Michael McIntyre “Ian I’m on train” commentary Michael McIntyre is seen as camp‚ slightly oriental‚ straight guy with a family. His friendly bubbly persona appeals to the general public as many of his anecdotes are based on real life situations that he along with the general public have encountered. McIntyre’s persona and comic effect are enhanced by the visual acts he performs on stage‚ the use of his hands; facial expressions and tone of voice (prosodies) bring his anecdotes to life and allows
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Queenie 1097300104 E5B Data Analysis First Part Personal information: including the participants’ gender‚ age‚ educational background‚ marital status and monthly income. Gender As Figure 1 showed‚ there were 45% of female participants and 55% of male. The numbers of the participants of each gender were very close. Age The respondents were all my friends on Facebook; as the result‚ the majority (73%) of their age was in the range of 16-20‚ as seen in Figure 2. Figure 1: Gender
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‘Frankenstein’ - Commentary The extract from ‘Frankenstein’ by Mary Wollstonecraft Shelley is a narrative of Victor Frankenstein‚ a scientist‚ who has created life from dead matter. He has made a promise to his creature that he would create another monster – a female – for his companionship. He has been working hard on this task alone in his laboratory. Victor contemplates the ramifications of his work on society. He fears that the new monster may become wicked and treacherous‚ maybe even worse
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“Both Albee and Williams use their male characters to explore a link between virility and status in both ‘A Streetcar named Desire’ and ‘Who’s afraid of Virginia Woolf’.” Showing appreciation of context and with close analysis of structure‚ form and language‚ consider to what extent you agree with this assertion. Through male characters’ Albee and Williams‚ assess the links between virility and status by analysing behaviour and their interaction with same-sex and female characters. The play Wright’s
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characters‚ effective use of music and sound effects‚ words and setting. He does not use Acts‚ but divides the play into eleven scenes‚ as with all other scenes‚ Scene 10 naturally leads to a dramatic climax. He creates dramatic tension in “A Streetcar Named Desire” through the antagonism between Blanche and Stanley. Blanche’s dislike and condescending opinion towards Stanley are shown through the overheard conversation she had with Stella in Scene 4. When she unreservedly degrades Stanley by drawing
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As soon I saw the book “Feeding Desire” it reminded me of Jessica’s experience. Rebecca Popenoe is a social anthropologist. Her book‚ “Feeding Desire” details her experiences and observations amongst the Azawagh Arabs. The Azawagh Arab women’s story of image‚ beauty and womanhood is articulated in this book. Popenoe’s cultural research was conducted on the people inhabiting in the Saharan community in Niger‚ a which is located in Western Africa "Feeding Desire"; broadly tries to depict how the
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Mending Wall Commentary Robert Frost’s Narrative poem‚ “Mending Wall” is a light-hearted yet tense depiction of opposing views that brings together two different people. Written in blank verse with simple structure and strewn with images alluding to myths and human history‚ this poem reveals the men’s customs and furthermore the never ending ritual of man‚ which guides the reader to conclude that In this poem Robert Frost does make an allusion to the famous Greek myth of Sisyphus. For those of
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Cultural Desire Essay Cultural Desire Essay Realization. This is what I learned from the readings. The realization that I am not as culturally aware as I thought. I have always considered myself to be a good nurse. I try to be very thoughtful and caring with my patients. I smile as I interview them‚ place my hand on their arm or shoulder‚ and try to find a common ground. This is because as an operating room nurse we don ’t get long to connect with our patients before they are off to sleep
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at the end in which he had to surrender to the Party because his heart already belonged to the Party from the utmost beginning. Next the vision floated‚ from guilt to the image of the ’glass paperweight ’. The paperweight symbolizes‚ Winston ’s desire and obsession to reconnect with the past which made him rent a room above. His reoccurring vision of the paperweight in the book symbolizes his craving for him to be living in the
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Compare the theatrical techniques and staging in act one of Oleanna and Street Car Named Desire The two plays Street car named desire and Oleanna are very different plays in their use of theatrical devices. Tennesse Williams’ play Street Car Named Desire gives us a long description of the New Orleans world its based in. Describing the flats with the name “elysan fields” relating the to heaven despite the appearance of the street that seems “falling apart at the fabric of the seems”‚ the colour
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