"Abstract expressionism" Essays and Research Papers

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    Art Paper 3

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    chosen the following women artists: Audrey Flack‚ Helen Frankenthaler‚ Nancy Graves‚ and Alice Neel to share briefly their story as women artist. Audrey Flack was born in 1931 and is one of the founders of photorealism painting. During the Abstract Expressionist fifties‚ Audrey Flack suffered all the slings and arrows of being a female artist during times when female artists were viewed as little more than hobbyists. Flack believed that the continuous discovery of art was realty and artist

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    all the fundamentals of western culture. Avant-garde has determination and because of it many revolutionary movements emerged. Towards the latter end of the Modernist era the first lightly received movement came about with an opposed idea to abstract expressionism; Minimalism. Taking its

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    Modern American Art

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    Urban Modernity in NY (1908) and Ash Can artists General: The thrills of technology‚ such as coney island‚ city of wonders‚ also had the nitty gritty‚ more poverty and realistic side of the city with the ash can artists • Song Slide: nickelodeon o Diversity‚ adults children white black o Let the audience feel as a presence w/in performance o Act of watching was also entertainment • Coney Island at Night- film frame o Electricity changing what nighttime meant in urban setting • Before

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    Art Appreciation Paper

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    Tyler Johnston Mr. Lowery Art Appreciation 11/29/11 Museum Visit People throughout the world are blessed with the gift of art. We all ponder how it is accomplished and achieved‚ but in the end it all comes down to the remarkable artists that craft each work of art. Even though areas in the world house a substantial amount over others‚ there are still a number of cities that possess a great deal of art. Lucky for us‚ we live in a metropolitan area‚ and have a great art museum. In addition to

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    No.5/No.22 No.5/No.22‚ a painting created by Mark Rothko in 1950‚ is an abstract work. It is comprised of yellow‚ red‚ and orange rectangles that seemingly hover on the surface of the canvas‚ as they do not extend to its margins. In the center of the work is a bold‚ red rectangle‚ and within it are strong‚ gently undulating‚ horizontal lines. These strokes‚ executed through scraping the canvas repeatedly‚ contrast with the vagueness of most other elements in No.5/No.22. On the right side of the painting

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    white light

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    Jackson Pollock White Light‚ 1954. Oil‚ enamel‚ and aluminum paint on canvas‚ 48 1/4 x 38 1/4” (122.4 x 96.9 cm). This assignment is a three page essay critique over a two dimensional work of art. As you have learned in the first chapter‚ a critique often involves both a formal evaluation of the work (based on its physical appearance) and a contextual critique considering the artist’s style‚ intention‚ and historical time period. You will consider several questions which will help you generate

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    CH 202

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    interested in art through Native American culture with his father. Upon graduation he then moved to New York City to continue his art studies at the Art Students League in New York. Pollock in New York began to paint using semiabstract techniques. Abstract art used non-figurative or non-representational ideas to display their ideas. Pollock however quickly fell victim to the great depression. Working for the Federal Art Project funded by the government helped employ thousands of people including

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    Exploration In Both The Visual and Emotional Qualities of Art For many artists their primary goal is in exploring both the visual and emotional qualities of art. The Frames and The Conceptual Framework are both ways of exploring both the visual and emotional qualities of art. The Frames are applied to the process of judging‚ investigating‚ explaining‚ understanding‚ indentifying and expressing ideas on artworks. The Conceptual Framework refers to the agencies of the art world. In this essay

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    Art Market

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    ThE ArT mArkET in 2012 A dialogue between East and West SOMMAIRE Editorial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 5 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 6

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    When you look at Richter’s Abstract Painting‚ you see the resemblance of a landscape that is portrayed within Altdorfer’s painting as well. I believe that Richter mimics the type of painting that Altdorfer created because not only are the same colors used‚ but the idea of the specific landscapes had to have been similar to create these paintings. I like to think that just because Richter’s painting does not seem realistic and natural; his painting is still the idea of a landscape

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