THEME OF ALIENATION IN ANITA DESAI’S NOVELS WITH REFERENCE TO ‘CRY‚ THE PEACOCK’‚ ‘VOICES IN THE CITY’ AND ‘FIRE ON THE MOUNTAIN’ Alienation is one of the greatest problems confronting modern man. The 20th century Especially the postwar period has been called the ‘Age of Alienation’. Edmund Fuller remarks that in our age man suffers not only from war persecution ‚ famine and ruin‚ but from inner problem a conviction on isolation ‚ randomness ‚ meaninglessness in his way of existence. There are
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he shrinks at the idea of possibly being exploited by his sharp and selfish friend Murad‚ the dream of meeting Nur draws him on. So he sets off on a number of adventures on Sundays‚ the one free day that he should have spent with his wife and son. What Deven finds at his hero’s house is misery and confusion. Having sunk into a senile old age‚ surrounded by fawning sycophants‚ married to a younger calculating wife who wants to use his glory to win herself fame‚ Nur is not what he once was
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Review: Fasting‚ Feasting by Anita Desai The most recent novel of Indian born author Anita Desai‚ Fasting‚ Feasting (1999) tells the story of two middle-class families and the allegorical struggles of the individual members to find individual identity and happiness. This meticulously constructed prose gravitates towards the position of women in the family unit and explores socially ordered gender imbalance in domestic life. Featuring a traditional Indian family in provincial town India and a typical
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“femininity” inseparable from males. She is in search of a new vista for a woman’s world- a space where she is at par with man. Desai writes “for woman‚ about woman by woman” - a genre where woman is not depicted in two versions- one in the temporal consciousness where she is “weak‚ meek and submissive”‚ ideally ABLA dependent on man related to her as her father or husband or son. The other image of her is in the religious and spiritual consciousness where she is depicted as “SHAKTI” with ten arms‚ power
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Major Works of Anita Desai‚ the Indian Novelist Most of Desai’s works engage the complexities of modern Indian culture from a feminine perspective while highlighting the female Indian predicament of maintaining self-identity as an individual woman. Cry‚ the Peacock‚ Desai’s first novel‚ chronicles the morbid dread‚ descent into madness‚ and suicide of Maya‚ a young Delhi housewife who is trapped in a loveless‚ arranged marriage to the much older Gautama‚ a misogynistic lawyer. The novel foreshadows
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the boys ran up to him to take his bag‚ and escort him up the steps. “Will you have tea?” his wife called‚ “or a Coca Cola? Shall I fry you some samosas?” But he did not reply or even glance in her direction; he would talk to her later. Ever a devoted son‚ Rakesh went first to the corner where his father sat gazing‚ stricken‚ at some undefined spot in the dusty yellow air that swan before him. He had to make sure his father started taking the medicine as soon as possible. His father did not turn
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role with new responsibilities is an inevitable part of aging. Encountering and surpassing new milestones often marks the start of a new chapter in ones life. In the short story "A Devoted Son"‚ education‚ marriage and a family members illness all contribute to the new roles assumed by the protagonist. The author Anita Desai develops the idea that change is the ongoing force that causes individuals to accept new roles in their lives. In her short story‚ Rakesh and Varma essentially switch roles in their
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that she is embarrassed by her son. “… Mrs Fernandez sighed to think how much easier it would have been if she had had a daughter instead.” We can see that Mrs. Fernandez is quite fixed on what other people view of her family as she “had the boy dressed in his new frilled shirt and purple velvet shorts and new shoes that bit his toes and had him sitting quietly in church right through the long ceremony.” We can see here that Mrs Fernandez is more fixed on how her son looks‚ as opposed to his comfort
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Rewrite of the Devoted Son September 29th‚ 2012 “Papa‚ I have brought you a new tonic to help you feel better. You must take it; it will make you feel stronger again. Here it is. Promise you will take it regularly‚ Papa.” Varma’s mouth worked as hard as though he still had a gob of betel in it (his supply of betel had been cut off years ago). Then he spat out some words‚ as soft and sweet as roses‚ into his sons face. “If it will make me feel stronger‚ and better than for you I will my son” The Great
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’A Devoted Son’ Short Story Ending Rewrite After completing another long day at his office‚ Rakesh walked towards his car in the parking lot looking forward to going home even though he enjoyed his being at work as well. He slipped into the drivers seat of the car and placed his bag on the passenger side before placing the key in the ignition. Hesitating‚ he turned to his bag and rummaged inside‚ searching for a new medicine he intended to give to his father. Once his hand wrapped around the
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