Many characters in the Shakespearian play, Othello, are deceived by the clever and flattering Iago. Early on in the play, Iago is trying to get his plans against Othello into motion. He meticulously chooses vulnerable characters to help carry out his vengeful scheme. Roderigo is one of the many susceptible characters who fall for Iago’s tricks. Iago catches Roderigo in a very vulnerable state and carefully plants his own scheme into Roderigo’s mind. Iago wants Roderigo to keep fighting for Desdemona despite her marriage to Othello. He tells him “Seek thou rather be hazed in compassing thy joy then to be drowned without her” (1.3 353-355). Iago flatters Roderigo by making him believe he has a chance with Desdemona and to fight for her using…
Roderigo was a very gullible man and he is jealous for what wasn’t his. He believes whatever Iago told him. Roderigo loves Desdemona so when he heard the news from Iago he was heartbroken. “What a full fortune does the Thick-lips owe If he can carry’t thus” (1.1.68)! Roderigo was jealous of Othello for getting marry to Desdemona. Iago used this time to tell Roderigo that they can break Othello and Desdemona up by calling for her father. “Call up her father. Rouse him. Make after…
Iago’s use of reverse psychology to manipulate others. On the surface, he appears to be a loyal and worthy friend, but his wording and tone always imply the opposite of what he says. When Othello asks whether it was Cassio that was talking with his wife, Iago responds, “Cassio, my lord? No, sure, I cannot think it That he would steal away so guilty like, Seeing your coming” (III.iii.41-43). Superficially, he says that Cassio is honest and good while actually insinuating that he is acting guiltily. He seems to be thinking that cassio is honest, but in reality the remark is intended to instill doubt in Othello, which he succeeds in doing.…
The majority of the main characters in this all three texts suffer mentally and emotionally at some point in their own way. Psychological suffering is a prominent aspect in Shakespeare’s Othello. The most obvious character that falls into this category is Othello. The celebrated Moorish general is infatuated with the lady Desdemona; a love so great that it should transcend cultural and social differences, but instead it leaves them defenceless before the deadly intrigues of the vengeful Iago. Through the constant manipulation from Iago, Othello becomes the paranoid figure we see for the majority of the play. Iago persuades Othello that his beloved has been ‘cuckolding’ with the character Cassio. Iago expertly conducts this act in a sly manner, being coy with his answers to Othello’s questioning, which automatically sparks off Othello’s suspicions and the irremovable essence of doubt.…
In other words Iago is using Roderigo to string him along like a puppet for his own amusement and to make himself richer. Roderigo doesn’t catch on and believes that Iago’s main goal is to aid him in getting Desdemona, but he is clearly being manipulated. Lee Jamieson the author of numerous books and articles about theater believes the relationship between Iago and Roderigo is clear sign of Iago’s dishonest ways. He states in his article, “Iago double crosses all the characters who consider him their friend. The character he manipulates the most is, Roderigo, a character who he has colluded with throughout the play. He uses Roderigo to…
The most apparent theme in the text is that of jealousy. Iago importantly warns, ‘O, beware, my lord, of Jealousy. It is the green-eyed monster which doth mock the meat it feeds on’ (act 3, scene 3). This warning is directed at Othello, but is also important for Roderigo and Iago himself. Although Iago could be called one of the most diabolical antagonist/villains in literature, his actions are spurred by such common human emotions; jealousy and greed. Jealousy acts as a great literary device in the text because it is an extremely universal emotion which almost all living creatures are capable of feeling, and this gives the audience an emotional attachment to the characters and plot. It allows the audience to feel sympathy for the characters. ‘Othello’ plays with the jealous nature of the characters, such as Iago’s envy of power and position, along with his suspicions about his wife. These things encourage the plot, and initiate the series of events to unfold during the text. Through Iago, Shakespeare conveys the lengths to which a man will go to achieve his objective. Iago’s manipulativeness causes Othello to become…
Jealousy is what got the worst side out of the strong, noble, great Othello. Throughout the play he totally transforms Othello into a different person. Making him feel like a monster. Iago manipulates Othello into believing that Cassio is having an affair with his wife, Desdemona, planting doubt and jealousy in him. Using his reputation as an honest man to his favor is how he gets Othello into believing all the lies that comes to his mind. Othello, like everybody else viewed Iago as the most honest man, not knowing that Iago hated him with a passion. “We've seen how Iago uses animal imagery in his racist diatribe against Othello, which is grounded in the idea that black men (and women) are inhuman.” (Shmoop Editorial Team). Iago doesn’t view…
In Act 4 Scene 1, Iago continues to manipulate Othello’s thoughts by filling his head with distorted lies, false ideas, and vulgar images of Desdemona naked with Cassio. This eventually drives Othello to insanity and he falls into an epileptic fit. This scene provides us with a broader understanding of the duplicative, two-faced nature of Iago, as well as reinforcing the significant amount of dominance and ownership he holds over Othello. From the way that Iago cleverly utilizes Iago’s insecurities to cause him to become envious of Cassio, we can infer that the themes of jealousy and appearance vs reality are present. Iago is portrayed as an articulate villain who possess great rhetoric capability, which allows him to distort information…
Ladies and Gentlemen of the Jury, I've come here today to present you with a man who wants to justify the murder of his wife. I will show you how unjustified his act and his thoughts were in this not so spontaneous crime. Othello is on trial for murder and I would like to remind you that he has admitted full and absolute blame for this and you should not heed that lightly. Under the circumstances his mental state will come into account, but do not be bewildered by his claims of psychosis as any man could have had these thoughts befallen upon him and not taken action.…
From the opening scene of the play, Othello, Iago is driven by envy and the overwhelming need for revenge as a result of being overlooked for a promotion. He deliberately begins to weave his manipulation over Othello for the sole purpose of revenge: “after some time, to abuse Othello’s ear, that he [being Cassio] is too familiar with his wife”. Through the effective utilisation of the technique of a hyperbole and sensory imagery, the responder recognises the severity of the lies that Iago will “pour” into Othello’s ear. As a result of this, the responder is able to comprehend how Iago will go about his exploitation of Othello’s fragile peace of mind with regards to Desdemona’s fidelity. Iago’s horrendous deeds of lying and deliberate deceit ultimately lead to Othello’s and Desdemona’s marriage being filled with conflict which leads to their untimely death. Therefore, relationships are altered as a result of conflict as demonstrated with Desdemona and Othello.…
Shakespeare's "Othello" exhibits the demise of man via jealousy and rumor. The work showcases perhaps the gravest villain in literary times, Iago, whose evil cunning and masterful manipulation steamrolls the demise of honorable reputations; the destruction of intimate relationships, both brotherly and romantic; and finally, breaks down the sanity and conviction of stable men due to excessive need to protect ego and preserve personal pride.…
Emilia and Desdemona are both confined within a patriarchal power structure, and although their responses to this dynamic are different, they both ultimately die because of it. Emilia and Desdemona reside within a patriarchal society. Emilia and Desdemona both react differently toward their husbands’ actions. Both Desdemona and Emilia die as a direct result of their husbands’ authority over them.…
Othello is a very confusing love story with people who have a lot of issues and problems and they think that the world revolves around them. It is a story of love, hate, and all of the other ridiculous emotions a person can think of. Two characters that would fit into this category of describing would be Desdemona and Emilia. Both women are strong characters, but one may be stronger.…
Multiple times within the play Iago mentions his jealousy and why he is toying with Othello’s life for the mere pleasure of getting back at him, he even uses it when messing with Othello by telling him Desdemona and Cassio are having an affair behind his back. At the very start of the play Iago and Roderigo, (he helps Iago get back at Othello because he is in love with Desdemona and wants to steal her away from him), talk about their hate for Othello, this is where Iago states his main purpose for why he wants to get back at him. “I know my price, I am worth no worse a place. But he, as loving his own pride and purposes, evades them with a bombast circumstance…” He believes he is more worthy of the promotion than Cassio is and cannot stand the fact that Othello did not promote him. In act one, scene 3 Iago says, “I hate the Moor: And it is thought abroad, that ‘twixt in my sheets he has done in my office.” Iago has heard rumors floating around about his wife and Othello getting together in secrecy, the Moor refers to Othello and that he slept with his wife inside his own home, his office; Iago is unsure whether or not these rumors are false, but that that adds all the more reason for him to hate Othello and want to get back at him. Iago constantly hints…
Iago is one of the most interesting characters in Othello. He is full of jealousy, greed, selfishness, and hatred. At first, it seems Iago is only jealous of Othello because he has chosen Cassio for lieutenant instead of Iago. When it is revealed Iago is developing a plot in order to take down Othello, a shift in Iago’s character is seen. He is not only jealous, but he acts on his jealousy, making him appear crueler than when first introduced. As Iago explains, “The Moor is of a free and open nature that thinks men honest that but seem to be so, and will as tenderly be led by th' nose as asses are. I have ’t. It is engendered! Hell and night must bring this monstrous birth to the world’s light” (I.iii.336-341). Iago notices Othello’s character and acts on his weaknesses, showing both his cruelty and intelligence. Iago deceives Othello, who trusts him the most throughout the story, often referring to Iago as “honest Iago” (I.iii.294). Shakespeare uses irony continuously throughout the play when it comes to Iago. One of the most ironic parts of the play is the fact Othello puts great trust into Iago, who lies…