The thirteenth canto of Dante’s The Inferno clearly depicts several of the different themes that can be seen throughout the poem. Some of these themes are the idea of contrapasso, or the notion that the punishment dealt fits the crime committed, the portrayal of Hell as being devoid of hope, and the importance of fame. The images and language Dante uses to describe his experiences in the middle ring of the seventh circle of Hell, which houses the suicides, provide the reader with the feeling of despair and hopelessness present throughout the text, while also serving to show the idea of contrapasso and the underlying importance of fame.…
Dante the Pilgrim visits many different people while on his journey through Hell in Dante’s Inferno. Each one of these tormented souls are punished for their crimes against themselves, society, and God. Most of these personalities bring no surprise as they are robbers, murderers, and blasphemers. However, the amount of Church authority figures in Hell is staggeringly high. The ironic revelation is never fully dissected by Dante but the implications of this writing may cause the public to turn a leery eye towards the Church. Throughout Dante’s Inferno, the sights of “Holy” men rotting in Hell create a rift between the teachings of the church and the common citizens.…
Dante’s Inferno depicts all the different types of major sins you can commit in your lifetime and the punishments you will endure thereafter. Dante had a system for these punishments that worked on the idea of divine justice. Basically, whatever temptations you succumbed to, you will be punished in a deserving manner based on how bad the sin was. Dante’s 9 circles were in order from bad to worse, 9 being the worst.…
Citations: Sayre, Henry M. A World Of Art. 6th Edition. Saddle River, NJ: Pearson Education, 2010. 1, 3, 35, 42. Print.…
One must understand that in abiding by Catholic doctrine and teachings his rankings of Circles represent the Divine Justice that draws the whole story together. Evil, which is the reason behind sin is the ultimate breaking of God’s will because the evil actions are in direct violation of God’s commands. Fraud is seen with such disdain by Dante because it is a direct violation of trust and love, which are seen as two of the purest emotions by Dante. Divine love is seen by Dante as the ultimate power and in many ways shapes his views and understandings of the underworld. Dante views his love that he feels towards Beatrice as the representation of true love because of the pure intentions in which they are founded. Many of the worst sins in Hell are perversions of pure intentions and demonstrate Dante’s views on sins. These views are unquestionably founded in the fact that he was betrayed by his beloved city of Florence when he was exiled. This can help to explain why Dante places Cassius, Brutus, and Judas in the mouths of Satan because of the direct violations of love and trust which were committed by these…
“The Inferno” is an epic poem following the journey of Dante a mortal man who was guided through the many circles of Hell. Through his experiences he learns that divine retribution is pure justice of God; for all the punishment the tormented souls endure in Hell corresponds to whatever sins they have committed in life. Every circle in hell has an assigned punishment for the corresponding sinners within them. At the beginning of Dante’s journey he was horrified and felt pity and compassion toward the tortured souls he encountered. Through his journey Dante’s attitude changes from pity and compassion to ridiculing and wishing more punishment of divine retribution upon the sinners within the circles of hell. Through my essay I will discuss cantos V, VIII, and XXXII.…
Dante makes the definition of sin simple: any act that has transgressed nature and its natural practices. Usurers gain from the unnaturally speedy accumulation of money, the lustful engage in sexual practices that cannot possibly yield a child; they are the incarnation of sterility, the incontinent sinners deny their human civility (1.50). Although sin becomes a strong foundation for his comedy, Dante's Inferno, itself one piece of a literary trilogy repeatedly deploys the leitmotif of the number three as a metaphor for ambiguity, compromise, and transition. For example the leopard, lion, and she-wolf that menace Dante in his quest to get to the sunlight all illustrate different types of sin. Interpretations have parsed the leopard as a symbol of fraudulence, the lion as a symbol of pride, and the she-wolf as a symbol of avarice or greed, thus we see three levels of sin: incontinence, violence, and fraudulence—severity dictated by that order. Dante gives the number three allegorical importance in terms of aesthetic pleasure (ie 3 faces of Satan, 3 line poetry): “Oh how amazed I was when I looked up and saw a head—one head wearing three faces” (34.37). The incorporation of this numerical value presents an inverted trinity, his replica of society and the Catholic Church due to beliefs in the holy trinity, but it becomes apparent that Dante stages the entirety of The Divine Comedy as to prove that God’s divine justice is…
Dante’s description of the punishment that these fraudulent clergymen endure reinforces the moral intent of the poem – which is meant to demonstrate that each sin is punished judiciously and that each consecutive sin is punished…
While Dante’s imagery is sometimes straightforward, he also has disparate instances where his the elegant diction in his imagery leaves the audience haunted such as when he describes those in hell for committing suicide, “Our bodies will be hung: with every one, fixed on the thornbush of its wounding shade” (XIII. 101). The imagery of this mutilation leaves the audience wondering about the about the wounding shade.…
Leonardo da Vinci. The Last Supper (after restoration).Leonardo’s “Last Supper” is a priceless piece of art with much hidden meaning and obvious talents bestowed upon a wall. Leonardo was able to use his skills in creating a very detailed and a very naturalistic piece of work that would be remembered for hundreds of years. He was also able to create characters with amazing individuality. Not only was his portrayal of the characters magnificent, but the symbolism he used which emphasized the story being told in the “Last Supper”.…
Empires throughout the world were taught that in order to have and gain redemption, they must first grasp the moral truths that surround communities. In and amongst the pages of Dante’s The Divine Comedy, we are educated of diverse ways to relate to life through Hell, Purgatory and Paradise. This voyage Dante takes his readers on is one of uncertainty, ambivalence and inconstancy, as if we are touring an encyclopedia to increase this circle of knowledge.…
In Dante’s the Inferno, it is a tale about Dante going through the various circles of Hell, but throughout the background of the whole epic, God’s justice shines brightly. While the focal point of the epic is to show the journey of Dante, the justice of God becomes evident. It is a truly unforgiving and cruel object, but in good reason, to condemn sinners. Whether it is in the fitting punishments handed to the sinners, the demons that condemn them, or even Hell as a whole, God’s unforgiving justice is displayed front and center.…
In our world and Dante’s violence, greed, and treachery or treason are all viewed similar and are punished in similar ways. For example, someone who is guilty of greed in today’s society is not punished by a law but is punished mentally by the community. In Dante’s Inferno, they are placed deeper into hell and are punished mentally and physically.…
Instead of respecting Boca’s decision not to share his misfortune in its entirety, Dante physically attacks Boca by grabbing his neck and pulling his hair. This evil behavior provokes the reader into considering that maybe Dante should be in Hell and Boca should not, especially since all he does in response is squeal rather than fight. Again, the distinction between earth and hell is questionable. The behavior of individuals in these two realms illustrates the interchangeability of evil and good in both spheres, suggesting that conventional distinctions may be artificial in significance. Though earth and hell differ in physical location (clearly Dante can leave hell and return to earth), the morality of both places can be quite similar. The reason this critique is more subtle than those of Montaigne and Boccaccio is that Dante does not explicitly state his disapproval of his own behavior, he simply illustrates it and allows his reader to assess. Some may consider Dante’s aggression to be in accordance with God’s wishes, meaning that Dante’s evil tendencies correspond to God’s relative placement of his victims in Hell. Interpreting this story in light of Francesca’s, however, leads one to believe that Dante is following the pattern of linking two seemingly polar realms of existence and making his reader question the validity of such a moral…
History has given many points of view of civilized life and ideas of the past that teach lessons on our path to perfection. The conflicts and prejudices between the Muslim and Christian people are some key examples of points of view that were key to the development of our modern day civilized life. A key person of interest in our World’s most prominent literature is Dante. Famous for his beautifully crafted Divine Comedy, Dante has provided the basis for Italian literature even until this day. Throughout his Journey through the circles of Hell, Dante imagines many prominent figures in history who have been banished to Hell by God. None are more controversial than those of the Islamic faith because of his depictions of Muhammad. Throughout…