French Film Noir: Touchez pas au Grisbi and Ascenseur pour l’échafaud Azaria Wassyihun Film Noir is often regarded as a uniquely American phenomenon. The particular context these films were produced in‚ marked by the post-war period‚ infused these films with a unique style Hollywood had never encountered before. America might have been the adequate setting for this unique phenomenon to occur‚ but film noir would not be the same without it’s international aspects. Famous Austrian born directors
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for me and my family. The festival of Corpus Christi is fast approaching and we are looking forward to it with great anticipation. Fortunately it is late spring and the weather will be perfect for the entire town to get together to hold this magnificent celebration. This year‚ because I am part of the cattle raising guild I have been given a special task. The town leaders have put me in charge of producing part of a series of dramas in conjunction with the festival. Since a fatted calf is mentioned
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Well‚ most of the festivals that I know of were religious in nature. Christmas of course being the most famous‚ it lasted from Christmas Day until Epiphany (the 6th January)‚ and was preceded by the fast period of Advent. Epiphany used to be the climax of the Christmas period and was the biggest celebration of all‚ but in england it has faded away and is no longer celebrated. However‚ it is still the climax of christmas in Spain and Italy. Easter of course‚ preceded by another fast‚ Lent‚ which
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central to the film industry since its inception in the late 19th and early 20th centuries. Female stardom was an essential component of the rise of the industry‚ though many of these women were celebrated more for their appearances than for their acting ability. While the popularity of certain female stars offered them legendary status‚ the kinds of roles they were asked to play often reinforced traditional gender roles. Women actually played a powerful role in shaping the early film industry. As
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been chosen to show case Future Music Festival to the Gold Coast for its first time ever and we have set goals to make it the new home for this fantastic music event. Absorbed Entertainment has put together this business plan for our client Future Entertainment so that they can get a clear and exact idea of how Future Music Festival 2010 will be organised‚ planed and paid for. In this business plan you will find a detailed overview on how Future Music Festival will run the day. It includes a Gantt
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camps. All these situations that the Jews had to live during the Jewish Holocaust in the WWII are shown in the film The Pianist (Roman Polanski‚ 2003) from the point of view of Wladyslaw Szpilman (Adrien Brody)‚ a Polish Jew pianist that escapes and hides from the Nazis in order to survive. The movie is the witness of Szpilman so we can see what he saw and what happened to him. In the film you can see how the life of the Jews change in a moment‚ our protagonist was playing the piano in a radio of Warsaw
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Flower Festival: Feast of Santa Anita By Diego Rivera Diego Rivera was born on December 8‚ 1886 in Guanajuato‚ Mexico. His love of art showed early on as he began drawing as a child. Around the age of 10‚ Rivera was able to study art at the San Carlos Academy of Fine Arts in Mexico City. One of his early influences was artist José Posada who ran a print shop near Rivera’s school. In 1907‚ Rivera traveled to Europe to further his art studies. There‚ he became friends with other leading artists
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There were many changes in marketing and distribution of films from end of the silent period to the modern digital period. There was a studio system that existed at the end of the silent period and collapsed in 1949 with a court ruling. During this same time a sales era of marketing existed. After the Second World War the sales era was replaced with a new way of thinking and sales and marketing were not synonymous anymore. Marketing after World War II meant finding out what consumers’ needs and wants
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on top of the soba. My First Tanabata by Duncan Dixon * Read the two versions of my paragraph about Tanabata. * Which is for readers unfamiliar with Japan and which is for readers who know Japan? Version 1 Every July when the Tanabata festival arrives‚ I
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Exploitation films have been produced since the beginning of film‚ but once the Production Code was no longer in effect‚ more these films could be produced and at a faster rate. One genre of exploitation cinema is the drug crime film. Starting as early as the 1930s‚ filmmakers made movies about the dangers of doing drugs. These films were often cheaply made and aimed at a small audience (Clark 4). They were theatrically simple‚ with an uncomplicated narrative: “these are films whose entire function
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