person not to belong. This concept is aptly demonstrated in Peter Skrynecki’s poem ‘Postcard’. In this poem‚ Skrzynecki shows his decisions using a number of figurative devices such as when he speaks to the postcard in an apostrophe‚ stating "I never knew you"‚ and later repeats‚ "I never knew you/ Let me be." The repetition
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individuals or by limiting us as individuals – in some cases because we cannot conform to social norms – in some cases because we refuse to comply with social expectations. All these ideas are present in Skrzynecki’s Immigrant Chronicle poems‚ Feliks Skrzynecki and St Patrick’s College‚ both of which explore the problems associated with the displacement that accompanies migration. These elements also manifest themselves in M.T. Anderson’s picture book Me all alone‚ at the end of the World
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Belonging + Alienation By Hameeda “Skrzynecki’s poetry explores the question of alienation just as much as it does the issue of belonging” Alienation is a universal human emotion which can only be addressed from an individual perspective and thus Peter Skrzynecki’s collection of highly personal poetry serves as a much more effective medium for exploring isolation that belonging. His anthology Immigrant Chronicles collates his exploration of belonging on cultural‚ familial and ideological
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themself. It is believed that an individual’s interaction with others and the world around them can either enrich or even limit their experience of belonging. Both of Peter Skrzynecki’s poems “10 Mary Street” and “St Patricks College” along with the 2007 film “Hairspray” explores this concept. 10 Mary street refers to the story of the house that Peter and his family lived in after moving to Australia from Germany. A recurring theme throughout the whole poem is time‚ this is shown through the repetition
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failure to identify with his self and hence increases his sense of confusion and loneliness. The alliteration of the men “standing shoulder to shoulder” further emphasies the persona’s isolation in comparison to the unity of the ghostly figures. Skrzynecki uses the blood allusion in “The wind tastes of blood” to show that connecting to our ancestors is in our blood. However‚ the persona’s sense of alienation from the “faceless men” provides visual imagery of the ancestors physically making the barrier
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for people to form positive connections; however there are also many barriers to belonging. Some of these barriers are explored in peter Skrzynecki’s poem “Ancestors”. The poem shows Skrzynecki’s failure to comprehend his own cultural identity. Skrzynecki uses the idea of ancestors and ghosts to show familial‚ cultural and historical belonging. In “Ancestors” the narrator experiences a disconnection and lack of belonging to his polish heritage. This is shown through the description of his ancestors
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which is then followed up the girl’s arm where she has written the simple word ‘Home’ as a logo upon the singular house. This provokes thoughts as to whether the child and her mother standing to her left actually have a place to call ‘Home’. In ’10 Mary Street’‚ it is the house that provides a literal and psychological place to belong. It
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Skrzynecki’s Poems‚ Migrant Hostel and 10 Mary Street and also in the 1997 film ‘Titanic’. In Peter Skrzynecki’s Migrant Hostel‚ he talks about the 2 years of his life that he and most of his family lived in a Migrant hostel in Parkes after coming to Australia after World War 2 from Poland and leaving most of his family and polish heritage behind. This poem gives the responder a sense of confusion about whether he belongs or not to this migrant hostel. Skrzynecki creates this confusion by contrasting
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an unfulfilled sense of belonging stimulates the notion of spatial alienation which coherently perpetuates a deep rooted sense of estrangement and isolation‚ concepts which are heavily articulated within Skrzynecki’s poem Migrant Hostel‚ and 10 Marry Street. Congruently‚ both texts explore the aforementioned understanding of belonging in a personal voice through the textually dynamic medium of poetry. Migrant hostel‚ is a moving account of the experiences of migrants living in an overly-crowded
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his own ambivalence towards his identity. In particular‚ the poems In the Folk Museum‚ and 10 Mary Street articulates his internal struggles during his teenage
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