In the second stanza Auden moves from general indifference toward general tragedy, to the specific suffering of Icarus as portrayed by Brueghel’s painting. The poet uses a more ekphrastic approach and depicts, as the painting does, the ploughman continuing with his chores while Icarus succumbs to death. He describes “how everything turns away/ Quite leisurely from disaster (lines 15-16)” to underscore the indifference of the others present. Icarus’ “forsaken cry ( line17)” was possibly heard by the ploughman “But for him it was not an important failure (line 18)”, even though it was the
In the second stanza Auden moves from general indifference toward general tragedy, to the specific suffering of Icarus as portrayed by Brueghel’s painting. The poet uses a more ekphrastic approach and depicts, as the painting does, the ploughman continuing with his chores while Icarus succumbs to death. He describes “how everything turns away/ Quite leisurely from disaster (lines 15-16)” to underscore the indifference of the others present. Icarus’ “forsaken cry ( line17)” was possibly heard by the ploughman “But for him it was not an important failure (line 18)”, even though it was the