"African dance" Essays and Research Papers

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    KOLEJ UNIVERSITI TUNKU ABDUL RAHMAN LOG BOOK CO-CURRICULUM FOR CONTEMPORARY DANCE SEMESTER 2 SESSION 201409 Personal Information Name : Ng Yun Pei Student’s Register No. : 14WBD05812 I.C NO : 960410-10-5154 Telephone No : 0163633606 E-mail : yunpei96@gmail.com Programme : Diploma inBusiness Administration Current address : Lot 2890‚ Jalan Malinja

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    American Dance Theater June 11th 2012 “Alvin Ailey American Dance Theater is based in New York City and is personally my favorite dance company‚ their choreography is just incredible and I love to watch them perform.” The company was founded in 1958; this was incredible because of the intense prejudice taking place at this time‚ not only were they a black company but they created a unique new kind- of dance mixing together for the first time; ballet‚ traditional African American dance‚ and

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    Agbekor : History and Contemporary Performance Legends of Origin : Agbekor is a style of dance by the West African peoples of Ewe and Foh. It is an ancient dance once known as Atamga‚ Ga meaning ’great’‚ Atam meaning ’oath’. The word agbekor is a compound of two short words: agbe (“life”) and kor (“clear”). The professional performer Midao Gideon foli alorwoyie translets agbekor as “clear life”. Agbekor were inspired by the hunters’ observations of monkeys in the forest.

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    Alvin Ailey ’s Influence on Modern Dance Alvin Ailey never considered dancing as his career. He had always been enthralled by the lights‚ costumes‚ and dancers flowing with the music‚ but it never occurred to him that he would be creating such spectacles. He went to see many shows when he was younger‚ mostly ballet and musical theater. Acceptance for modern dance had not yet been established during the 1940 ’s‚ when Ailey was in his childhood‚ and he would become one of its most major influences

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    Kathak Dance Praveshika – I Year Practical M.M. - 100 Tritaal 1. Basic hands‚ feet‚ eyes & neck movements combined with Tatkar. 2. Tatkar in Thah‚ Dugun & Chaugun Laya. 3. Eight simple varieties of Tatkar (Palte) and five Tihais. 4. Two “Ta Thei Tat” Amads. 5. Rangmanch Ka Tukda‚ eight preliminary Tukdas. 6. Practice of performing Chakkar. 7. Simple Gat of Nikas and Bansuri with Chal. 8. Padhant of all the Tukdas‚ Bols‚ Tihais and Theka of Tritaal prescribed in practical syllabus.

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    Music and dancing both play a huge important role in expressing oneself. Nowadays with dance and music‚ each and every individual has their own way of expressing themselves. However‚ early filmmakers believed that every person within one race; looks‚ acts‚ and thinks in the same manner. Hollywood cinemas always assign labels that are effortlessly recognizable‚ and that blatantly identify completely different ethnic cultures from those that aren’t “white.” Things like food options‚ mannerisms‚ speech

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    the amazing ability to both calm and provoke people. Everyone has a specific genre of music that they fall back on to heighten their emotions or even as a means to destress after a hard day’s work. Likewise‚ my preferred type of music is electronic dance music‚ a genre that has been around since the early 90’s. Although this genre has been long associated with the nightclub scene‚ it has attracted a fandom that is not just estabalished on late night raves and discotheques. I. The beauty of electronic

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    form of dance has been present on this planet for centuries‚ creating and inspiring people all around the world. Over time‚ some dance forms have evolved to mould society’s expectation and perspectives‚ while some have actually grown to question and scare it. Created in a time of change and cultural awakening‚ Post Modern Dance was seeded by performers in search of a new meaning to dance in a changing world. Since its beginning in the 60/70’s‚ the style has pushed the boundaries of dance and paved

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    before but coming in with a clear objective made me notice a lot. All of her dance

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    location for the professionalization of American performance art‚ understanding the complicated negotiation of gendered and racial identities on the Broadway stage provides important background to the development of an American identity in concert dance through the rest of the century. As you watch these videos notice how musicals come to represent American ideals such as abundance‚ opportunity‚ pluralism‚ optimism. 2.1 Give My Regards to Broadway: 2.1.1 Some of the images from the Follies look like

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