The text finally uses the interaction between Victor and the Monster to display the similarities of their misfortunes, but then completely contrasts the two characters, leading readers to create a larger conclusion about the text. At the end of the Monster’s life story he demands a companion emphasizing Victor’s role in his misfortunes: “Instead of threatening, I am contest to reason with you. I am malicious because I am miserable. Am I not shunned and hated by all mankind? You, my creator, would tear me to pieces, and triumph… and would not call it murder” (104). The texts ironically portrays the Monster as the responsible figure attempting to change his future contrasting him to the human who refuses to participate in a self-determined change of fate. Due to the fact that the Monster is dependent on a human creator, no decision he makes can ultimately change the fate of his misfortune. Victor on the other hand not only has the choice of the Monster’s happiness in his hands, but also his own fate. By displaying the Monsters inability to change his destiny, the text emphasizes the…
Shelley’s Gothic novel, Frankenstein, explores the complex nature of mankind by considering the consequences of an unrestricted pursuit of science. A rise in scientific experimentation with Galvanism during Shelley’s time is reflected through the protagonist Victor as he uses it to bestow life. Shelley portrays Victor and the Creature as complex beings, demonstrating both inhuman and human qualities. Despite this, the subsequent rejection by his creator and the De Lacy family drives the Creature to ‘eternal rejection and vengeance of mankind’. Victor’s initial response when meeting the creature, demonstrates his savage, cruel treatment and lack of responsibility towards his creation.…
The idea of ‘disruption’ is explored within Blade Runner and Frankenstein through the interference of the natural environment due to scientific progress. Such a conflict between nature and science within Frankenstein, stems from the contextual backdrop of the 1800 Romanticism movement, a backlash against the age of Enlightenment and its rationality through scientific experimentation. In an attempt to warn her audience of the horrifying consequences of disrupting nature, Shelley utilises a Gothic-Romanticist style, and motifs such as the sublime and soothing nature versus monstrosity as shown in the lines, “the valley that is more wonderful than the sublime”, juxtaposed with the appearance of the monster as “yellow skinned, black eyed”. Whilst Victor warns Walton to, “avoid ambition...in science and discovery”, his character development, alluded to as the ‘ancient mariner’, whose hubris of overreaching the boundaries leading to his downfall is contrasted against his perfect childhood, again reiterating Shelley’s warnings about the consequences of disrupting nature. Likewise Scott…
Victor, depressed after the deaths of William and Justine for which he feels responsible for, heads to the mountains. “A cold… breeze… upon my cheeks … fills me with delight” is a shortened quote from Victor which expresses his feelings towards nature as a joyous one. The influence of nature on mood is evident throughout the novel and just like Victor feeling happy in the embrace of nature; the monster also feels his heart lighten as spring arrives after a being abandoned in the cold winter. “The weather became fine and the skies cloudless”.…
Written during the industrial revolution and the emerging era of existentialism and exploration – Shelley’s Frankenstein can be interpreted as a warning to the technologically curious. This curious nature is personified throughout the protagonist Victor Frankenstein, who tragically falls victim to experimentation without boundaries. This was an attempt to forshadow the potential dangers of unmonitored technological advancements. To reiterate this sentiment, Shelley also aimed to to stress the divinity of nature in the face of technological dominance through elements of Romanticism. “The weight upon my shoulders was sensibly lightened as I plunged yet deeper into the ravine” emotive imagery highlights the cleansing effect of the environment, juxtaposed against the oppressive nature of the technologically advanced city.…
Contextual influences shape our values and way of life just as those of us living at that time challenge the values of that time. Shelley wrote Frankenstein during the Scientific Revolution not long after Galvani’s discovery of so-called ‘animal electricity’, sparking her idea of the possibilities of generating new human life. The power of the creative imagination was also a major influence on Shelley, a Romantic herself, and very influenced the renowned Romantic poets, husband Percy Shelley and friend Lord Byron. Shelley used the character of Victor Frankenstein in order to question the scientific and industrial revolutions wherein industrialists and scientists were increasingly focused on the thirst for knowledge at the expense of nature. In her text she has the obsessed Victor comment that he “did not watch the blossom of expanding leaves” and here…
Throughout the novel, The Monster is characterized as a sensitive being; he wants to be loved and resents the fact that he was rejected by Frankenstein. As he gains knowledge and begins to grow more intelligent, The Monster comes to the realization that Victor abandoned him, that he is unwanted. This frustrates him as he continually gets rejected by society. Although Victor seems to think very highly of himself, The Monster has a very low self-esteem, “I, the miserable and the abandoned, am an abortion, to be spurned at, and kicked, and trampled on” (pg #), which stems from his rejection by both Victor and society as a whole. This character trait of The Monster makes the sort of selfishness of Victor, as it shows that, in his search for fame and glory, he was uncaring of the consequences. In creating The Monster, Victor’s intentions were not what they should have been; instead of trying to create life in order to make the world better, he was doing is for the sole purpose of becoming a God-like person. His God-complex is apparent in other parts of the novel as well, when he meets The Monster in the mountains and they have a conversation about Victor’s want to destroy The…
Both texts warn against unchecked scientific endeavors, form and context influencing the manner with which the importance of the sublime is presented. Frankenstein’s depiction of nature uses abundant, sublime imagery to reveal the internal state of characters, and humanity’s interdependent relationship with the power of the natural world. Vividly beautiful imagery of the sublime in nature reveals Shelley’s fundamental romantic world view. She saw the society threatened by scientific progress as portrayed through Frankenstein in his creation of artificial life. “… thousands of others shall be swallowed up in the whirlwind of it’s (science’s) rage.” Here, the monster can be read as a representation of unchecked science, created into a supernatural force. Direct connection with nature, on the other hand, is viewed as exceptionally important, heavily rooted in the romantic beliefs of Shelley. The sublime is an overwhelming, unbeatable force, and…
As Victor prepares to “bestow animation upon lifeless matter," he begins to defy nature and reality. He begins to raid morgues and graveyards, "Dabbling among the unhallowed damps of the grave ... collecting bones from charnel-houses and disturbing... the tremendous secrets of the human frame. ... The dissecting room and slaughter-house furnished many of my materials", starts his slow descent into madness and insanity. Even though he states that "Often did my human nature turn with loathing from my occupation," he continues to expose himself to the wretchedness of dead matter. His corruption, generated by his pride and ego, he gets ahead of himself, claiming "A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me. No father could claim the gratitude of his child so completely as I should deserve theirs," Victor soon reaps the bitter fruits of his labor.…
he back domestic rapidly after receiving a letter from his soon to be wife, elisabeth. even though victor become still laid low with a few emotional misery, he became nonetheless able to go back home, not like the creature who had no one to love and couldn't be frequent with the aid of any ordinary human, hence having no manner of escaping his isolation. the creature's want for interest led him to the murders of the human beings closest to victor. he instructed victor that he "will revenge my accidents: if i can't encourage love, i can motive worry, and mainly towards you my archenemy, due to the fact my writer, do i swear inextinguishable hatred"(139) homicide became the creature's way of receiving interest. the more he killed victor's loved ones, the more interest the creature received from victor. in the end he had killed all people near victor and had received victor's complete attention, whilst victor vowed to do everything inside his "power to capture the monster."(a hundred ninety) now each victor and the creature had nobody to love, best one individual to are seeking for revenge…
It is proved that his mental state is unbalanced when he states, “My internal being was in a state of insurrection and turmoil” (Shelley 36). As his mental health becomes unstable, he then becomes obsessed with science, making it his highest priority, even above his own health and family. Victor then suddenly became consumed with the concept of creating life artificially, and of the elixir of life. Although Victor does succeed in his dream of creating life, he is soon horrified at the sight of what he has created. He is not proud of the Creature, but disgusted at the sight of it, stating, “the beauty of the dream had vanished, and breathless horror and disgust filled my heart” (Shelley 57) Victor abandons his creation and leaving it to fend for itself, indirectly causing the murders of loved ones on account of his own shallowness, selfishness, vanity, and disregard of moral…
Written in 1818 by Mary Wollstonecraft Shelley, Frankenstein is widely considered to be among the novels that fully exemplify Romantic-era literary achievement. The Romantic movement is a general term used to denote the intellectual evolution in literature and the arts, primarily in 19th century Europe. Substantial facets of literary Romanticism include belief in the innate virtue of humans, the bounds of nature, as well as the polarity of human emotion, all of which are embodied in Shelley’s Frankenstein. Through reading Shelley’s novel, some of the fundamental ideals of Romanticism genuinely become obvious.…
His entire mood and aura changes: “Employed in the most detestable occupation, immersed in a solitude where nothing could for an instant call my attention from the actual sense in which I was engaged, my spirits became unequal; I grew restless and nervous” (120). His mood is changing and he can sense a familiar uneasy feeling of sickness growing in his stomach. His experiment continues, and deep down he understands how unethical his experiment must be: “I looked towards its completion with a tremulous and eager hope, which I dared not trust myself to question, but which was intermixed with obscure forebodings of evil, that made my heart sicken in my bosom” (120). He senses how wrong creating this creature is, and how much evil it could very likely bring. Victor is caught in a hard place and is faced with making an ethical decision. He must create a monster for the greater good of saving the people from the monster going on a depressed rage, even though he understands how much it will destroy his overall mental and physical state. This is eerily similar to what we must face on a daily basis, as we must often times make decisions regardless of the impact it has on…
When the monster (also Nature) is created, the role of antagonist and protagonist changes due to enforcement. When the monster was created, it wasn’t the antagonist. It tried to do many good things such as saving a small girl. Those good deeds were never rewarded, causing the monster to be disgusted with humanity making it, by enforcement to be come the antagonist. Victor at this point becomes the protagonist as the monster goes throughout its rampage killing loved ones of Victor. The best example of the monsters turning into the antagonist is after he saves a mans daughter and the man shoots and him. The monster, after this even says that this was the last time he did anything good. Mans cruel attitude towards the monster was not the only cause of his turning to antagonist, Victor’s attitude as well was a major contributor. Nature is forced to protect herself (or the…
Victor Frankenstein and the monster, throughout the novel, use nature as a place of healing. Victor describes how nature gives him great bliss by saying, “When happy, inanimate nature had the power of bestowing on me the most delightful sensations. A serene sky and verdant fields filled me with ecstasy” (62). He is portraying that when he is in a cheerful mood; nature gives him an excellent feeling like how a piece of candy can make a little kid very joyful. Victor also explains that every time he breathes in nature, it heals him as portrayed in the novel, “We passed a fortnight in these perambulations: my health and spirits had long been restored, and they gained additional strength from the salubrious air I breathed, the natural incidents of our progress” (62). When Victor becomes sick, he trusts that breathing in fresh air will heal him and restore him back to perfect…