Bollywood and Liberalization Bollywood as a term has been roughly in vogue for the last four decades and is synonymous to the Hindi film industry of Mumbai‚ formerly Bombay. But not until recently the term Bollywood has become a global phenomenon with the hay days of the economic liberalization or globalization in India since 1991. But before we delve deep into Bollywood‚ it is imperative that we should throw light on the economic phenomena of globalization and its socio-cultural impact on
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National Liberation Front‚ or FLN‚ as the Muslim terrorist attackers‚ and also led to the French victory overall. However‚ Gillo Pontecorvo’s 1966 Italian-Algerian film “The Battle of Algiers” provide collective perspectives that do not just provide both the French military and Algerians’ sides of the battle‚ but also a closer look at the Algerians’ sides that deviate from the stereotypical and conventional image. It is one of the films in the Third Cinema‚ and Fernando Solano and Octavio Getino of
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with the obstacles faced by women‚ and she is noted for her feminist stance. She is more interested in her novels and writings in revealing the lives of Algerian women within patriarchal oppression and their historically invisible experiences. Djebar is known largely for her feminist and postcolonial views on dealing with women’s issues in the Algerian society. These views are seen as the foundation for all of her novels. As she writes using the French language‚ Djebar was hugely criticized for that
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fuse of every kind of war. Power is like a piece of bread that attracts hungry human beings to fight for it. The film‚ “The Battle of Algiers”‚ reconstructed the distressing scene during the Algerian War of Independence. The Algerians’ militant organization‚ National Liberation Front‚ unites with the Algerians to fight against French government’s control. Ultimately‚ this is a battle of power between two groups. In this film analysis‚ I would like to use the power theory and the intergroup conflict
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1965 and banned by the French‚ Gillo Pontecorvo ’s historical film masterpiece has been called "One of the most remarkable films of all time". (IMDB) Commissioned by the Algerian government‚ Pontecorvo ’s film brings us into the middle of the 1954 to 1962 Franco-Algerian conflict and the struggle that faced both the Algerians and the French colonials who had occupied the nation since the 1830s. In the 1960s the French Foreign Legion had pulled out of Vietnam in defeat. This defeat would not happen
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Modern History of M.E – Presentation Notes Why did the French Attempt to Surpress the Religious-Language Element in Algeria? An element of the French colonial project which deserves close scrutiny is the linguistic and cultural policies as these still affect present day Algeria.
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released in Venice‚ Italy. This highly acclaimed film deals with the Algerian independence from France and their modern guerrilla warfare that aided tremendously in their liberation in 1962. The content of the film however goes beyond politics and makes you question the validity of terrorism as a means for freedom. The majority of the film is in shot as a flashback from the perspective of Ali‚ one of the main leaders of the Algerian National Liberation Front. The question that many are asking is whether
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"The Guest" by Albert Camus For this assignment you are required to: 1) Review the elements of literature (pages) found in the contents page under "Elements of Literature" 2) Research and write a (one-page‚ 250 words maximum) report entirely in your own words‚ answering the question: What is existentialism? What beliefs do existentialists hold? 3) Read "The Guest" by Albert Camus. Click onto link. 4) Answer the questions which follow. Ensure that each response is in paragraph form. Each paragraph
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Liberalization vs. Globalization Submitted to: Submitted by: Dr. Surajit Bhattacharyya Rohit Kumar 0702061 Section B Mittal’s bid for Arcelor was a hostile bid. A takeover is considered "hostile" if either the board rejects the offer‚ but the bidder continues to pursue it‚ or the bidder makes the offer without informing the board of the target beforehand. On the other hand‚ Gujarat Ambuja deal was a friendly deal where both parties agreed to the price and the
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However‚ in the rest of the film women are found to be mute or only there to encourage the men off to fight. Furthermore‚ the scene with the Europeanised Algerian women is shown to be more romanticised - as one of them passes the frontier she is propositioned by a french soldier thus differing from the classical documentary style which Pontecorvo wished to recreate by drawing a parallel with Hollywood film
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