The mere mention of Cleopatra’s name invokes differing thoughts and images so therefore it is no surprise that over the years both her representation and reputation have changed and this can be clearly seen through her protrayl on the big screen and television. And with each change a glimpse of society at that time can clearly be seen.
The three representations I will be looking at are the films from 1917 with Theda Bara, 1963 with Elizabeth Taylor and the HBO series Rome (1990). All three of these show her in a different way from forboding to a sexual tease.
Within the 1917 film with Theda Bara the emphasis is very much of Egypt being threatening whilst being exotic and alluring. This was the Egypt that people had come to expect. Exotic but still alien to them, filled with symbols and strange monuments. Within this exotic world sat a powerful, ominous figure that is Cleopatra. Everything about her is threatening and powerful. Even from her pose on the film’s poster demonstrates this. The stance is straight on showing both aggressive and defensiveness. She is not smiling and the poster is about her and nobody else. This links back to the idea that powerful woman were dangerous and fitted into the alien environment of Egypt well. She is shown as beautiful, rich, powerful and a sexual dominator. However this all disappears as the 1963 production hit the screens. Still there is the exotic elorborance and luxury of before but gone is the stern, scary character, having been replaced by a shrewd stateswoman who knows how to get what she wants. This can be seen in the scene where she orders Anthony to kneel in front of her. Preconceived ideas are used to her full advantage. It is clear that this film reflects contemporary issues which again would affect how C. Is portrayed.