Although these lords pledged fealty to their respective kings‚ many were so consumed by a desire for power that they conspired against their despots and plotted to take the throne for themselves. This hunger for power‚ often influenced by emotional as well as sensible motives‚ drove many of these such lords to a point of hysteria‚
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Desires of Writers Realistic characters are driven by human emotions‚ it is essential for writers to make their stories and characters as lifelike as possible. This includes giving them actual motivations that drive them throughout the narrative. One of the most universal‚ psychological motivations is desire. However‚ sometimes these motivations are not driven by the best intentions. It is sometimes better for the well-being of the characters if they do not fulfill these desires‚ other times their
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"To Work or Not to Work" To work or not to work--That is the question: Whether ‘tis nobler in the mind to tolerate The insults and complaints of the impatient customer‚ Or to renounce against the sea of demands that arise‚ And by quitting‚ have peace? To leave; to quit-- To work no more-- and by quitting say we end The head-aches‚ and the wrath of unforgiving customers That this job entails--‘tis an accomplishment Devoutly to be wish’d to end. To leave‚ to quit— To quit; perchance to
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exploits the expressionistic uses of space in the drama‚ attempting to represent desire from the outside‚ that is‚ in its formal challenge to realistic stability and closure‚ and in its exposure to risk. Loosening both stage and verbal languages from their implicit desire for closure and containment‚ Streetcar exposes the danger and the violence of this desire‚ which is always the desire for the end of desire. Writing in a period when U.S. drama was becoming disillusioned with realism‚ Williams
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factor in the writing of Nine Parts of Desire: The Hidden World of Islamic Women. New York Times reports that “She wanted to avoid the many judgments and assumptions‚ but add a valid account of the women in the Muslim world.” “Nine Parts of Desire is the story of Brooks’ intrepid journey toward an understanding of the women behind the veils‚ and of often contradictory political‚ religious‚ and cultural forces that shape their lives” (Nine Parts of Desire Summary). I conclude that Brooks takes the
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socialized‚ egocentricity partly evolves into sociocentricity. Egocentric tendencies extend to their groups. The individual goes from "I am right!" to "We are right!" To put this another way‚ people find that they can often best satisfy their egocentric desires through a group. "Group think" results when people egocentrically attach themselves to a group. One can see this in both children and adults: My daddy is better than your daddy! My school (religion‚ country‚ race‚ etc.) is better than yours. Uncritical
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source of stress for me. That isn’t the fault of the material but rather‚ my thoughts‚ morals and engagement with the material. As I have discussed previously‚ I grew up in a culture where sex and sexuality was not discussed. Discussion of sexual desire was certainly frowned upon‚ and basically it never happened except in very private and safe situations. I never in a million years imagined myself taking a class on sexuality‚ sitting in a room full of strangers and discussing losing our virginity
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Is any work better than no work? Not for unemployment benefits New York – Roberta Hanson of North Haven‚ Conn.‚ had been searching for work for 22 months when she landed a part-time job weekend afternoons and nights for a nearby municipal parks and recreation department. But now Ms. Hanson rues the day she took that work. Why? The Connecticut Department of Labor used her negligible earnings in her part-time job as the new baseline for Hanson’s unemployment benefits. She went from receiving $483
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infatuated lovers before‚ while and after they commit the sin of incest‚ and attempts to measure their romantic rhetoric against such incestuous lust. » (Safi Mahmoud Mahfouz) Desire under the elms ‘The natural world and the individual’s very essence’ Talita E. Sigillo Desire under the elms was written by American play write‚ Eugene O’Neill in 1924. It is said that in this masterpiece O’Neill successfully incorporates Greek drama by reliving Greek mythology through
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Desire. The reason Juliet chose a Montague‚ the reason Desdemona chose. Uncontrollable passion constitutes the dramatic action of Othello‚ whereby the violation of cultural conventions inevitably results in widespread disorder. Shakespeare represents a significant time struggle for women through the dual role of Desdemona‚ purposed to challenge the traditional role of women in a patriarchal society. Ultimately‚ the inherent inferiority of women facilitates their desire to defy social expectations
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