I. Brief History The Basilica of San Sebastian is one of the 4 minor basilicas in the Archdiocese of Manila. San Sebastian Church designed by Genaro Palacios. The structural metal of which this church is uniquely built was manufactured in Belgium and erected here by Belgian engineers. The church was solemnly blesses August 16‚ 1891. Earlier churches built on this site by recollect friars since 1611 were destroyed by earthquake in 1859‚ 1863‚ and 1880. Among the churches‚ San Sebastian Church
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other religions. In traditional Christian architecture‚ the church is often arranged in the shape of a Christian cross. When viewed from plan view the longest part of a cross is represented by the aisle and the junction of the cross is located at the altar area. Towers or domes are often added with the intention of directing the eye of the viewer towards the heavens and inspiring church visitors. Modern church buildings have a variety of architectural styles and layouts; many buildings that were designed
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basilica. The central nave rises above the others significantly. Each nave is a door that is assigned to the unfinished glory facade. There are also two side portals that lead to the penance chapel and baptistery. Behind the nave‚ in the apse‚ is the altar‚ in the light of the many windows of the apse. Here are ten basic facts about Sagrada Familia: Work on the Basilica of the Sagrada Familia (the Church of the Holy Family) commenced in 1884 and continues to this day‚ Gaudi did not produce accurate
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war‚ the church was repaired. Pilgrims returned in even greater number. 1952 – work started on a new convent and belfry. In 1954 – the new convent and the belfry was inaugurated. Came 1960 – an elevated platform was built on the head nave‚ the altar was brought closer to the people. Since 1972‚ the Sanctuary-Church has been under the
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series of increasingly sacred spaces is of great importance and is reflected in the architecture. Not ever temple is the same‚ each one focuses on their own individual themes. Most Hindus worship over alters in their homes and at temples. Family altars are used for daily prayers. Temples are sought out for important matters or big events and occasions. Hindu temples are "artificial mountains" built as objects of worship built to enshrine the image of a chosen deity. The Upanishads described them
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Minsk Towns are like people. Some are rich and influential from their conception; others need to acquire such qualities over centuries. Minsk is an example of the latter though founded as a border fortification in the Polatsk Principality‚ over its millennial history Minsk has managed to be the predominant centre of power in an appanage‚ capital of a province and at long last the capital of an independent nation counting 10 million people. Well‚ as Minsk is more that 900 years‚ it is quite enough
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Architectural elements of hoysala period Mantapa Ornate lintel over mantapa entrance in Chennakeshava temple‚ Belur Ornate bay ceiling in mantapa in Saumyakeshava temple at Nagamangala‚ a common feature in Hoysala temples The mantapa is the hall where groups of people gather during prayers. The entrance to the mantapa normally has a highly ornate overhead lintel called a makaratorana (makara is an imaginary beast and torana is an overhead decoration).[16] The open mantapa which serves the purpose
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The Hindu temple: axis of access -Michael w.meister -Subhashree Nath 2nd year‚ USAP The Hindu temple‚ combines physically the pillar that marks the axis of cosmic parturition‚ the altar (square) of sacrifice taking the shape of the create universe‚ and the need for shelter of both the divinity and the worshipper; it unites the cosmic mountain and the potent cave. Before the advent of construction of stone temples in the 5th century AD‚ tree shrines and similar enclosures for objects of worship
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Gender is a concept society often challenges whether by males or females‚ living up to traditional ideas causes constrictions to the individual. “The Altar of the Family” written by Michael Wilding suggests that conforming to traditional ideas or stereotypes provides constrictions to an individual’s beliefs. The author uses third person narrative in order to position the reader. Characterisation invites the reader to be critical of the father’s perspective on masculinity. Figurative language emphasises
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Although Toru‚ the protagonist of Sakura Shrine Girls‚ comes from a family with a long lineage of priests he is more of a skeptic. Despite generations of his family all dedicating themselves to the understanding of the the spirit world‚ Toru simply doesn’t believe in gods or spirits at all. However‚ Toru does believe in keeping old practices alive‚ despite how silly they seem to him‚ which is why he goes and lives with his grandfather to receive training in the family tradition. Initially Toru thinks
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