"A Clockwork Orange" Essays and Research Papers

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    “Belonging fulfils our emotional needs” Belonging may fulfil our emotional needs‚ it has the ability to decide or alters one’s mind‚ and it may provide us the joy that we need from a sense of acceptance or the unpreventable discomfort from isolation. Belonging is shaped within the personal experience; it has the power to change us‚ emotionally and physically. Texts show us the importance of belonging as they explore the many aspects‚ including the potential to enrich or challenge a belief. This

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    he made. His use of camera‚ photography‚ colors and extreme detailing are among the characteristics that exemplify a film made by Kubrick. Furthermore‚ there is a message that appears consistent in Kubrick’s films as well. Dr. Strangelove‚ A Clockwork Orange and Full Metal Jacket are movies that after been analyzed can be deeply thematically connected. Stanley Kubrick portrayed the dehumanizing nature and duality of human beings in his film‚ often represented by a corps that symbolizes order‚ honor

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    A writer has various reasons of portraying social groups in different ways. Firstly it gives structure to a text. It divides the characters and can give the audience a particular tone and mood for one group and totally different tone and mood for another. In this way the audience gets exactly the “right” and “wrong” feeling which the writer wants. Of course this is not only to divide good and bad‚ but could also be used to show the difference in classes or status. E.g. a governing groups versus slaves

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    little machine capable only of good” (Burgess 115). The power of choice distinguishes humans from machines. In the novel‚ a ‘clockwork orange’ is used to describe what would become of us if we were taken away from our choices. Goodness should be out of choice. Choice is what makes us human‚ and without it we would become something like a machine‚ something as unnatural as a clockwork

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    reject the majority through acts of defiance‚ self-alienation and rebellion. This notion is extensively explored within Peter Skrzynecki’s poem‚ St. Patrick’s College‚ from the anthology Immigrant Chronicle‚ and Stanley Kubrick’s 1971 film A Clockwork Orange as both texts illustrate the protagonist’s limited experience of belonging through their interaction with others leading to their acts of defiance. Conversely‚ Peter Skrzynecki’s poem‚10 Mary Street- also from the anthology Immigrant Chronicle-explores

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    The Pearl John Steinbeck‚ Of Mice and Men Mordechai Richler‚ The Apprenticeship of Duddy Kravitz Toni Morrison‚ The Bluest Eye Utopia/Direction of the Future Children of Men The Road Aldous Huxley‚ Brave New World Anthony Burgess‚ A Clockwork Orange Cormac McCarthy‚ The Road George Orwell‚ 1984 Margaret Atwood‚ Oryx and Crake Margaret Atwood‚ A Handmaid’s Tale Ray Bradbury‚ Fahrenheit 451 Journey Motif Rain Man Motorcycle Diaries A. Manette Ansay‚ Vingear Hill Arundhati Roy

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    is heard in a broken English accent saying statements such as “Me so horny” and “Me love you long time.” The scene continues as the men try to negotiate the cheapest price possible for sexual favors from the female. As for Kubrick’s film A Clockwork Orange (1971)‚ his representation of females is still one of inferiority in comparison to the male characters. The majority of the time we see a female in the film‚ they are being raped by several men. For example‚ a scene towards the beginning of the

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    theme in society today. It can be seen within any group of people‚ whether it be a classroom or a sect of a religion. Naturally‚ this idea of rebellion also extends into the culture of a society. In the novels One Flew Over A Cuckoo’s Nest and A Clockwork Orange‚ as well as the film Cool Hand Luke‚ rebellion is a constant theme that eventually establishes the influence of the central characters

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    “The feel of the experience is the important thing‚ not the ability to verbalize or analyze it.” Stanley Kubrick I intend to critically evaluate the significance of Stanley Kubrick as a filmmaker. Stanley Kubrick according to the New York tabloids is seen as a “secretive”‚ ’ ’strange‚ ’ ’ ’ ’mysterious ’ ’ and a ’ ’cold ’ ’ director (P. Bogdanovich 1999:1)‚ but the story differs from old friends like Steven Spielberg (the Kubrick coner 2000). According to Steven Spielberg “In the whole history

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    Introduction In this essay there will be attempted to establish Stanley Kubrick as one of the world’s best directors by using the auteur theory witch elevates a director as not just a member of the film crew but as the artist bringing his personal style and personality to a film. Kubrick’s work will be analysed in accordance with the auteur theory in other to establish that he is one of the best directors in the industry. The auteur theory makes it possible for a film to be more than a collaborative

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