S’io credesse che mia risposta fosse A persona che mai tornasse al mondo‚ Questa fiamma staria senza piu scosse. Ma perciocche giammai di questo fondo Non torno vivo alcun‚ s’i’odo il vero‚ Senza tema d’infamia ti rispondo. (1) Let us go then‚ you and I‚ When the evening is spread out against the sky Like a patient etherized (2) upon a table; Let us go‚ through certain half-deserted streets‚ The muttering retreats Of restless nights in one-night cheap hotels And sawdust (3) restaurants
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“Love Song” Discussion A: Okay so what I thought was he goes into this description and there Is no mention of time‚ cause I went back and reread and this whole thing is about the moment and he is describing everything in such detail. And it end with‚ “Curled about the house‚ and fell asleep.” Which can be him and whoever he is with falling asleep then it transitions into “And indeed there will be time.” And it kind of just talks about how the world will move forward and what you don’t like about
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Eliot’s Views of Sexuality as Revealed in the Behavior of Prufrock and Sweeney "The Love Song of J. Alfred Prufrock" tells the story of a single character‚ a timid‚ middle-aged man. Prufrock is talking or thinking to himself. The epigraph‚ a dramatic speech taken from Dante’s "Inferno‚" provides a key to Prufrock’s nature. Like Dante’s character Prufrock is in "hell‚" in this case a hell of his own feelings. He is both the "you and I" of line one‚ pacing the city’s grimy streets on his lonely
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study‚ how does what you have listened to either support or challenge your interpretation of The Love Song of J. Alfred Prufrock and Eliot’s poetry as a whole? There are several aspects of the university lecture on T. S Eliot’s poetry that support my personal interpretation of The Love Song of J. Alfred Prufrock‚ Rhapsody on a Windy Night and Eliot’s poetry in general. My interpretation of Prufrock‚ Rhapsody and Eliot’s poetry is that this medium of expression is a way for Eliot to communicate
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Prufrock and Modernism Modernist literature is the representation of the societal crises and disorientation which was resultant of the burgeoning industrialisation and mechanisation of society in the 20th century. This instigated an evolution of thought which challenged the preconceived notions and boundaries enforced by society and gave rise to new perceptions in relation to the world. Modernism is marked by experimentation‚ and in particular the manipulation of form. This is evident in T.S Eliot’s
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The Song of Love “This Kiss” by Faith Hill is a beautiful song because it tells us the truth of love‚ and also the smooth rhythm makes me feel very comfortable. Furthermore‚ I really like the voice of the singer. It can lead us to a peaceful world‚ and give people the space to relax‚ to enjoy. Also‚ this song reminds people of the love‚ especially those who has already forgotten the pure love in life. The lyrics of the song is the best part‚ it expresses the joys of being in love through the act
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in advance of committing a crime. This correlates with Prufrock’s need to know the answer to the question he wants to ask as a condition of asking it. Or perhaps in order for Prufrock to be able to ask the question he would have to not care what the answer would be; in that case‚ the answer wouldn’t matter. Lines 7-9 Prufrock‚ the persona of the poem‚ issues his invitation to an unspecified “you” to go with him to an as yet unspecified place. To establish when they will be going‚ he introduces the
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"A Subaltern’s Love Song" is a rhapsodic poem that details the poet’s real-life infatuation. Betjeman does not use the military definition of subaltern here‚ but instead is referring to someone in an inferior position. The author struggles‚ somewhat happily‚ against his love interest as she continually bests him at tennis. In Literature‚ poems can often be very difficult for one to comprehend and interpret the author’s perspective. Many people grew only being exposed to the basic “Roses are red
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Examine how Hamlets character oscillates between the rational philosopher in ‘To be or not to be’ and the cruel misogynist in ‘Get thee to a nunnery’ Hamlet tells Ophelia "Get thee to a nunnery"; the word "nunnery" is ambiguous because while in addition to referring to a convent‚ which is what the word would probably seem to mean to most people‚ "nunnery" was a euphemism for "brothel" in Elizabethan time‚ probably Hamlet was underscoring that‚ because beforehand‚ he calls Polonius a "fishmonger"
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1. He kills someone close to the woman he loves. Agamemnon and Hamlet Agamemnon and John F. Kennedy Hamlet and John F. Kennedy All three men Agamemnon kills his daughter (Clytemnestra’s daughter too) and Hamlet kills his girlfriend’s father (Polonius) 2. He feels that deception and secrets are bad for his country. Agamemnon and Hamlet Agamemnon and John F. Kennedy Hamlet and John F. Kennedy All three men Hamlet calls his uncle a “damned smiling villain” (Act 1. Scene 5. Line 106) when the Ghost tells
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