1. Evaluate the depiction of violence in Salvage the Bones. Consider how the scenes of violence – including Daddy’s loss of fingers, China’s brutal killing of her puppy, and the dogfight between China and Kilo – add to the novel. How do violence and tenderness co-exist in this troubled setting?…
In The Farming of Bones, Edwidge Danticat uses a unique point of view to place the reader into the story through the use of ‘you’ and common senses. By using the trigger word ‘you’, Danticat helps the reader connect to the story in two ways: emotionally and physically by describing common senses or feelings that one can relate to in their own life.…
As her mother waits outside the bathroom door, Ruth Anne Boatwright, nicknamed Bone, is being beaten by her step-father, Glen. She looks into his menacing features and thinks, “it was nothing I had done that made him beat me. It was just me, the fact of my life. Who I was in his eyes and mine. I was evil” (Allison 110). Bone, the main character in Dorothy Allison’s Bastard Out of Carolina, comes to this irrational, self-deprecating conclusion as she is being abused one day and blames not her abuser, but her mere existence instead. However, it is Glen’s own insecurities that makes him resort to the physical violence aimed towards his step-daughter. This violence reinforces Bone’s self-blame and thus creates a never-ending vicious cycle as Glen…
The reality of war is brutal and unjust. Through the experiences of prisoners of war, Bridie and Sheila, the audience is presented with a grim picture of the nature of war. In Act One, Scene Five, a photograph of skin-and-bone children who are dressed in rags is projected. The graphic image shocks the audience as it shows the harsh conditions that these children were put in. This creates a sense of empathy for the children. The mistreatment id then emphasised through Sheila presenting a chop bone. The chop bone represents the harsh and desperate times of war; where even the simplest of things are considered a treasure. The fact that Bridie and Sheila 'shared a bone' enforces the lack of human respect and powerlessness that they had. Later in the scene, Sheila makes an understatement “we were all a bit gloomy. It became quite a problem.” The use of second person makes the situation even more real and highlights how they were brutally treated. Through this, a greater sense of sympathy is created and the mass effect that war has on its prisoners is made more profound. These images provide evidence as to what happened during that time. Not only does it effectively assist the audience to visualise such events, but to also view the solidity of the atrocities of war.…
Jennie Dixiannas’ act starts when she ascends the rope to get to the top of the hippodrome, similarly this process shows that from a young age she has had a hard time relating with others in society due to the psychological scaring done from past events. “First, she climbed a rope, which slithered snake like between and around her legs as she rose higher”(28). Ever since her mother bled out while giving birth and passed away it has been a struggle for Jennie to accept it so she just tries to put it in the back of her mind and distract herself from the haunting scene of her mother dying. The rope symbolizes as a snake which slithers between and around her legs. Furthermore, this portion of the act indicates the beginning of the endless raping done by her father after her mother passed away. As a result, she had to adjust to the way things were which was a lot for a 6 year old child. Similarly, “Jennie became a walking phantom, the living receptacle of unlived lives” (33). This example illustrates’ how hard it was for her to deal with the hardships of living in the real world with nobody to help her with her problems.…
This paper examines how character development is important to any short story where character is a key component of what drives the story and keeps the reader's interest. In particular, it looks at how another dimension is added to this in John Hoyer Updike's short story, "A & P", because the entire story is about character development. The story begins with Sammy's character, which is developed through his voice, his observations, and his comments. Throughout this, it becomes clear that the one aspect missing from Sammy is his ability to take action. This is then resolved at the end of the story when Sammy finally gains the ability to take action. An analysis of this character development shows how character is created, while also…
In John Updike’s illustration “A & P”, a young nineteen year old boy, Sammy narrates the details of a time when he quit his job on a whim. Updike’s attention to detail contributes a large sense of reality to the narrator’s experience. The narrator describes himself standing “in the third check-out slot, with my back to the door” (Updike 17), and how young woman “turned so slow it made my (Sammy’s) stomach drop” (Updike 18). Neither of these details about Sammy or the young woman are essential to the stories plot; however, they are a part of Updike’s highly developed visual imagery and sense of reality within the story. Furthermore, both instances are true to life, thus intensifying the realness of Updike’s illustration.…
Allegory is yet another technique used to depict the concept of power and powerlessness within the poem. The giraffe is an allegory for women in society. The poet illustrates the giraffe as constantly confined in captivity; this is similar to that of housewives’ confinement to their homes. As they do not have any freedom nor any independence, both the housewives and the giraffe are seen as powerless. As a result, readers gain a broader perspective into the social powerlessness of women as drawn through the giraffe.…
Golding introduces the stark contrast between civilization and savagery and how human nature is exposed at critical moments through many symbols that echoes throughout the book. The interactions between the older and younger boys, the ‘beastie’ and death are three of the many symbolisms that show the different actions and thoughts of people placed in a difficult, or even impossible situation.…
And in the middle of them, with filthy body, matted hair, and unwiped nose, Ralph wept for the end of innocence, the darkness of man’s heart, and the fall through the air of the true, wise friend called Piggy (Golding 202).…
It involves a humorous story about a boy named Laurie starting kindergarten and getting into trouble at school, then deceiving his parents by telling them of a bad boy called Charles getting up to mischief, which is really himself. Jackson uses the language style of first person, from the mother’s point of view to develop the story from a one sided, biast perspective. In the opening paragraph, the mother narrates the image of Laurie as a “sweet-voiced nursery-school tot” and the audience is lead to believe her. As the story continues, oblivious to real nature of Laurie the reader is engaged by the mischief and bad boy behavior that is expressed by Laurie to his parents of this mysterious boy named Charles. Similar to the “Loaded Dog” in that Humor is used to attract and entertain the reader. Jackson uses the dialogue of Laurie to reveal the character of Charles to the reader which creates humor and intrigues the audience. The dialogue of Laurie’s telling his parents of Charles “Today Charles hit the teacher” and “Charles was bad again today” and also the dialogue of the parents “this Charles boy sounds like a bad influence” is used for a humorous effect and attracts the…
Many people believe our fate is set in stone from the moment we take our first breath. That we walk a path chosen for us, a path that very few events can alter. This is the case in James Hurst’s short story “The Scarlet Ibis”. In this piece, a young child named Doodle is born into a world where the odds are stacked against him. He is at first helpless, but with the assistance of his brother, eventually learns to cope with his disabilities, and live his life to the fullest. However, in a breaking autumn storm, his seemingly inevitable fate catches up with him, and he dies in his brother’s arms. Hurst uses symbolism, imagery, and foreshadowing to prove that Doodle’s death is unavoidable.…
Proverbially, the lion will lie down with the lamb, and the future will be full of promise, but can the same be said of the bear and the canary? This conundrum is explored in the relationship of Grandfather and Grandmother Connor. Grandfather is sturdy and solid, yet feared, as a bear is feared. Contrarily, Grandmother is gentle and sweet, taking little but giving much, as a canary raises spirits when it trills its songs. The symbolic bear and canary demonstrate the numerous differences, physically and characteristically between Grandmother and Grandfather Connor. The vivid imagery of Grandmother’s caged bird and Grandfather’s coat expertly connotes the feeling of captivity in their respective lives. Can…
A frustrated boy-genius is mad at his classmates Harold and George. But Harold and George have better things to do than listen to the boy genius, named Melvin Sneedly, whine all the time. Captain Underpants comics is used by Harold and George to embarrass other people. Desperate for attention, Melvin tries to become Bionic Boy, but instead, he sneezes at the last second, and becomes Bionic Bugger Boy. Everyone laughs and stays away from Bionic Bugger Boy (Melvin). Friends and classmates go to the tissue factory on a field trip. George and Harold do not like the tissue factory, but Melvin truly hates it. Harold and George snuk away while the tissue-maker was throwing tissues on Melvin (Bionic Bugger Boy), making Melvin angry. Instead of helping, the tissue-maker throws more and more tissues at Melvin while he keeps growing bigger and bigger. Just as Harold and George were snapping their fingers for Captain Underpants to appear, Captain Underpants realized he did not have the red and black-dotted cape, so he could not fly. Kids as they are, Harold and George just had to do something. Losing hope, Harold and George finally found a red and black curtain that could be used as a cape. Meanwhile, Melvin (Bionic Bugger Boy) was getting bigger and bigger by the second. Not giving up, Captain Underpants finally appears. Outrageous battle begins between Captain Underpants and Bionic Bugger Boy. Pinched in the bottom of Melvin's hand, a lady was saved by Captain Underpants. Quickly, the lady was kissing Captain Underpants all over the face, wearing off the effects of the Captain Underpants' powers, turning him back into the mean, old principal. Rescuing the lady was a mistake for Captain Underpants because now he was losing his powers. So then Harold and George started snapping their fingers trying to turn the principal back into Captain Underpants, but there was too much slober all over his face from the lady kissing him. To try and help their son, Melvin's…
But if one would stop and think—and lay aside the ironies of a tragic death through a single tragic mistake—and look into—and, similarly, look through—the eyes of Tessie Hutchinson, her husband Bill, her son Davy, and all the other people in their town, one would stop short to have found out that their minds are a clear mirror of one’s own. Clearly, the story is but a simple twist in the nature of man that man himself has tried to magnify.…