‘Oedipus Rex’ and ‘Streetcar’ | Similarities | Contrasts | Clever Points | Actions / Events | Both ‘Oedipus Rex’ and ‘A Streetcar Named Desire’ have scenes where a character’s past is revealed‚ whether it is to other characters or to the audience (e.g. Oedipus’ parentage or Blanche’s past). This shows an underlying tone that they cannot fully escape their past‚ whether it is an eventual surfacing (in A Streetcar Named Desire) or an abrupt revelation (in Oedipus Rex). This is linked
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A Streetcar Named Desire- Historical‚ cultural‚ political and social notes Historical context: Tennessee Williams was working on Streetcar at the end of WW2 but there is very little mention made of the war. Despite the fact that the events of the war had been cataclysmic‚ they receive only a brief mention in the play. This is characteristic of all of Tennessee Williams’ plays. That said‚ many writers at the time were concerned with the idea that‚ whilst great leaps forward were being
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surroundings and cultural setting. The essay is based on Scenes 1 and 2. Word limit: 800 Tennessee Williams uses very specific and detailed stage directions to indicate the emotions‚ thoughts and actions of his characters in his famous play “A Streetcar Named Desire”. We communicate with much more than words. Most of the messages we send other people are nonverbal‚ these include our facial expressions‚ gestures‚ eye contact‚ posture‚ and tone of voice. The ability to portrait nonverbal communication in
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Both Arthur Miller’s "The Crucible" and Tennessee Williams’ "Streetcar Named Desire" extract has two characters in each scene. One of them is usually one of the main characters of the stories: Mr. Proctor in the Crucible extract and Blanche DuBois from the scene of Streetcar Named Desire. Both of them had a serious conversation with their partner. There are lot of stage directions in both therefore far more indirect characterization can be found than real ones. Mr. Proctor was depicted as a dissatisfied
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How do Tennessee Williams and Ian McEwan present masculinity and Femininity as major themes in ‘A Streetcar Named Desire’ and ‘Enduring Love’? Masculinity and femininity are defined as a set of qualities‚ characteristics or roles generally considered typical of‚ or appropriate to‚ a man or woman respectively [1]. Both the novel ‘Enduring Love’ (1997) and the Play ‘A Streetcar Named Desire’ (1947) presents masculinity and femininity but in different ways and era’s. McEwan presents these two major
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themselves the events of the play and how the characters adjust themselves to the events‚ but‚ this does not mean that these actions are ineffective or unimportant. In fact‚ it is just the opposite. ‘The Cherry Orchard’ by Anton Chekhov and ‘A Streetcar Named Desire’ by Tennessee Williams are two plays in which the main actions occur offstage‚ but the impact on the audience created by them is immense. In ‘The Cherry Orchard’‚ the offstage actions include Madame Ranevsky’s past where she lost her husband
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Mitch says to Blanche and the end of scene six “You need somebody and I need somebody too. Could it be me and you‚ Blanche?” Explore the ways in which Williams presents and uses the relationship of Blanche and Mitch in the play as a whole. When Blanche meets Mitch‚ she realises that her is someone who can give her a sense of belonging and who is also captivated by her “girlish” charms. She deceives him into thinking her‚ as she would like to be –prim and proper – however‚ as she later tells Mitch:
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Even from the first few scenes of ‘A Streetcar Named Desire’‚ we can see that Blanche DuBois is a complicated character; throughout the play she ignores warnings and breaks moral codes‚ and it is this that leads to her demise of character. At the beginning of the play‚ when we are introduced to Blanche‚ and our initial impression of her is that she is a judgemental person who seems to think quite highly of herself. Although Eunice is trying to help her‚ Blanche is rude and brief in response. She
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In ‘A Streetcar Named Desire’ and ‘Solar’ promiscuity is an important theme in both characters’ pasts that affects their later life. How far do you agree? Promiscuity can be defined as having alternate sexual relations with various people; a trait which both characters can be seen to possess. They contrast in terms of the view that society has upon them. The beginning of the drama ‘A streetcar Named Desire’ (1947) Williams suggests to the audience that Blanche feels as though she has lost everything
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very apparent in History as well as literature. In “Desire’s Baby” by Kate Chopin‚ she characterizes Desire by starting her off as being no one‚ then she becomes something to someone‚ and throughout everything she is disrespected. In the beginning‚ Kate Chopin characterizes Desire by being no one. “The prevailing belief was that she had been purposely left by a party of Texans…” This shows Desire as being no one because nobody really knows where she came from or why she was there. In past American
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