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‘Nanook of the North Seems Poised Between Documentary and Fiction…It Marks a Moment Before the Distinction Between Fiction and Documentary Is Set.’ (William Rothman)

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‘Nanook of the North Seems Poised Between Documentary and Fiction…It Marks a Moment Before the Distinction Between Fiction and Documentary Is Set.’ (William Rothman)
‘Nanook of the North seems poised between documentary and fiction…it marks a moment before the distinction between fiction and documentary is set.’ (William Rothman)

by

Anuradha Chowdhary

Email: anuradha_chowdhary16@hotmail.com

Address: Manna Ash House,

8-20 Pocock Street,

London- SE10BW.

Looking back to the early development, documentary was called to be crucial in the phase of cinema. Historically, the film was conventionally commences in 1895, according to Erik Barnouw, the media historian, the Lumiere programs were the very well-liked in which for a span of two years they had just about a hundred operators working around the world. In fact, both showing their films as well as photographing new ones for the purposes of adding to a progressively rising catalogue.
So in this view, there was a number of the new enterprising film firms in which just sprang up at the turn of the century featuring non-fiction titles, most specifically the travelogues. In the period prior to world travel has been actually widespread and every tourist had a camera. Therefore, the scenes of distant lands as well as the life were then having considerable foreign appeal for film patrons. As in most of whom until time were working class and definitely could not afford travel for such a reason. Citing some instances, for these two filmmakers Edwin S. Porter (1870–1941) and D. W. Griffith (1875–1948) had done perfecting the editing techniques for such a reason of advancing a story. That so happened, non-fiction films had been quickly obscured in attractiveness by narrative films in which had been exploited in editing as well as other cinematic techniques. Among those were framing and the movement of the camera in order to engage audiences expressively. In effect to that, non-fiction film had an assumption to a contributory position. (Kawin 2011) In due course, in



Bibliography: Danzker, J 1980, ‘Robert Flaherty: Photographer/Filmmaker, the Inuit, 1910–1922’, Vancouver, BC: Vancouver Art Gallery. Rotha, P 1983, ‘Robert J. Flaherty: A Biography’, Philadelphia: University of Pennsylvania Press, 1983. Rothman, W 1998, “The Filmmaker as Hunter: Robert Flaherty 's Nanook of the North “,Detroit, MI: Wayne State University Press, 1998.

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