviously it would be
foolish to attempt to trace every line, follow every branch to its
root, one could spend a lifetime dissecting the book in this
manner. Fortunately, in the midst of this menagerie of wonders,
there are dominate themes. There are veins of meaning that permeate
throughout. Chief among them; Faulkner's study of 20th century
man's search for identity, and his compassionate portrait of the
origins of evil.
I have come from Alabama a fur piece (Faulkner, p.3). The
reader begins the book in this manner, following the simple-minded
and determined Lena as she travels, neither coming nor going,
simply moving. Immediately the book draws into her past, relating
events leading up to this point, explaining her motives. One gets a
definite feel for her character, and settles into her narrative,
but as soon as this happens, the book switches gears, turning
instead to a vague character, Joe Christmas. With little
introduction, or warning, the book reels into Joe's past, catching
the reader totally unaware and throwing off the entire continuity
of the book. Faulkner's desire for unity and coherence in the
pattern is not as strong as is his desire for truth to individual
response (Reed, p.123). Thus Lena is a frame, she serves only to
accentuate Christmas's story, by contrast.