Immediately Browning titles the story with a hint that suggests the story will describe ownership of one of many Duchess'. It also suggests through the name 'Duchess' that it is coming from a royal background rather than simply saying 'woman' or 'wife'. The story is about a Duke who decides to remove his wife from his life out of paranoia and jealousy, by murdering her. Browning is the writer and the listener, the Duke is the speaker and the story is told in a dramatic monologe. Another device I noticed is that Browning uses enjambment, this gives the poem rhythm and flow.…
Context: After the hanging of John Proctor, Reverend Hale left for Beverly, his home town. He left a broken minister and went in a search to find himself again, wallowing in self-pity and hatred of himself; he stayed in Beverly for the next two years, not even going to Church. He could not bring himself to go, as he counted himself John Proctor’s murderer, along with countless others. After his two years of seclusion Reverend Hale decided that he needed closure, more than that, he needed to ask for John Proctor’s forgiveness.…
Robert Browning’s dramatic monologues Porphyria’s Lover and My Last Duchess contain many thematic similarities, despite portraying different scenarios, primarily spoken through a possessive and jealous man. In Porphyria’s Lover a man waits in his cottage for Porphyria. Her arrival “shut[s] the cold out and the storm” both literally and metaphorically. Porphyria confesses her undying love for the speaker, who, “happy and proud”, that Porphyria…
The Duke portrays his former wife as a having a “spot of joy” (21) that appears in her cheek, an unintentional indication of the Duchess’s delight, in other people and nature. The Duke considers her blushing as a form of corrupted nature. Browning uses a collection of images that…
My last duchess is a dramatic monologue where you explore the character of the Duke and his late wife. In the monologue you start to acknowledge the fact that perhaps the Duke himself has murdered his own wife because he was jealous. The title of the monologue is called ‘My…
Narrators are particularly significant in Robert Browning’s poems, such as in ‘My Last Duchess’ where the Duke’s voice reveals his cold and egotistical nature - creating sympathy for his late wife. An illustration of this is when he chillingly concludes “I gave commands / Then all smiles stopped together”. Superior and detached, his absolute need for control and sense of power is acute. Furthermore, the militancy in his voice is demonstrated through the assertive choice of verb “to command” and also further reflected in his short and abrupt and segmented sentence structure. At this point, the narrative returns us to the present, as the Duke appears to swiftly onto the next topic; his next wife, creating a particularly dangerous and psychopathic character.…
1. In line 15, Frost describes the saw as being sinister. He infers that the saw has a mind of its own, by stating that the saw jumped out of the boy’s hand and cut the boy’s hand terribly. Frost also makes it seem as if the saw is in a way, like a friend. He does this by demonstrating that using the saw is an advantage for the boy because it is making his job ten times easier. Without the saw, the boy would spend hours cutting through the wood.…
It is immediately obvious that the men in both poems are violent and murderous; in 'My Last Duchess' the man “gave commands” so “all smiles stopped together”, implying that he ordered his wife to be killed. The fact that commands were given for this to happen shows he considered his actions beforehand, and still decided to go ahead with the murder of his wife. The crime of his wife was to flirt with other men, a small crime for such a huge, permanent punishment. Her pleasure in flirting with other men is shown by the “spot of joy” which she called up, the the Duke's view of this his made clear through the use of the noun “spot”, which connotes a blemish, a mark on her otherwise good character, and something disgusting which the Duke does not like.…
There are numerous amounts of double meanings that come to mind, when analysing ‘My last duchess’. For example, the Duke states, ‘I gave commands and all smiles stopped together’ This quote means that the Duke has arranged for assassins, to have the duchess murdered, therefore, all of her smiles physically would have stopped. The other meaning for this quote is that the Duke gave orders, to murder the duchess; as a result, everyone around the duchess, such as family and friends, stopped…
' Every author or playwright has a distinct ‘voice’; how they apply their words through expression and the use of language. This is how we [the audience or reader], can tell the difference between Lady Macbeth’s personality and ambitions, and the woman in the Laboratory’s. Robert Browning has chosen the medium of poem, and Shakespeare is a playwright. Although very different forms of literature, both writers manage to convey solid characters through their own methods. For instance, Lady Macbeth is strong willed; an example of this is when she persuades her husband to kill King Duncan, and when he hesitates at the thought, she says ‘…we’ll not fail!’ This gives Macbeth the assurance he needs to go on, showing he also respects his wife and trusts her judgement, or that he is slightly scared of her – she is a formidable character, ‘…infirm of purpose…’. We can also say the lady in the Laboratory is also exceptionally motivated, wanting to kill her lovers new girlfriend, ‘…say ‘no!’, to that pulses… come-and-go’. She is also an intimidating character, ‘…quick – is it finished?’…
In the poem My Last Duchess, a large variation of feelings and emotions are expressed. They are expressed using various techniques, such as alliteration, rhetorical questions and many more. I am going to explain how feelings are expressed in parts of the poem and also what is shown and revealed by the Duke in My Last Duchess.…
Given that a tragedy excites an audience’s interest in the hero’s private consciousness, this article asks, “Has Shakespeare provided the means, in words or action, whereby this hero [Hamlet] comes, at last, to be ‘denoted truly’?” (18). Throughout Hamlet, the protagonist speaks ambiguously. His linguistic trickery only heightens the audience’s anticipation of resolution (and revelation of Hamlet’s inner thoughts). Yet the last line of the dying Prince—“the rest is silence” (5.2.363)—proves particularly problematic, with a minimum of five possible readings. For example, Shakespeare perhaps speaks through Hamlet, “telling the audience and the actor that he, the dramatist, would not, or could not, go a word further in the presentation of this, his most verbally brilliant and baffling hero” (27); the last lines of Troilus and Cressida, Twelfth Night, The Merchant of Venice, and Love’s Labor’s Lost suggest a pattern of this authorial style. While all five readings are plausible, they are also valuable, allowing audience and actor to choose an interpretation. This final act of multiplicity seems fitting for a protagonist “whose mind is unconfined by any single issue” (31).…
In everyday life, there is a constant struggle to create a sense of self within the mind of every person in this world. There is always a conflict present between the importance of self and the influence that others pose on this sense. When this sense is reached in life, there is still constant influence from others to alter this frame of mind. In many works of literature, this struggle can be seen within the characters of the story.…
Fra Lippo Lippi " is probably one of the " lyrics with more music and painting " mentioned by Robert Browning in a letter to Milsand of February, 1853. In April of the same year, Elizabeth Barrett describes him engaged in " digging at Vasari ", whose Le Vite de ' Pittori was probably the main source for the poem and many others about Italian painting.…
“What are the ways in which Browning tells the poem The Pied Piper of Hamelin?”…