In Plato’s The Allegory of the Cave‚ a dialogue between two men‚ Socrates and Glaucon‚ reveals that our senses are not completely reliable. Socrates tells the story of a prisoner who has been chained for his whole life‚ able to see only shadows cast on a wall. The prisoner believed that the shadows were reality‚ but when he is released and dragged out of the cave‚ he finds a more important‚ more authentic reality. Socrates arrives to the conclusion that our senses are limited‚ just like the prisoner’s
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Allegory of the Modern Day Cave “Plato’s Allegory of the Cave” was the philosophical story of people who lived in this cave‚ and never left. They were bound to one spot‚ and could never move. The only light was this fire in the middle of the cave‚ that was on the other side of a wall that separated the fire from the cave dwellers. There were also other people who carried objects above their heads on the fire side of the wall. This made shadows on the actual cave walls‚ which were the only things
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wants to believe what reality really is‚ or if he wants to go back into the “Cave”. In the story‚ “The Allegory and the Cave” by Plato‚ they hold four prisoners in a dark cave with a fire going behind them. They see shadows from the people walking outside‚ but they don’t know what they are. One prisoner is freed and sees real light‚also known as a sign of life or freedom‚ but it hurts his eyes. He goes back into the cave and tells the rest of the group what he sees but they refuse to believe him
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Plato’s “The Allegory of the Cave” refer to the illusionary aspect of the human senses and how easily a fake reality can arise from those tricked senses. Plato would have seen the famous melting clocks representing time’s dynamic nature in dreams and understood their importance to false realities because dreams are a form of false realities. He would conclude that the melting clocks represent the upper world looking down at the lower world; therefore‚ the painting must represent those in the cave who have
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In Plato’s Allegory of the Cave there were multiple beliefs brought upon by the prisoners of this cave. The prisoners of the cave are supposed to parallel everyday people in the sense of how reality is perceived. The prisoners of the cave believed and only knew that reality of the shadows and developed their own belief structure and way of processing that information. Plato connected that to everyday people due to the fact that although we strongly believe the reality we have made for ourselves‚
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In Plato’s Allegory of the Cave‚ a group of prisoners are chained inside a cave. The only thing the prisoners can see are shadows from events happening outside displayed on the wall. One of the prisoners is finally set free and leaves the cave. After seeing everything there is to see outside‚ he returns to the cave to inform the other prisoners of what awaits them. Instead of the other prisoners listening to him‚ they refuse to believe what he is saying. The focus of this story is not about what
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very similar to the form of government described in the Republic by Plato‚ especially The Allegory of the Cave. Both are descriptions of totalitarian dystopic governments included the separation of people by professional class‚ assignment of profession and purpose by the state‚ and the absence of traditional family units‚ replaced by state-organized breeding. If Jonas‚ the leader‚ is the man released from the cave‚ then his obligations as a leader and his obligations to knowledge are the same. The
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Inception and the Allegory of the Cave The movie “Inception” is a great example of Plato’s Allegory of the Cave. The idea that through a dream you can achieve a state of enlightenment directly relates to changing a way of thinking. The hero in the movie Cobb has demons to exercise from his former way of thinking In order to achieve his goal of “reality”. His sun or enlightenment is ridding himself of his wife Mal and showing himself the reality with Fisher. Mal represents the old way of thinking
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It is important to realize‚ when reading the allegory of the cave and of the line‚ that Plato means to depict not only four ways of thinking‚ but four ways of life. To use an example‚ imagine that a person in each of these stages were asked to say what courage is. The understanding of courage would differ widely from stage to stage. Working with a possible interpretation of the imagination stage‚ an individual’s notion of courage in this stage would appeal to images from culture. Such an individual
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Allegory of The Cave Reaction Paper Plato argues that perceptions of material objects are imperfect reflections of an unchanging form of truth that can be pursued through the quest for knowledge and belief. He outlines the order in which the escaped prisoner would ascend in understanding; “At first it would be easiest to make out shadows‚ and then the images of men and things reflected in water‚ and later on the things themselves… last of all‚ he would be able to look at the sun and contemplate
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