Jordan Hall‚ a beautiful and antiquated concert hall at the New England Conservatory in Boston. The ensemble consisted of the New England Conservatory’s very own Youth Philharmonic Orchestra and was led by David Loebel‚ the conductor. This was a full symphony orchestra with woodwind players‚ string players‚ brass players‚ and percussion players. The orchestra was grouped with the strings in the first row‚ woodwinds in the second row‚ brass in the third row‚ and the percussionists in the fourth row. Orchestral
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able to consistently harness human emotion and incorporate those feelings into their pieces. He was known to never revise his works; whatever he chose to put on a sheet of music was what his final piece would be. This man could simply think of the symphonies and other pieces he created and put them directly to paper without any revision. This movie clearly depicts how eccentric yet clever Mozart was as a composer. This movie also depicts the struggles Mozart faced‚ such as providing for his family.
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How significant are circle-of-fifths progressions and minor chords and minor keys‚ in the two movements that you have studied? Throughout the 1st and 3rd movement of the Symphony‚ Mozart implements a circle-of-fifths chord progression on several occasions. The first instance of this in the first movement is from Bar 31 to Bar 34‚ where on the first two beats of every bar there is a descending pattern of diminished chord‚ and on the second two beats there is the circle-of-fifths pattern: A7 / D7
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Louis Bernstein was born on August 25‚ 1918 in Lawrence‚ Massachusetts. He was known to family members as Leonard or Lenny. He officially changed his first name to Leonard at the age of sixteen. At the age of 10‚ Leonard played his first piano. Leonard became interested in taking lessons however‚ his father refused to pay for lessons. His determination motivated him to raise a small pot of money for his lessons. He did not need much practice and his father became impressed. For his bar mitzvah‚ his
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Devein Moore-Eppinger Prof. Tony Jones Music 150-1240 November 5‚ 2012 Music and Personalities of F. J. Haydn and W. A. Mozart The relationship of Haydn and Mozart has been the subject of much comment‚ most of it because Mozartians have always considered Haydn to be a second-rate composer. But contemporary and near-contemporary documents and Mozart ’s own compositions make it clear that Mozart treated the elder composer and his music with loving
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stand the audience finally gives them a standing ovation for all their hard work. After all that hard work Mariss Jansons and the Berlin Philharmonic Orchestra look relieved that they pulled the whole symphony. They were probably happy that they got to recreate Franz Joseph Haydn Symphony No. 94 (Surprise) in G major. And not only did they play but they received a standing ovation. That must have felt good to
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The first concert I choose to attend was the UMKC ensemble series. It featured the wind ensemble and the wind symphony. The first song that Joseph Parisi‚ conductor‚ started with was “The Duke of Marlborough Fanfare” by Percy Grainger starts off very slow and deep with the melody being played by the woodwinds. The melody also sounds very prideful as if it is part of an end of a war and they feel proud of what they accomplished.This piece was well played and I enjoyed listening to it. The second
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Christian Wilson-Zavaleta 10/7/12 Tchaikovsky Symphony No.6 Movement #2 This section in the piece is considered to be the waltz. After the epic and sad first part I did not know what to expect. What makes this section even more guess worthy and unexpected is that this waltz is different from most‚ which are done in threes. This one is a waltz in counts of four (or fives I can’t remember what was said in class and even when I listened I couldn’t tell which it was). So before I listened I pondered
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he kept his ability to see the world through a child’s eyes‚ and he never outgrew his passion for creating elaborate toys and reading fairy tales aloud.”[ Huscher‚ Phillip. Program notes‚ "Maurice Ravel – Mother Goose‚ Complete Ballet." Chicago Symphony Orchestra. Chicago‚ Illinois‚ February 5‚ 2005] He composed Mother Goose Suite 1908 to April 1910 as a suite of four-hand piano pieces‚ written for
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music in a mere thirty minutes. At six years old‚ he began writing his first symphonies. Oh‚ the joy I would have if I could just sit and talk with him about his passion for music. We would talk about how he structures his compositions or about how easy he thought it was to compose a piece of music in only a short amount of time. Mozart’s mind is almost magical in my eyes. The precision he put into every one of his symphonies and operas emulates the passion he must have felt for his work. Of course
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