"Abab cdcd efef" Essays and Research Papers

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    ABABA within. While you might‚ at a glance‚ note the ‘-ings’ in all five lines of the third stanza. The A lines are a simple ‘-ing’‚ while the B lines are ‘-elling’ endings. ‘Sonnet 130’ is not divided into stanzas‚ but still uses the rhyme scheme of ABAB. Although‚ not entirely throughout the poem. The last two sentences rhyme and therefore do not follow the rhyme scheme. ‘Sonnet 130’ is written in the first person. This is quite logical‚ because the writer describes his own lover. In this way‚ you

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    In Shakespeare’s Sonnet 092‚ the speaker has great ignorance of the term love. He is ignorance to believe that nothing shall go wrong with his relationship. Having the audacity to say that he will take his life if his lover rejects him with a bold demeanor. This way of seeing perfect love can be considered bliss. The way Shakespeare formatted the poem and his choice of words suggest that with love‚ there is ignorance. With ignorance‚ there comes bliss. At the beginning of the sonnet‚ the speaker

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    Flea John Donne

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    three lives‚ three murders‚ so it is three stanzas consist of three threes lines. Each one of those stanza presents a stage‚ a different part of the poet’s argument. That will be more convincing. In A Fever‚ it consists of seven stanzas rhymed as abab‚ which gives the poem a sad musical tone compatible with the topic of the poem. Also‚ the poem’s building in that way gives the reader a feeling of passing death’s stages and the poet’s suffering and agony through this as he describes what she means

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    Mr. Bleaney

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    is describing‚ the room and even the life‚ (if you can call it that); of Mr. Bleaney seem dull‚ monotonous and bare. Even his name is bland. The poem reflects this not only in words but in its rhyme scheme and rhythm too. It has a rhyme scheme of ABAB and it continues throughout the poem and shows the predictability of their lives. The enjambment which continues throughout the poem shows how the monotonousness of his life runs on and on. The room doesn’t even have a coat hook on the back of the

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    England in 1819 2

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    A Critical analysis of ‘England in 1819’ At the beginning of the 19th century England became a place of both social and political unrest. The King‚ George III‚ was slowly dying‚ leaving the country in the hands of his ministers. With this‚ the idea of liberty began to grow‚ attacking the ruling classes who remained selfish and in power . Thus‚ with this in mind‚ Shelley uses ‘England in 1819’ and several other political poems to directly express his views on politics and morality during the period

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    During the Romantic Period of literature‚ William Cullen Bryant created the brilliant poem‚ “The Tides.” This specific poem is the story of watching the tides change. Most of Bryant’s works are nature-oriented and take advantage of multiple literary terms. “The Tides” has a significant meaning‚ several romantic elements‚ and uses many literary devices. The general interpretation of “The Tides” is about what occurs when the tides change. Bryant uses great description in characterizing the violent

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    Hunting Snake

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    ‘HUNTING SNAKE’. The verbal connotation(of Hunting) evokes an image of the reptile being hunted yet it is in the adjectival sense that Judith Wright chooses to perceive the word as she expresses her appreciation for this creature of predatorial character.The impact of the poem in conveying Wright’s sense of the righteous conservationist she was in her lifetime is no less than the whiplash of that very creature. The utopian setting of the poet and her companion on a walk is ascribed to ‘la grace

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    “The Hand That Signed the Paper” consists of four stanzas that harshly mock the cold and unfriendliness present of politics and conflict. In my opinion this poem is about war‚ revealing the speakers disgust for political leaders overall. The poet makes audience feel as though the hand that signed the paper is worthless or despicable. These overpowering figures with in the poem seem to be important and arrogant for putting themselves in a powerful‚ life or death situation. The first stanza is notifying

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    Sonnet 116 Shakespeare expresses ideas through the language and imagery in sonnet 162. It uses a variety of rhymes‚ images and tones to present his definition of true love. The sonnet follows the conventional abab rhyming form‚ using both full rhymes and half rhymes. Shakespeare employs half rhymes in the sonnet to express the value of love. Half rhymes are used for "love...remove" to show the incompleteness of love when there is an "alteration". The last pair of half rhymes‚ "proved...loved" emphasises

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    Ozymandias

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    woven tapestry of sound‚ rhythm‚ and structure which creates tension that leads to the reveal that all human legacy will never endure. The rhyme scheme of a sonnet typically follows an abba‚ abba‚ cde‚ cde‚ however; Shelley employs a more atypical abab‚ acdc‚ ede‚ fef pattern that immediately creates tension for the reader. This tension amplifies the theme of vanity being a folly by speaking of the once-mighty statue of Ozymandias while coming to the conclusion that it has been destroyed by nothing

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