daughter Oganda‚ who asks for news about when it will rain. Labong’o is cryptically speechless. Notably‚ with Ogot’s immediate presentation of this critical concern about whether or not rain will come‚ the reader may at once expect that this concern will be resolved favorably; the title--and there is no evidence that it is meant ironically--assures that "the rain came." Thus‚ the tension raised by this concern shifts to a different question: the rain will presumably come‚ but at what cost? Labong’o’s
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Asians are physically different from people of European descent. Almost all Asians have straight‚ black hair‚ dark eyes‚ less body hair‚ less facial hair‚ almond shaped eyes‚ small noses and are shorter with a thinner build. Asians also have extra skin over the corners of their eyes called epicanthic folds and lack a crease over their eyelid. In the past‚ Asians were called “yellow skinned” when in fact their skin color is the same as a North American. Asians prefer pale skin over tanned skin
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on fantasy and assumptions of the Orient. In order to fully contextualize this piece and explore the oddities presented in Petipa’s India‚ I will need to examine aspects of the Indian culture portrayed in La Bayadere‚ with an emphasis on clothing‚ dance‚ art and music of the 19th century. In order to delve deeper into this topic‚ Marius Petipa’s background and choreographic process must be heavily explored as well as the sources of influence for his choreographies to be able to understand where his
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As a lifelong salsa lover‚ I can tell you that anyone who is driven by passion and knows how to enjoy a few good beats can dance it. Salsa is a popular dance that initially arose in New York City during the 1970s. It is the product of various musical genres. Nowadays‚ people dance salsa at competitions‚ parties‚ and even on the streets. However‚ if you want to excel at dancing it‚ you have to know a few basic things. First‚ you need to have a partner. You can ask your relatives or your friends to
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African-Americans have been treated unfairly in the past‚ they were forced into obedience by white people and have suffered in various ways because of their skin colour. Lynching was a common form of punishment; usually by being hung in public as spectators watched. African-Americans did not deserve to be punished‚ but were often susceptible to unfair treatment. They were ridiculed and seen as property rather than human. Young people of colour grew up witnessing this unfair treatment‚ losing their
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RESEARCH PROJECT SUBJECT TITLE: Choreography TOPIC: Choreograph two dances in the school musical‚ High School Musical ASSESSMENT TYPE 1: FOLIO PROPOSAL RESEARCH DEVELOPMENT Weeks 1-4: (Background Research) • Plan for the year. Background research – history of choreography • Send letter to Kenny Ortega and Mia Michaels in America • Analyse DVDs of musicals‚ Grease‚ High School
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2009110900 김건태 Kun Tae Kim 미국 문화와 영화 Dances With The Wolf. “This had not been a fight for territory or riches or to make men free. This battle had no ego.” The film Dances With the Wolves depicts a man’s story who became the part of Indian society‚ and eventually one who became one of them. Who is John Dunbar? Is he an American Army Lieutenant John Dunbar? Or part of Sioux Tribe warrior‚ Dances with the Wolf? Watching this film has made me thought about various different things. First one
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Dance‚ Music‚ and Performance "The Joy of Life" Introduction In the nineteenth century some of the greatest innovations come from artists who strove to discover if art could work on the same level as music. I have decided to research the relationship between art‚ dance‚ and music. The interpretation of dance and music in art continually developed during the twentieth century. Firstly dance as a subject matter‚ drawn narratively and may have a symbolic meaning. This then moved on to dance interpreted
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The concert was called “A Concert In Dance”. The Stockton Dance Company set up the whole demonstration. The show was performed from February 28 to March 2. The show was preformed at Stockton College in the Performing Arts Center. The performance that will be talked about is My Shadow’s Ghost. Lauren Putty White created the choreography. The music that was selected was Efterlang: Himmelbjerget. Mark Mallett did lighting. While Henry van Kuiken was in charge of the costume design. The dancers that
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is the female judge in the Dancin’ Dynamites Competition. She is a trained dance teacher with dance techniques ranging from Modern to Afro-Haitian and Jazz. A Professional Dance teacher‚ who has worked with prestigious institutions such as the Springs Dance Co. (London)‚ Salvation Army‚ East Anglia‚ (England)‚ National Dance Theatre Co. (Jamaica)‚ and Islington Arts Factory (London)‚ has performed and choreographed dances such as The Lion King and Dansepyenu is as multitalented and multifaceted as
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