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    Christopher Senderos Period. 5 2-14-12 Blanche‚ What is She Really Like? A Street Car Named Desire‚ by Tennessee Williams is a play that was during the 1940’s. In this play there is a woman‚ her name is Blanche. Blanche has many ways of showing herself. When she first arrives in New Orleans‚ where her sister lives‚ she can be seen as a flirty woman‚ a deceiver‚ a pushy and rude woman. Blanche has many ways of showing herself being flirty at the beginning of the play. When Blanche

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    Williams and William Faulkner show‚ in their works‚ that sometimes the people with the greatest differences are the most insightful. This proves that the main characters of A Streetcar Named Desire and As I Lay Dying are very similar because they both experience tragedy and are affected by such. In the play A Streetcar Named Desire‚ by Tennessee Williams‚ one of the main characters‚

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    shame‚ or even to protect the people around us. However‚ consequently‚ the act of self-deception can be disastrous‚ not only for the delinquent‚ but also for those around them. This is continuously depicted in Tennessee Williams’ play‚ A Streetcar named Desire‚ as the protagonist‚ Blanche Dubois‚ spins a web of deceitful lies to escape the painful truth of her past. It isn’t only Blanche‚ however‚ that find them self a victim of their own self -deception‚ struggling to free themselves from the strong

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    Tennessee William’s A Streetcar named Desire follows the story of Blanche DuBois who seeks a new life away from the tribulations and wrongs of her past. In attempt to relieve herself from her previous life‚ Blanche goes to live with her sister‚ Stella‚ in New Orleans‚ where she is does not it into the norm displayed in such society. Through Blanche’s estrangement in New Orleans‚ it displays how the society valued wealth and superiority. Blanche Dubois portrays herself as one of high-maintenance and

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    “The Yellow Wallpaper” and Tennessee Williams’s “A Streetcar Named Desire” were published in different centuries‚ it reveals that the worrisome treatment of women have been prevalent throughout the history of American culture and society. While “The Yellow Wallpaper” mainly deals with the mistreatment of women by their husbands in the 19th century and how confined their lives were while the men had full control and respect‚ “A Streetcar Named Desire” illustrates that even though times have changed

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    To be insane is a state of mind that prevents normal perception‚ behavior‚ or social interaction. Stella Kowalski in A Streetcar Named Desire is perceived as a fragile young pregnant woman who is married to a drunkard named Stanley. Their relationship seems to be primarily based on their sexual desires for one another but maybe it goes beyond for Stella. In the play‚ Blanche‚ Stella’s sister‚ arrives at Stanley and Stella’s apartment out of the blue and asks to stay with them if they don’t mind.

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    Streetcar Name Desire

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    The Characters of the Play "Streetcar Named Desire" by Tennessee Williams Have Their Desires Vanish In Front of Their Eyes While the Characters Pursue Them In the play "Streetcar Named Desire" by Tennessee Williams Blanche had to take the streetcar that is named Desire‚ switch to the one that is called Cemeteries and then to get off at Elysian Fields; Williams’ use of these names for the streetcars and the street itself summarizes the development of the main characters of the play. Every character

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    "A Streetcar Named Desire works as a drama because of the conflicts between Stanley and Blanche." Discuss. The themes of A streetcar Named Desire are mainly built on conflict‚ the conflicts between men and women‚ the conflicts of race‚ class and attitude to life‚ and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies‚ reality and illusion‚ and by the end of the play‚ most of these conflicts have been resolved. At the beginning

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    Williams also reinforces his implied themes with many motifs and symbols‚ such as music‚ drunkenness‚ and bathing. Towards the end of scene three‚ Blanche turns on the radio and “waltzes to the music with romantic gestures [while Mitch imitates] like a dancing bear” (57). Because Blanche is accustomed to her insanity‚ which is represented by the Varsouviana Polka‚ she is able to move along with the music fine while Mitch‚ who is accustomed to reality (and has primitive traits)‚ is unable to gracefully

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    In A Streetcar Named Desire‚ Williams endeavored to prove the contrary urges guiding the varieties and engagements of ultimately fragile people inside the context of countless bad forces used by society. Throughout A Streetcar Named Desire‚ Williams tries to contrast the outdated qualities of a previous time with the cruel realism of the harshness that personifies present life. An inspection of the figurative association between reality and appearance in the play tells the divergence of these two

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