The film commences with the view of long, lush grass with the Amish emerging from it soon after, accompanied by natural and ambient lighting. This establishes the Amish effectively as peaceful people who are in harmony with nature. However, this view of the Amish is soon juxtaposed in the next scene with the English. Weir successfully uses a long shot of a train station with everyone doing their own thing along with harsh and artificial lighting. This is presented very effectively because the audience realise that the director is making a negative comment about society.
Furthermore, visual juxtaposition is used effectively when Book first arrives at the Lapp farm. The visual of the car, symbolising the artificial and violent western world, is visually juxtaposed with the agricultural farm house of the Amish. This shows the differences and clash and incompatibility of the two cultures. Also, Weir uses an interesting piece of imagery when Book crashes his car into a birdhouse on the Lapp farm and breaks it. This symbolizes Book’s arrival on the Lapp farm, bringing