Katy Jaber Miss Knox English 10 29 March 2013 Epic Heroes in the Iliad: Achilles and Hektor The Iliad‚ an epic poem by Homer‚ takes place in the last month of the tenth year of the Trojan War. It is about two warriors‚ Hektor and Achilles‚ fighting in the war which was started by Paris‚ a Trojan prince who kidnapped a Greek princess named Helen. The protagonists of an epic are called epic heroes‚ and all epic heroes share four traits. First‚ as World Masterpieces explains‚ an epic hero
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Nisus and Euryalus‚ two heroic lovers in the mold of Achilles and Patroclus‚ encounter their deaths with bravery as they die alone‚ separated from their allies on the Italian shore (Aeneid 9.410-449). Vergil employs this scene‚ and the vivid recollection of Homer’s Iliad that it causes‚ with the purpose of presenting his own thoughts about a situation only hypothetical in the Iliad. Homer portrays Achilles as immensely regretful that he allowed Patroclus to die alone and without him‚ but Vergil uses
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advocates that losing loved ones can have a tremendous effect on one’s mentality. Achilles repeatedly suffers from losing the people he loves; Malouf uses Achilles’ reflections to highlight that effect. Foremost‚ Achillies’ grief and sorrow for his “love and soul-mate” Patroclus’ death is described in detail. Achilles “wept for Patroclus‚ wept without restraint.” When Achilles returns Hector’s body to Priam‚ Malouf employs Achilles’ stream of consciousness to describe that effect as “the smoky poison that
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events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war‚ the Iliad mentions or alludes to many of the Greek legends about the siege‚ the earlier events‚ such as the gathering of warriors for the siege‚ the cause of the war and similar‚ tending to appear near the beginning‚ and the events prophesied for the future‚ such as Achilles’ looming death and the sack of Troy‚ prefigured and alluded to more and
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of the whole story‚ as Homer asks the Muse to sing of the "wrath of Achilles." This wrath‚ all its occurrences‚ transformations‚ influences‚ and consequences‚ unfold the devastating events in the Iliad. Initially the book starts showing people in a normal state of life‚ but the main story of Homer’s Iliad‚ however‚ starts once there is the ignition of wrath among prominent characters of the story like Agamemnon and Achilles. In the normal state‚ people are capable of behaving rationally‚ using
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essence of a hero by physical as opposed to mental strength. In this manner‚ Achilles distinguished strength and speed are shown countless times throughout the tale. The most notable examples of this are shown as he faces Hector‚ illustrated in contrast to powerful creatures and forces‚ that help to prove that in the Homeric sense
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honor is described many times throughout the course of the Iliad. As a reward for heroic traits in battle‚ prizes were sometimes awarded to victors of war. In Book 1 Achilles receives Chryseis as a prize and a symbol of honor. Heroism had its rewards and its setbacks which ultimately was the backbone of the Illiad in the case of Achilles prize. Hector‚ arguably the greatest Trojan warrior or even the bravest of the Homeric heroes is very fierce and fights for what he believes is his destiny. In book
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The movie Troy (2004) was based on the stories told within the Iliad written 3200 years ago. The story is a tale of one mans greed versus the land loving‚ pride fighting Troy army. Troy seemed to be outnumbered‚ but their faith in the gods‚ and the love of their own country helped them stand up strong against the enormous Greek army. With the kings’ son‚ Hector a great war hero and powerful leader‚ the Troy army had seemed unbeatable. They were a very advanced and healthy city‚ protected by giant
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specifically discuss Achilles of Homer’s Iliad‚ as well as Antigone in Sophocles Antigone‚ and why their character is of heroic stature.
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figures. Another characteristic wayang feature is the depiction of the hairdo of the heroes‚ i.e. the crab-claw like supit urang. We find it in the depictions of Arjuna in the Parthayajna (see Fig.2) and the Arjunawiwaha reliefs. This supit urang is maintained in Balinese wayang for the depictions of heroes‚ such as the Pandawa-brothers Arjuna (see Fig.3) and Bhima‚ or Rama and the monkey general Hanuman from the Ramayana. In Javanese wayang this hairstyle developed to the gelung‚ a kind of up-turned
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