Compare and Contrast the disturbing behavior In The Wasp Factory and A Streetcar Named Desire Disturbing behavior is clearly shown throughout both The Wasp Factory and A Streetcar Named Desire with representations of how the outside world effects and distorts the human mind through characters Blanche‚ Stella and Stanley in A Streetcar… and Frank‚ Eric and their father in The Wasp Factory. I aim to explore and compare the two depictions of the disturbed mind by finding similar themes within
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Anosha Ashfaq Nov 2011 paper A Streetcar named Desire Q)Explore the dramatic techniques through which Williams creates the atmosphere of the play. A) Tennessee Williams’ A Streetcar Named Desire is a play that is spilling with dramatic scenes throughout. He uses a wide variety of techniques which help heighten and emphasize the drama in the scenes. These techniques include the use of music such as the “Blue Piano” and “The Varsouviana Polka”‚ Animalistic Images that appear throughout the play
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A Streetcar named Desire Scene 1 analysed Simran Kaur Sandhu‚ 12G Williams’ begins the scene with a description of New Orleans’ Elysian Fields; the town in which it is set. It seems old and slightly poor which begs the audience to ask the question ‘why?’ as America during the 1950’s was known for its stability and its economic boom in which all areas of America were invested in. So had this town been neglected‚ is it that cut off from mainstream America? The section is described as having a
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How does Williams present the themes of illusion and fantasy in A Streetcar Named Desire? The theme of reality vs. fantasy is one that the play centres around. Blanche dwells in illusion; fantasy is her primary means of self-defence‚ both against outside threats and against her own demons. Throughout the play‚ Blanche’s dependence on illusion is contrasted with Stanley’s steadfast realism‚ and in the end it is Stanley and his worldview that win. To survive‚ Stella must also resort to a kind of
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s A TEACHER’S GUIDE TO THE SIGNET EDITION OF TENNESSEE WILLIAMS’S A STREETCAR NAMED DESIRE By ROBERT C. SMALL‚ JR.‚ Ed.D.‚ Radford University S E R I E S E D I T O R S : W. GEIGER ELLIS‚ ED.D.‚ UNIVERSITY OF GEORGIA‚ EMERITUS and ARTHEA J. S. REED‚ PH.D.‚ UNIVERSITY OF NORTH CAROLINA‚ RETIRED ISBN: 0-451-52992-8 Copyright © 2004 by Penguin Group (USA) For additional teacher’s manuals‚ catalogs‚ or descriptive brochures‚ please email academic@penguin.com or write to: PENGUIN GROUP (USA) INC
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Look at scene IV of ’Streetcar ’ What does the scene tell us about the relationship between Stella and Stanley‚ and how does Williams portray this? In order to analyse this scene‚ there needs to be a clear understanding of what has happened prier to it. Scene three is set at Stanley ’s poker game‚ when Mitch leaves the game‚ to chat to Blanche‚ Stanley becomes more and more annoyed‚ and smashes a radio. Stella yells at him‚ and he starts to beat her. The men pull him off. Blanche takes Stella
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A streetcar named desire Our identity is shaped by our relationships As we grow up it’s not only our age and experiences that make us who we are‚ relationships also shape our identity. All relationships will change our identity no matter who they are or what kind of relationship they have with us. Our friends shape our identity just as much as our family‚ if not more. This statement is very well depicted in the play “A street car named Desire by Tennessee Williams”. Throughout the play you see
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STANLEY. Hey‚ there! Stella‚ Baby! [Stella comes out on the first floor landing‚ a gentle young woman about twenty-five‚ and of a background obviously quite different from her husband’s.] (13) This is the opening line from A Streetcar Named Desire‚ by Tennesee Williams‚ one of many differences in the first scene of the play compared to the film directed by Elia Kazan. The film was based off of the original play by Williams‚ which Kazan directed as well. This fact is most likely why the majority
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A Streetcar named Desire I can’t stand a naked light bulb‚ any more than I can a rude remark or a vulgar action. This line clearly sets up the key theme of illusion vs reality. Blanche takes the naked truth - the stark bare lightbulb‚ the rude remark - and dresses it up prettily to make everyone happier and everything easier. That she speaks of talk and action as analogous to a lightbulb shows that she considers the remedy for uncouth behavior and appearance to be a paper lantern‚ an external
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way‚ will break. In the play‚ A Streetcar Named Desire by Tennessee Williams‚ Williams portrays the main character‚ Blanche Dubois‚ as a Southern belle whose youth and beauty strikes her as one of the most important parts of her life she cannot live without. She has lost all she believes
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