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    Critique of the movie ‘A Streetcar Named Desire’ A Streetcar Named Desire (1951) was a play by Tennessee Williams who also wrote the play The Glass Menagerie. It was a film of anger‚ loneliness‚ and shame. Every actor in the film made his or her own brilliant performance. The director was Elia Kazan who also directed movies like On the Waterfront‚ Splendor in the Grass‚ and East of Eden. The film stared Vivien Leigh as Blanche DuBois‚ Marlon Brando as Stanley Kowalski‚ Kim Hunter as Stella Kowalski

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    Stanley shows instability throughout the play‚ especially after the arrival of Stella’s sister‚ Blanche. Stanley does not allow his anger to take over him at first‚ but after many months of what he sees as disrespect from his sister-in-law and eventually from his wife he completely breaks down. The first scene of instability shown in the play is at the poker game where when Stella tries to act as head of the house and attempts to break up the poker game. Stanley jumps up and charges after her and

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    Stella sits in a chair on the porch‚ in that very same evening after Blanche’s departure. Sitting with a stoop‚ she presses her legs together while continuing to sob. There is a profound silence in the dusk orange sky. The Autumn leaves dance in the chilly air just as Steve‚ Pablo‚ Mitch‚ and Stanley continue their game of poker indoors. Eunice enters and attempts to comfort Stella in her state of sorrow and guilt‚ placing her arms over Stella’s shoulders. STELLA [sobbing uncontrollably]: Oh heavens

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    extent gender differences are due to physical and physiological differences. Stanley‚ the protagonist in A Streetcar Named Desire‚ is a aggressive and brutal man he represents the males of American society during this time period‚ he demonstrates the desire to have absolute control of his household‚ including his wife. He is referred to as "bestial" and is animalistic in his behavior and his desires. Even in the stage directions you can see that he is a powerful depiction of all that is male‚ magnifying

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    A Streetcar Named Desire – Our First Impressions In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams‚ the audience has its first and generally most important impressions formulated on characters‚ the plot and the mood and tone of the play overall. The first scene opens overlooking the setting of the play‚ post WW2 New Orleans. New Orleans as a city was the biggest city in ‘the South’ at the time‚ a place where the industry of the Second World War had boomed‚ creating

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    explaining a person’s personality‚ characterization is frequently happening. Yet‚ representation of an individual does not only take place in the real world‚ it appears in numerous literary works as well. For example‚ in the written matters of A Streetcar Named Desire‚ A Separate Peace‚ and “Everyday Use”‚ where character interactions‚ such as arguing and having conflicting beliefs‚ bring out strong depictions and central messages. While some readers of these pieces of literature may believe that character

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    Without delay‚ the subject of alcohol in Tennessee Williams’s A Streetcar Named Desire he illustrated this subject as refreshment‚ maintaining fictional reality and leading one onto the part of self-destruction. Stella sees alcohol mostly for a positive escape and as refreshment and to make a gathering and conversation more socially acquainted. “Blanche you sit down let me pour the drinks” (Williams 7) On the other hand‚ there is Blanche who perceives alcohol only as an escape from reality into her

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    to forget‚ but hangs on the past: however far or fast he runs that chain run with him” in light of Nietzsche’s opinion‚ compare and contrast the presentation of the past as a limiting factor to the identities of the female protagonists in A Streetcar Named Desire and Top Girls. The Southern Belle protagonist‚ Blanche Dubois‚ by the playwright Tennessee Williams is deeply haunted by her past‚ which is limiting her identity in the present and in order to cope; the protagonist creates fantasy. Blanche’s

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    2. “Plays often feature at least one ghost‚ either on stage or imagined in the form of haunting memories and burdens.” Discuss this statement with reference to Streetcar. (Nov 2010 HL) In the tragedy “Streetcar Named Desire” the author Tennessee Williams brings out a ghost on stage through the haunting memories of Blanche’s past. The Flaws in Blanche which are revealed to the audience by Stanley are rather shocking. It is revealed that Blanche began to take part in cheap forms of entertainment

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    Some people cannot handle the reality of their life‚ so they come up with ways to avoid dealing with it. In the play‚ A Streetcar Named Desire‚ Blanche is haunted by her past. She is incapable of escaping the choices that she has made‚ pushing her to lie‚ and lead people away from her true personality. When Blanche’s idealism obscures the truth‚ she is pushed past her breaking point‚ unable to identify the line between reality and self-indulgent fiction. Blanche has expectations for everybody around

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