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    A Tale of Two Cities quotes & explanation 1. It was the best of times‚ it was the worst of times‚ it was the age of wisdom‚ it was the age of foolishness‚ it was the epoch of belief‚ it was the epoch of incredulity‚ it was the season of Light‚ it was the season of Darkness‚ it was the spring of hope‚ it was the winter of despair‚ we had everything before us‚ we had nothing before us‚ we were all going direct to Heaven‚ we were all going direct the other way. . . . Explanation for Quotation

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    A Tale of Two Cities by Charles Dickens is a novel set during the time of the French Revolution in England and France. The French Revolution was a time of great danger and constant change. Dickens’ novel expresses the theme of fate through metaphors in many different ways. These metaphors connect the fates of Dickens’ characters that intertwine in some way‚ whether they are aware of how they connect to each other or not. The novel illustrates that fate is predetermined as shown through the metaphor

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    or work of literature‚ conflict is a necessary element in the novel A Tale of Two Cities. Dickens adequately develops conflict throughout the novel to build plot and suspense. Conflict is opposition between characters or forces in a work of drama or fiction‚ especially opposition that motivates or shapes the action of the plot. There are two major types of conflict; external and internal. External conflict can occur between two characters (man vs. man)‚ between the character and a force of nature

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    comprehend the hints and make the connections that enhance the reading of the book and that emphasize the main themes. The foreshadowing ends up playing a crucial part to the ending of the book and adds depth to characters and storylines. In A Tale of Two Cities‚ Charles Dickens uses foreshadowing to hint towards destruction‚ death of others‚ and the impending revolution. Charles Dickens utilizes foreshadowing to hint towards the upcoming French Revolution. After the wine cask spills in front of Defarge’s

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    In A Tale of Two Cities‚ Charles Dickens’s descriptions and mentions of fountains demonstrate the increasing animosity of the rich by the poor‚ thereby foreshadowing revolution. Fountains are mentioned several times and are associated with a primary cause of the French Revolution: the poor treatment of the lower classes by the rich. It is near a fountain that Monsieur the Marquis’s carriage runs over a child (Dickens 135). It is also near a fountain that Monsieur the Marquis stops in town (Dickens

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    Stereotypical Women Throughout well-known stories‚ authors tend to develop memorable characters in order to enhance the plot; although they may not always be portrayed in the most considerate manner. In Charles Dickens’ novel A Tale of Two Cities‚ he also uses such characters. First‚ Lucie’s role of over dramatic damsel in distress. Second‚ Miss Pross’ participation as the over protective mother figure. And third‚ Mme. Defarge as the bloodthirsty crazed villain. Through these characters

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    Sigmund Freud once wrote: The uncanny is that class of the frightening which leads back to what is known of old and long familiar (Freud). This "class of the frightening" can also be detected in A Tale of Two Cities. Dickens’s novel describes the lives of various people in England and France before and during the French Revolution. The familiar and homely is often turned into the terrifying in the novel. For instance‚ the sight of Madam Defarge who sits in her husband’s wine shop and knits all the

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    In the novel‚ A Tale of Two Cities‚ Charles Dickens uses weather to describe the mood of the scene and the emotion in the characters thus reinforcing the motif of darkness and the light by using the golden thread to bring Mr. Manette out of darkness or lighting up a dark and gloomy room. Ms. Lucie Manette is the "eternal light" (Dickens 47) towards all darkness in the many lives she has walked into with "her golden hair" (Dickens 42). When Lucie was first introduced to her long lost father‚ One

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    Draft Blood and Water have become symbols for many things; their numerous connotations can allow the reader to imagine more than just the broader aspects of these two subjects. Blood imagery reveals the darker side of humanity where water can either mean pureness and tranquility or destruction and chaos. The novel A Tale of Two Cities by Charles Dickens‚ uses the imagery of blood and water to represent the ways of the revolution. The water in this novel foreshadows and represents the building

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    literature and city is always more complicated and intimate than we think. From Troy in the Homeric Hymns‚ to Paris depicted by in The Mysteries of Paris by Eugène Sue‚ to London in Charles Dickens’ A Tale of Two Cities‚ all these cities used their own unique‚ vivid urban features and culture connotation to inspire the authors. Also‚ these cities are vitalized by these authors as they are memorized along with these immortal literature masterpieces. In modern and postmodern literature‚ city itself has

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