Movies: A Thematic Analysis of Alfred Hitchcock’s Psycho Alfred Hitchcock’s Psycho has been commended for forming the archetypical basis of all horror films that followed its 1960 release. The mass appeal that Psycho has maintained for over three decades can undoubtedly be attributed to its universality. In Psycho‚ Hitchcock allows the audience to become a subjective character within the plot to enhance the film’s psychological effects for an audience that is forced to recognise its own neurosis
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of dreadful suspense and distorted intrigue. Concisely‚ Gothic literature shows the “darker” side of life that strains at the limits between mortality and immortality‚ reason and emotion‚ order and disorder‚ mind and body‚ and love and hate. Alfred Hitchcock kept a Gothic purpose prevalent in his movie Psycho as he created its characters and the romances between them‚ setting‚ and imagery. Characters¾and the romances between them¾are commended in Gothic pieces for their unconscious fear‚ twisted
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Firstly I would like to say that Rear window is a true classic film. The film is a is the mother of all suspense thriller film and the director Alfred Hitchcock is the father of the genre. The predictability of the film proof its originality ‚pioneered and innocence compared to the films of its genre today. Films today has matured from its roots which is Rear Window but have not lost its core elements. The only difference between films today of the same genre and Rear Window is that movies nowadays
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like a roller coaster‚ horror films have brought a sense of excitement into ones personal enjoyment. Horror films tap into the fears of many by using certain phobias such as Arachnophobia‚ Ophidiophobia‚ Acrophobia and Agoraphobia. Psycho by Alfred Hitchcock was one of the few horror films in 1960’s to become a classic. Psycho tells a story of a woman who steals forty thousand dollars in order for the man whom she loves can afford a divorce. However‚ not all goes as plan. She is killed by a creepy
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Film studies Analysis of Psycho Alfred Hitchcock movie psycho starring Janet Leigh‚ Anthony Perkins starts with a shower scene. The scene opens with a middle shot of lady wearing a bathing robe sitting at her desk in her home. It looks like Janet Leigh is home alone with the scene following with a low key non-diegetic sound playing at the background creating suspense which co notates a Thriller genre. She looks tired and she signs bowing her head downwards whiles writing in the book. In effect
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Film as Mirror in Hitchcock’s Vertigo Alfred Hitchcock’s Vertigo is a master’s class in subtle and effective filmmaking - its noirish tale of obsession and loss is considered one of his best works. This is due in no small part to the directors’ use of the various elements of film as a mirror. Hitchcock intends to create a sense of repetition and a cyclical nature to the life of the characters in the film; following Scottie (James Stewart) through his descent and ascent into madness deals significantly
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The Ironic Secret Adapteur: Hitchcock and Hampton adapting Conrad’s The Secret Agent Rodrigo Alonso Lescún The Ironic Secret Adapteur: Hitchcock and Hampton adapting Conrad’s The Secret Agent The adaptation of the same literary work may give birth to extremely different cinematic products. Written by Joseph Conrad in 1907‚ the novel The Secret Agent inspired three cinematic adaptations. Here I shall be focusing on the concepts of authorship and adaptation when dealing with the analysis
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Film Analysis of Alfred Hitchcock’s “Psycho” Introduction “Psycho” (1960) is based on a novel of the same name by Robert Bloch. The film was directed by Hollywood legend‚ Alfred Hitchcock. The screen play was written by Joseph Stephano and based on the real life crimes of serial killer‚ Ed Gein. The film stars Janet Leigh‚ Anthony Perkins‚ John Gavin and Vera Miles. The film garnered four academy award nominations and widely regarded as one of Hitchcock’s best films. It spawned two sequels‚ a
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features in response to different contexts In Rear Window (Hitchcock 1954) Hitchcock scrutinises justice through the actions by the detective in solving the crime‚ which causes the audience to question certain ethics during the context of the film. However‚ through the use of various forms of textual features‚ Hitchcock enables the audience to empathise with the characters in the film and try to convince them that justice is done. Hitchcock introduces a different approach in solving the crime from
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Alfred Hitchcock uses many ways to explore the duality of human nature in his films‚ especially in the 1960 horror thriller Psycho. The duality of human nature represents our inner self‚ aspects that are mainly opposites‚ the light showing good‚ the dark showing evil‚ the natural and the unnatural‚ are just some examples of human nature. Hitchcock explored the duality of human nature using ways such as lighting‚ dialogue‚ camera angles‚ music‚ comparing and contrasting what different characters would
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