Throughout the novel, the composer of the namesake illustrates an aspect of belonging through the technique symbolism. Lahiri uses the motif of cooking and the symbol of the namesake, to create the sense of belonging and not belonging. Names are closely linked to identity and can help or hinder a sense of belonging. However in Gogol’s circumstance he struggles to fit in both the America society and his Bengali home as he feels his name does not belong in either culture. On page 100 we see Gogol’s frustration with his name, “the only person who didn't take Gogol seriously, the only person who tormented him.. was Gogol..” Here the author has demonstrated to the reader that nobody else judges him for his name, yet he feels that he does not belong. This reflects Gogol’s insecurity with his name making him feel out of place in both cultures. Resulting to him changing his name in order to belong in his American society rather than his home culture. The ongoing contrast between the two cultures, connect to a sense of belonging. As it shows the differences between where Gogol and Ashima feel comfortable to where they belong. Ashima never feels like she totally belongs in America and on page 1 she wants to prepare an Indian traditional meal with American ingredients which is unsuccessful. But by the end on page 274 she is cooking her last feast which she has become renowned for. Lahiri presents the symbol of food as Ashima’s bicultural belgonging.
` Where as Gogol feels as if he doesn’t belong with his Indian