deeply rooted in traditional African expressive and performance forms like myths and rituals‚ dance and mime‚ music and masquerade and are also greatly influenced by such diverse Western dramatic and theatrical modes as classical Greek drama‚ Shakespearean and Jacobean theatre‚ and modern European and American antirealist and avant-garde forms and techniques. Keywords: Theatre‚ Rituals‚ Myths‚ Soyinka Wole Soyinka is‚ no doubt‚ Africa´s leading playwright‚ but the African audiences for his major plays
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Lesson 1 Study Guide 1.1 Dancing: Chapter 1: The Power of Dance: This chapter takes a broad look at the relationship between human movement‚ framed as dance‚ and important identities such as religion‚ ethnicity‚ gender‚ and social status. While not specifically focused on issues of identity in America‚ this chapter will provide an important foundation in understanding the broader scope of how dance can be seen as a representation of cultural values‚ which will underlie the remainder of our coursework
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CREATIVE DANCE History of Creative Dance Creative dance is perceived differently by different sectors of the education system. In many provinces‚ creative dance is part of the physical education curriculum. More recently‚ two provinces— British Columbia and Saskatchewan— have considered placing dance under the rubric of arts education. The aspect of creative dance that is emphasized reflects the position creative dance is assigned in the curriculum. When in the physical education curriculum‚ creative
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of jazz dance reflect the diversity of American culture. Jazz dance mirrors the social history of the American people‚ reflecting ethnic influences‚ historic events‚ and cultural changes. Jazz dance has been greatly influenced by social dance and popular music. But‚ like so much that is “from America”‚ the history of jazz dance begins somewhere else. The origins of jazz music and dance are found in the rhythms and movements brought to America by African slaves. The style of African dance is earthy;
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Introduction and Company Background This report is pertaining to a fictitious Restaurant‚ Heavenly Caribbean Restaurant. Heavenly Caribbean Restaurant is where food lovers are taken to the crystal clear waters‚ white sand and warmth of the sun of the Caribbean islands through the exotic and exciting Caribbean gastronomic experience. The restaurant is a small family business located in the heart of Brooklyn New York‚ in a very busy downtown location that is surrounded by many businesses‚ such as
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Music/dance 101 Alvin Ailey American Dance Company Performed by Donna Wood Dance “Cry” Dance Critique. Ballet “Cry” simply showed to us real life of all African women. Every single American people know what kind of life they went through. Therefore it touched their heard. Alvin Ailey’s “Cry” presented wonderfully combined movements‚ technique and emotion. Ms. Donna Wood uses tragic face‚ a mask of sorrow. It is a face born to cry
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films‚ dance has been recorded as a documentation for future repertoire and providing a historical background of the industry. But it has since had the capability of creating a completely new art form in itself. Recent years have bought out the introduction of 3D for dance films‚ adding that extra dimension to provide a more realistic experience. Utilising a video camera to capture moments of dance can provide it with a number of new possibilities. With the electronic capabilities‚ the dance can alter
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Charleston Nicky Tran The Charleston is about a group of men and women dancing together‚ the dance could be done by yourself‚ with a partner‚ or in a group. The movement is very active and fun. It is originally developed by The African American Slaves. The dance then became re-created with a few changes in the moves it became really popular in the 1920s. The woman’s in their 20s use to love dancing the Charleston. They would wear clothes that the elderly think
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THEME: Languages in the Caribbean TOPIC: Oral Traditions within the Culture RESEARCH STATEMENT: To examine the factors contributing to the diminishing presence of the oral tradition within the Jamaican society. INTRODUCTION Oral traditions are viewed as “the means by which knowledge is reproduced‚ preserved and conveyed from generation to generation…” – Renee Hulan‚ Renate Eigenbrod It is through interaction and interrelation that we procure experiences
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TAP DANCE SUBSTYLES Tap Dance is known as a favorite discipline because the students are making music with their feet. Students learn to improve their rhythm and co-ordination to energetic music. Tap dance concentrates on rhythm and timing‚ and requires interpretation of music through sound‚ creating regulated and controlled sounds through intricate footwork. More advanced levels of tap teach syncopation and more complex rhythms and combine a variety of styles of classical tap dance. Tap classes
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