In the commencement of the play, Blanche is quickly described as a damsel in distress. She is portrayed as a wealthy woman “in a white suit with a fluffy bodice, necklace and earing of pearl, white gloves and hat…” (5). She resembles an embellished white moth. The fact that she is forced to live with her younger sister Stella and her domineering husband truly shows that Blanche is in a truly desperate situation. Her overall character is depicted as a traumatized woman that is in complete desolation. Experiences such as witnessing her family on a “...Long parade to the graveyard” (21). Being forced to live with your family until their tragic demise would emotionally and mentally torment anyone. She lives inside of her own world in which she…
Blanche DuBois is one of the central characters in Tennessee Williams’: “A Streetcar Named Desire”. She is the sister of Stella Kowalski, she is in her thirties and works as a school English teacher. Blanche can be described as many things; a “slut”, because of her relations with soldiers and numerous men in a hotel, a “predator”, because of her affair with a young school boy. However, a “victim” because of her gender would not be one that many would first think of or even agree with.…
Throughout the play, Blanche is living a lie and existing in a fantasy. Blanche DuBois, who is lost and confused, lies to herself through the entire play. At the beginning, Blanche lies to her sister, Stella, about taking a break from her school teaching job, when in reality, she has…
The main characters in ‘A Streetcar Named Desire’ are Blanche, Stanley and Stella. Blanche is from old world America. She moves to New Orleans with her sister Stella and her husband Stanley after she goes through a bad time in her life and losses her job along with her family house. Blanche has power over her sister, and she abuses this power. This is first demonstrated when Blanche asks her sister to get her a drink from the drug store and she does so ‘Blanche- Honey, do me a favour. Run to the drug-store and get me a lemon-coke with plenty of chipped ice in it! – Will you do that for me, Sweetie?’ This demonstrates the power of fear which Stella feels. She believes that if she does not comply with her sisters ‘orders’ then she will have a more stressful and difficult life so she obeys.…
When Blanche enters Stella’s home, she pours herself half a tumbler of Whiskey. This shocks the audience, as in the play so far she has presented herself as a dignified lady. The audience have this perception of her because of the way she is dressed, and the way she carries herself. We are told she is sat with…
The dynamic opposition between Blanche and Stanley in A Streetcar Named Desire is one of the most important forces in the play. Williams creates and maintains an antipathy and tension between them so that, despite the audience’s horror at what Stanley does to Blanche in scene 10, the fact that there is a final clash between the two characters comes as no surprise to us. Stanley’s gruesome boast to Blanche before the rape, ‘we’ve had this date with each other from the beginning’, whilst shocking, is also a neat comment on the way Williams has structured the play.…
This play reflected a part of society that was frowned upon on a social level in the mid 20th centuary. Today a play like this is concidered normal, or average as far as the contrivisrail espects are concerned, but in the 40s a character like Blanche Dubois was something that challegned the moral of the ideal american family. This play is about Blanche DuBois, a schoolteacher from Laurel, Mississippi. She arrives in New Orleans to live with her sister, Stella Kowalski. Blanche told her sister that she lost their their ancestral home Belle Reve, following the death of all their remaining relatives and husband. She mentions that she has been given a leave of absence from her teaching position because of her bad nervous breakdowns.…
When Blanche starts talking to Stella, she…
Blanche denies her purity. In scene seven, Stanley tells Stella that Blanche had worked at the Hotel Flamingo as a prostitute. We see from this that Blanche denied her past by lying to Mitch, saying that she had never been more than kissed by a man. We see that Blanche was lying when she said that she was taking a leave of absence from her high school career. Blanche actually had relations with a teenage boy. Obviously, Blanche is not pure and innocent. The way Blanche implies that she’s a virgin, talks softly, and wears white, are all ways that Blanche is denying her history as a…
Thesis: In the play A Streetcar Named Desire Tennessee Williams ultimately portrays the struggles of a woman in the 1920s. Through the demonstration of the main character, Blanche, we depict the struggles between alcoholism, the conflicts in social classes and the indifferences in sexuality.…
the two of them were dancing, she told him what she had seen and how he…
Blanche dwells in illusion; fantasy is her primary means of self-defense, both against outside threats and against her own demons. But her deceits carry no trace of malice, but rather they come from her weakness and inability to confront the truth head-on. She is a quixotic figure, seeing the world not as it is but as it ought to be. Fantasy has a liberating magic that protects her from the tragedies she has had to endure. Throughout the play, Blanche's dependence on illusion is contrasted with Stanley's steadfast realism, and in the end it is Stanley and his worldview that win. To survive, Stella must also resort to a kind of illusion, forcing herself to believe that Blanche's accusations against Stanley are false so that she can continue living with her husband.…
She would later get run out of her home in Laurel after she became the disgrace of the town, town slut, and she loses her job after she attempts to have intimate relationships with her students. These two events leave her homeless and without a job, so in order to survive she decides to call on her younger sister, Stella, who is living in New Orleans with a war veteran. She believes that if she was to go and live with Stella, both Stella and Stanley would be happy to provide for her as she lives out the rest of her fantasies and possible finds herself a new man. She succeeds in finding a new man, Mitch, however, he later calls her a dirty slut that is not clean enough to bring into the house with his mother. Basically, Blanche got caught in her web of lies after she began attacking Stanley`s authority and out of spite he tipped of Mitch about Blanche`s true self and the Mitch dumps Blanche. This triggers an emotional breakdown, in which Blanches false hopes begin to come crashing down around her and in the end, Stanley decide to exert his dominance over her, which causes for Blanche to completely fall apart at the seams. Blanche is so emotionally distraught about what had happened to her that she gets sent away to a mental asylum so that she would finally be able to get the help she needed or at least live out her illusions away from everyone…
At the beginning of the play, Blanche is already in a nervous breakdown as she was drinking wine that she found in Stella’s house. She was using it to calm her nerves. When Stanley came home from his bowling game, he had a conversation with her. At the end of the scene, he asks her about her husband. She started to break apart as she says “The boy – the boy died; [She sinks back down] I’m afraid I‘m - going to be sick! [Her head falls on her arms],” (p. 31). This represents that her husband’s death has resulted her to go into a depression. She is unstable whenever she is reminded of her husband. She had some memories with her husband that she cannot forget causing her to be really sad. It is later revealed in the play that her husband was with another man. He killed himself due her revulsion towards him. She states “by coming suddenly into a room that I thought was empty – which wasn’t empty, but had two people in it...the boy I had married and an older man who had been friends for years...” (p. 95) and “I’d suddenly - said I saw you disgust me...” (p. 96). She loved her husband but he was…
In A Streetcar Named Desire, Blanche refuses to accept reality and tries to resuscitate her idealized past through memory. She allows desire to conduct the way she lives and as a matter of fact is ultimately destroyed by the pursuit of her sexual desires. The correlation between death and desire is a prominent aspect that Williams explores in A Streetcar Named Desire. Throughout the play, death and desire are frequently and consistently entwined on many levels, particularly in the connotation of sexual desire inevitably leading to death or extreme wreckage of some kind and vice versa.…