A Response To: Modernist Painting by Clement Greenberg & Post-Painterly Abstraction by Clement Greenberg In this paper I will be summarizing two essays by Clement Greenberg‚ one entitled “Modernist Painting” and the other “Post-Painterly Abstraction.” After summarizing the articles I will discuss and respond to them. In the first reading “Modernist Painting” Greenberg describes Modernism as being a method in which a discipline is used to criticize the discipline itself‚ for instance
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nonfigurative art‚ nonobjective art‚ and nonrepresentational art are loosely related terms. They are similar‚ although perhaps not of identical meaning. Abstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be only slight‚ or it can be partial‚ or it can be complete. Abstraction exists along a continuum. Even art that aims for verisimilitude of the highest degree can be said to be abstract‚ at least theoretically‚ since perfect
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principle of abstraction‚ using empirical evidence Understand how false memories can be considered an effect of abstraction Explain the principle of hyperspecificity‚ using empirical evidence Discuss the encoding specificity principle‚ using empirical evidence Discuss which factors determine whether abstraction or hyperspecificity is observed 4 memory II Abstraction & generalisation Hyperspecificity Break Encoding specificity Transfer-appropriate processing (brief sketch) Abstraction vs. hyperspecificity
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CASE ANALYSIS – THE GAME PLAN INTRODUCTION This provides you with a guide for analysing cases. It will assist you to identify the material facts‚ the relevant legal issues and conclusions‚ and the possible ratio decidendi‚ of a case. When using this guide‚ please always remember that there is no one right answer to the question “what is the ratio decidendi of this case?”: Talk of finding the ratio decidendi of a case obscures the fact that the process of interpreting cases is not like a hunt
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between propositional logic’s use of abstraction and the layman’s attachment to sentimental attachments to things such as pride‚ sense of self‚ etc. have always existed and continue to do so in the modern era. In some instances‚ this can be beneficial‚ as it forces logicians to look at the real world implications of their work and find disparities between their arguments and the actualities of the world. However‚ there are times when the opponents of abstraction are not merely pointing out its flaws
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thought towards an epoch of great spiritual leaders.” In the writings of Concerning the Spiritual Art‚ Kandinsky explains the need to move closer towards abstraction‚ which would in turn bring the artist closer to spirituality. ‘Kandinsky renounced illusion‚ and therefore‚ drew closer to a higher reality’ (Guerman‚ 1998). Part of this abstraction was what he called the ‘inner necessity’. For Kandinsky‚ this meant that the artwork is born from the artist in a mystic and inscrutable way‚ becoming an
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Module 1 Introduction to Software Engineering Version 2 CSE IIT‚ Kharagpur Lesson 1 Basic Issues in Software Engineering Version 2 CSE IIT‚ Kharagpur Specific Instructional Objectives At the end of this lesson the student will be able to: • Identify the scope and necessity of software engineering. • Identify the causes of and solutions for software crisis. • Differentiate a piece of program from a software product. Scope and necessity of software engineering Software engineering is
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COGNITIVE STUDIES AS THE DIRECTION OF MODERN LINGUISTICS At the end of the 20th century linguistics applied to anthropocentric paradigm of knowledge including among other things presentation about the human factor in the language [4‚ 2001:15]. The cognitive linguistics is the study of how the person operates the symbols‚ while coming to understanding the world and themselves in the world‚ the subject matter of which is the human mind‚ the thinking and the mental processes and conditions
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Shift’s essay wasn’t to acknowledge every aspect of Cézanne’s work that younger generations aspired to work towards‚ rather‚ it was an examination of two specific characteristics of Cézanne’s creations‚ his distinctive “mark” and the critical “abstraction.”
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12‚ Habits of Mind. PATTERNS AND RELATIONSHIPS Mathematics is the science of patterns and relationships. As a theoretical discipline‚ mathematics explores the possible relationships among abstractions without concern for whether those abstractions have counterparts in the real world. The abstractions can be anything from strings of numbers to geometric figures to sets of equations. In addressing‚ say‚ "Does the interval between prime numbers form a pattern?" as a theoretical question‚ mathematicians
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