For the exclusive use of C. Portillo Cardenas‚ 2015 UV1201 Rev. Feb. 13‚ 2009 EMI GROUP PLC In this Internet age‚ the consumer is using music content more than ever before— whether that’s playlisting‚ podcasting‚ personalizing‚ sharing‚ downloading or just simply enjoying it. The digital revolution has caused a complete change to the culture‚ operations‚ and attitude of music companies everywhere. It hasn’t been easy‚ and we must certainly continue to fight piracy in all its forms. But there can
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SCHOOL OF BUSINESS ADMINISTRATION STRATEGIC MANAGEMENT VIVENDI-BLIZZARD CASE STUDY: A SITUATION ANALYSIS PAPER OUTLINE Instructor: Professor Clarisse Molad‚ PhD Student: Ilija Kuzmanovski Skopje‚ December 2012 CONTENTS 1. 2. 3. 4. ABSTRACT ............................................................................................................................ 2 INTRODUCTION .......................................................................................................
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corporation you researched. The company researched was Universal Music Group because the music industry is ever growing and I wanted to know more about the company. As we all know‚ technology has been a major part of the music industry both good and bad. Technology has helped plenty of artists and hurt others. Since the introduction of the mp3 and the popularity of the IPOD device‚ compact disc sales have declined and more music is being released without the record company’s permission. Some may
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strategies‚ a world of information awaits their curious minds. There is much to be found: movies‚ computer games‚ books‚ reference guides‚ almost anything you want are there to download. Everyone’s favorite is downloading music‚ it is easily accessible on the Internet and everybody loves music. At first‚ the "hot" thing was to use Napster‚ a peer to peer sharing program‚ meaning one person is downloading something from another person’s computer. This became a problem for RIAA (The Recording Industry Association
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Essay on Music Industry Question- How important is technological convergence for institutions and audiences within a media area which you have studied? Technological convergence refers to the availability of media products across a wide range of platforms. The iPad‚ smartphone‚ Xbox and laptop are all examples of this. They bring together different technologies in one place. For example‚ a smartphone allows you to call and text‚ listen to music‚ take photos‚ browse the internet‚ play games‚ find
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musicians‚ founded compass Records in 1995. Compass Records is a small independent recording company that centered on folk and roots music. Compass Records occupies only a tiny part of the 32-billion dollar music recording industry‚ competing with some multi-national corporations dominating 86% of the business‚ such as Sony/BMG‚ Universal Music Group‚ Warner Music Group‚ and EMI. However‚ the industry has witnessed a stagnant growth since 1995‚ with a decline on annual sales at a compound annual growth
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by Universal Music Distribution. p 2012 Interscope Records. All rights reserved. LOVE SOSA (K. Cozart‚ T. Pittman) Published by: Chief Keef Music‚ Warner-Chappell Publishing (ASCAP) N Produced by: Young Chop for Young Chop Productions N Recorded by: Chris Cheney and Alex Ortiz N Mixed by: Chris Cheney N Additional engineering by James Hunt N Recording and Mixing done at Interscope Studios‚ Santa Monica‚ CA HALLELUJAH (K. Cozart‚ T. Pittman) Published by: Chief Keef Music‚ Warner-Chappell
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Blue-eyed soul -> R&B / Soul performed by white artists‚ this music has a really nice vibe. Pop rock -> Mix of a catchy pop style and guitar-based rock. [Target group] In my opinion‚ there is not one specific target group for this album‚ just like the other three albums of DeGraw. He has a voice that is attractive for a lot of people. Teenage girls and boys‚ 20-30 year olds‚ and even 50 year olds like his voice and music. His album is a mix of blue-eyed soul and pop rock‚ I think that
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Industry Rivalry 6 Strategic Groups 7 Customer Segmentation 8 What is happening inside the organisation 9 Purpose‚ Mission‚ Objectives 9 Resources and Activities/Competencies 9 Organisational Culture and Stakeholders 10 Stakeholders 10 Porter’s Added Value Chain 11 Spotify Strategy & Issues 13 Recommendations 16 Conclusion 18 Appendix 19 Source: (White‚ 2011) 21 Bibliography 31 Executive Summary The aim of the following strategy context report is to analyze the digital music streaming industry in the
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Chappell‚ and Warner Music Group family! GRATITUDES WHEN I’M GONE ROLL UP (Cameron Thomaz‚ Eric Dan; PGH Sound/WB Music Corp.‚ ASCAP/ID Labs Productions/Rostrum Music‚ ASCAP.) Produced by E. Dan and Big Jerm Recorded by E Dan and Big Jerm at ID Labs‚ Pittsburgh‚ PA Mixed by Phil Tan at Ninja Club Studios‚ Atlanta‚ GA Additional/Assistant Engineering by Damien Lewis (Cameron Thomaz‚ James Scheffer‚ Todd Shaw‚ Danny Morris; PGH Sound/WB Music Corp.‚ ASCAP/EMI Blackwood Music‚ Inc. o/b/o itself and
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