"Alfred Sisley" Essays and Research Papers

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    he decided to end his life and commit suicide. 2. “We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us‚ and we drown.” The last stanza of the poem “The Love-Song of J. Alfred Prufrock” indicates that the narrator was just dreaming. By referencing sea-girl it could show Prufrock’s romantic idea of mermaids and beautiful ocean views. The last stanza of the poem could refer to the character waiting on his love to come‚ and

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    In Alfred Lord Tennyson’s poem‚ “Crossing the Bar‚” he describes his placid attitude towards death. He wrote‚ “Crossing the Bar” in 1889‚ three years before his death while crossing the Solent. Days before his death‚ he asked his son to put his poem at the end of all his poetry editions (Oxford Dictionary of National Biography). Throughout the poem‚ Tennyson demonstrates his acceptance of death through an extended metaphor of “crossing the bar” as he transitions into death. In “Crossing the Bar”

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    Fear‚ terror and suspense are the most vivid emotions created by Poe’s stories and by Hitchcock’s films. Several themes are common to both: the madness that exists in the world‚ the paranoia caused by isolation which guides people’s actions‚ the conflict between appearance and reality along with the double aspect of the human nature‚ and the power of the dead over the living. Not only the themes are similar in both men’s work but also the details through which a story is written or shown. The similar

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    In T.S. Eliot’s poem “The Love Song of J. Alfred Prufrock‚” Eliot develops the character‚ J. Alfred Prufrock using allusions to other works of literature such as‚ Dante’s Inferno‚ Marvel’s “His Coy Mistress‚”. In this way‚ Eliot sets forth a psychological comparison to assist the reader in understanding of Prufrock’s psyche and existentialist attitude toward life. Dante’s Inferno is his allegorical depiction of hell that depicts hell as a set of nine levels (or circles) closely aligned to the

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    Over the course of Hitchcock’s film career that we have viewed in this course‚ Hitchcock’s leading women have become more substantive and developed as characters. This stark difference‚ involving both the characters and filming experiences of the actresses‚ is best exemplified through Joan Fontaine in Rebecca (1940) and Eva Marie Saint in North by Northwest (1959). CHARACTERS Though many of Hitchcock’s first leading women were not forces of nature‚ none was quite to the extent of “I” in Rebecca.

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    Alfred Hitchcock uses many ways to explore the duality of human nature in his films‚ especially in the 1960 horror thriller Psycho. The duality of human nature represents our inner self‚ aspects that are mainly opposites‚ the light showing good‚ the dark showing evil‚ the natural and the unnatural‚ are just some examples of human nature. Hitchcock explored the duality of human nature using ways such as lighting‚ dialogue‚ camera angles‚ music‚ comparing and contrasting what different characters would

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    In addition‚ another subconsciously aware character in the poem “The Lovesong of Alfred J. Prufrock” written by T.S. Eliot depicts a worrisome older man‚ contemplating his life letting his insecurities restrict him from living. The heroine in “The Lovesong of J. Alfred Prufrock” Prufrock‚ his call to adventure begins when he decides to open up the subconscious to see and understand what it is that makes us human. The opening line of the poem haunting and eerie‚ “Let us go then‚ you and I /When the

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    An analysis on how Mise-en-scene and sound create meaning and generate response in the film Marnie‚ by Alfred Hitchcock. The scene is of Mark trying to rekindle Marnie’s memories from the night of her mother’s ‘accident’: Marnie‚ having seeing Mark trying to hold back her mother’s punches‚ begins to remember parts from that night. The first shot‚ of Marnie‚ her mother and Mark‚ uses Mise-en-scene to show the higher achy within the three characters. Whereas towards the beginning Hitchcock had always

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    Logan Wilson February 10‚ 2012 Period 3 The Unlived Life of J. Alfred Prufrock As people look back to past experiences in their life what do they want to remember? Do they want to remember a wonderful life full of expieriences‚ or a life where they never really lived? The theme of the unlived life in The Love Song of J. Alfred Prufrock manifests through the narrator as he truly embodies the realistic fact that some people out there are introverted‚ living in fear‚ and worrying to

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    to capture the reader’s attention in The Love Song of J. Alfred Prufrock. The poem has a dramatic discourse. The percipience of life’s emptiness is the main theme of the poem. Eliot exhorts the spiritual decomposition by exploring a type of life in death. T. S. Eliot‚ who in the Clark Lectures notes‚ "Real Irony is an expression of suffering"(Lobb‚ 53)‚ uses irony and symbolism throughout the poem to exemplify the suffering of J. Alfred Prufrock who believes he is filled with spiritual morbidity

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