Funerary Vase (Krater) 1) A painted clay vessel showing an early style of Greek figurative art‚ also embodies some core Greek beliefs. 2) Grave Marker: a) A Krater is a wide-mouthed clay vessel for mixing wine and water. 3) Terracotta: a) The vessel is made from Terracotta (Terracotta‚ Terra cotta or Terra-cotta (Italian: "baked earth"‚ from the Latin terra cotta)‚ a type of earthenware‚ is a clay-based unglazed or glazed ceramic where the fired body is porous. Its uses include
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Analysis and commentary of To Autumn by John Keats In To Autumn’‚ a superficial reading would suggest that John Keats writes about a typical day of this season‚ describing all kind of colourful and detailed images. But before commenting on the meaning of the poem‚ I will briefly talk about its structure‚ its type and its rhyme. The poem is an ode[1] that contains three stanzas‚ and each of these has eleven lines. With respect to its rhyme‚ To Autumn’ does not follow a perfect pattern. While the
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THESIS STATEMENT: In my paper I will focus on issues including the significant background of the Euphronius Vase‚ the reconstruction of the Greek vase itself‚ and Euphronios choosing a myth popular in Athens for half a century and transforming it in his own supreme style‚ which shed significant light on the complex history and ethnical issues related to this work of art. I will argue that a known literary model can be helpful in elucidating the details of a painted scene and a Corinthian fragment
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ODE TO AUTUMN John Keats This poem‚ an ode‚ is the last of Keats’ odes. In it‚ the poet exhibits a rich mood of serenity by describing autumn as a season of mellow fruitfulness – a season of ripeness and fulfillment. This ode is known for its remarkable sensuous beauty that is crafted by employment of several visual‚ tactile and auditory imageries together with the personification of autumn as a woman engaged in various autumnal activities. In the first stanza‚ the poet has described the
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Harvester Vase: Hagia Triada The Harvester Vase was found in Hagia Triada on the island of Crete. This vase is from the Late Bronze Age‚ dating from 1550 to 1500 BC. The vase was originally made in three parts and was fitted together. The face is oval shaped and has a vessel on the top. The vase was carved on brownish steatite. The vase was originally glided with gold and hammered to paper-thin thickness. This piece is decorated with low-relief sculpture and shows a unique scene. The piece has pictorial
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Figure 1 – Obverse View of the Terracotta Loutrophoros Terracotta Loutrophoros (fig. 1) epitomizes the distinctive style of funerary vases created in Apulia‚ a region located in South Italy. The vase is attributed to the Metope Painter and was created around the third quarter of fourth century B.C. South Italian vase painting has been the subject of “neglect [and] general disparagement” due to the “emphasis placed upon the study of Archaic and Classical Greek art.” South Italian art has been
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KEATS AND WILLIAM WORDSWORTH AGE OF REASON EMPIRICISM "a statement is meaningful only if it can be verified empirically (Sproul 103)." "Man was born free‚ but everywhere he is in chains" - Rousseau Rousseau (1712-1778) cried: "Let us return to nature" (Schaeffer154) Characterized by freedom of the mind and an idealistic view of human nature‚ Romanticism slowly crept out of Neoclassicism (1798-1832 ) ROMANTICISM • Rousseau saw this as dangerous to the freedom of mankind and thus sparked
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Comparison between Wordsworth’s and Keats’s poetry. ____ Wordsworth and Keats both belongs to Romantic age and both are the shining stars on the horizons of poetry. Both mark their names in the history of English literature through their work. ___John Keats and William Wordsworth believe in the "depth" of the world and the possibilities of the human heart. Regardless of where each poet looks for their inspiration they both are looking for the same thing; timeless innocence. Both poets sought to
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JOHN KEATS (1795-1821) * He’s the forerunner of the English aestheticism. * Member of the Second generation of Romantic poets who blossomed early and died young. He is Romantic in his relish of sensation‚ his feeling for the Middle Ages‚ his love for the Greek civilization and his conception of the writer. He was able to fuse the romantic passion and the cold Neo-classicism‚ just as Ugo Foscolo did in “LE GRAZIE” and in “I SEPOLCRI”. * He was born in London; he attended a private school
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3. CRITICAL APPRECIATION Its Faultless Construction This is the most faultless of Keats’s odes in point of construction. The first stanza gives us the bounty of Autumn‚ the second describes the occupations of the season‚ and the last dwells upon its sounds. Indeed‚ the poem is a complete and concrete picture of Autumn‚ “the season of mists and mellow fruitfulness”. Its Sensuousness The bounty of Autumn has been described with all its sensuous appeal. The vines suggesting grapes‚ the apples‚ the
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