Bonjour tout le monde‚ c’est mon projet‚ mon petit arc de triomphe. J’ai choisi l’arc de triomphe parce que il n’est seulement pas un monument vraiment beaux‚ mais parce que pas beaucoup de gens savent la vérité sur il. Il est un monument très grand and il y a beaucoup des histoires vraiment intéressantes derrière lui. C’est un monument très beaux‚ à l’intérieur et à l’extérieur aussi. Je voudrais beaucoup vous parler de mes découvertes sur L’arc de triomphe‚ mais cette partie est en anglais. 1758
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Netherlands-based De Stijl movement embraced an abstract‚ pared-down aesthetic centred in basic visual elements such as geometric forms and primary colours. Partly a reaction against the decorative excesses of Art Deco‚ the reduced quality of De Stijl art was envisioned by its creators as a universal visual language appropriate to the modern era‚ a time of a new‚ spiritualized world order. Led by the painters Theo van Doesburg and Piet Mondrian - its central and celebrated figures - De Stijl artists
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Eamon de Valera‚ although born in New York City‚ in the United States of America‚ devoted his life to help the people of Ireland. As he once said it‚ "If I wish to know what the Irish want‚ I look into my own heart." De Valera loved Ireland and its people with a deep and lasting passion. It was he‚ probably more than any other person in their history‚ who helped that country win freedom from British rule and then shaped its history well into the twentieth century. De Valera ’s mother‚ Catherine
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OF LOPE DE VEGA Lope de Vega (full name Félix Arturo Lope de Vega y Carpio) was well known throughout the world as The Phoenix of Spain. He lived his life to become one of the most important playwrights and poets of the Spanish Golden Century Baroque. Born in Madrid on November 25th 1562‚ he started showing his enormous talent for writing at an early age. During his lifetime he wrote over 1800 comedia pieces and hundreds shorter dramatic pieces of which around 500 were published. Lope de Vega transformed
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DE FACTO RECOGNITION (DE FACTO STATES: IT’S IMPACT ON INTERNATIONAL SYSTEMS) Abstract The de facto state is a secessionist entity that receives popular support and has achieved sufficient capacity to provide governmental services to a given population in a defined territorial area‚ over which it maintains effective control for an extended period of time. This paper examines the impact that de facto states have on international society and international law and assesses how they are dealt
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The Niterói Contemporary Art Museum (Museu de Arte Contemporânea de Niterói — MAC) is situated in the city of Niterói‚ Rio de Janeiro‚ Brazil‚ and is one of the city’s main landmarks. It was completed in 1996. Designed by Oscar Niemeyer with the assistance of structural engineer Bruno Contarini‚ who had worked with Niemeyer on earlier projects‚ the MAC-Niterói is 16 meters high; its cupola has a diameter of 50 metres with three floors. The museum projects itself over Boa Viagem (“Bon Voyage‚” “Good
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design originated in the Baroque‚ but extended much further into the eighteenth century in terms of theory. Roger de Piles was the father of this argument based on coloris versus disegno and the Poussinists versus the Rubenists and so on. He joined the Academy in 1699‚ right on the verge of the Rococo and basically formed the argument for color‚ rather than classical design in his Cours de Peinture par Principes in 1708. Up until Rubens artwork‚ the classical style of painting was preferred with a focus
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STRATEGY: INDUSTRY AND COMPETITION Problem Set 3 1. Throughout the 1990s‚ several developments contributed to the loss of market-share of the Central Selling Organization‚ which inevitably led to diminishing profits for De Beers. In 1991‚ the Soviet Union collapsed and this disintegration brought down the exclusivity that the CSO had enjoyed for so long. Indeed‚ the fall of communism made it difficult for the cartel to protect its trading agreements. As such‚ only limited shares of the Russian
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Duchess de Alba (Maria del Pilar Teresa Cayetana de Silva Alvarez de Toledo (1762-1802): -fashioned herself after the fiery maja-serves as a flirtatious role-play emblematic of aristocrats during the enlightenment‚ epitome of spanishness -proactively challenged conventional feminine roles/conduct‚ elevating national dress to the level of high couture to assert her individualism -Jean-Marc Nattier’s Madame AdelaYde-de-france as Diana + Goya’s Duchess of Alba as a Maja feature aristocrates in role-playing
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Study 3- Café de Colombia By Nuri GOKCEK 10.22.2008 1. Problem Identification FNC (Federacion Nacional de Cafeteros de Colombia) is a private legal entity of an associative in a not-for-profit character whose aim is to promote the coffee business of Colombia and raise the living standards of the growers. Since 1960 this organization has accomplished an effective marketing strategy through a well-known copyrighted logo‚ but there are new challenges right in front of them. Café de Columbia needs
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