hexachord? What is the compliment? ‘Peripetie’ was written for a large orchestra to produce contrasts with texture‚ dynamics & timbre. It is written for quadruple woodwind (4 per section) Flute Piccolo clarinet 3 flutes & piccolo 3 clarinets & bass clarinet 3 bassoons & Bass clarinet bassoon contrabassoon contrabassoon 3 oboes & cor anglais A large brass section‚ with and without mutes. A large percussion section – cymbals‚ timpani‚ xylophone & of course strings Oboe Cor
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Cornet Solo (1 bar) → Clarinet Solo (1 bar) **Solo break at Bar 3** Verse (16 bars) 0:06 Band (8 bars) 0:18 Band (8 bars) Chorus 1 (32 bars) 0:31 A Cornet Solo (8 bars) 0:43 B Cornet Solo (8 bars) **Solo break at Bar 7** 0:55 A Cornet Solo (8 bars) 1:08 C Cornet Solo (8 bars) **Solo breaks at Bars 1 and 3 (stop time)** Verse (16 bars) 1:21 Band (8 bars) 1:34 Band (8 bars) Chorus 2 (32 bars) 1:47 A Cornet Solo (2 bars) → Clarinet Solo (2 bars) → Cornet
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100-05 Orchestra Concert Report 1 The piece preformed was Clarinet Quintet in b minor‚ OP. 115 by Johannes Brahms (1833-1897). The piece had four movements: Allegro‚ Adagio‚ Andantino‚ Con moto and because it was a quintet‚ there were five musicians. There were two violins‚ played by Gregory Maytan and Oleg Bezuglov. There was one viola and one cello‚ played respectively by Paul Swantek and Pablo Mahave-Veglia. The clarinet was played by Arthur Campbell. Allegro‚ as the first movement is
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played in order: 1. Ricochet - Kerry Turner‚ 1960 2. Clarinet Sonata in E-flat Major‚ Op. 167 (1921) - Camille Saint-Saens‚ 1835-1921 I. Allegretto 3. Rhapsody for Clarinet (ca. 1979) - Giacomo Miluccio 4. Selections from Divertissement for Oboe‚ Clarinet‚ and Bassoon (1927) - Erwin Schulhoff‚ 1894-1942 Charleston: Allegro Romanzero: Andantino Rondino-Finale: Molto allegro con Fuoco 5. Suite d’après Corrette for Oboe‚ Clarinet‚ and Bassoon‚ Op. 161 (1937) - Darius Milhaud (1892-1974)
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Mattingly. Bailey played the flute‚ McMullen played the oboe‚ Barger was on the clarinet‚ McCray played the bassoon‚ and Mattingly played the horn. The first piece was called Quintet in g minor‚ Op. 56‚ No. 2. It was by Franz Danzi. The first movement was an Allegretto. It was in a major mode and in triple meter. It started with polyphonic texture. The flute and oboe were playing a portion of the melody and the clarinet was playing another melody‚ both over the bassoon and horn. There were portions
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Live On The Hill” that is recorded in 2013. I prefer to him to write because he can play the clarinet. I like people who play clarinet because my father plays this instrument very well. I can say that I was grown up the voice of clarinet. Furthermore‚ my second reason is the song that is played by him‚ which is mentioned in the book. I very like the melody and tone of the piece even if he does not play clarinet in the song. In addition‚ the other song that is played by him‚ which is called “Stop This
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Schuppanzign to lead violins • Conductor: Michael Umlauf o Concept of conductor was fairly new o Instructed performers to ignore Beethoven • Theater Manager: Louis Deport o Convinced Beethoven needed to help with direction • Soprano: Henriette Sonntag‚ Alto: Karoline Unger o Turned Beethoven around to face audience
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MUS 103 Music Appreciation D.J. Culp‚ Jr. Graduate Instructor Ph.D. Student in Music Education Office: Practice Room 245C (second floor) Music Building djculpjr@olemiss.edu Text: Listening to Music‚ 7th ed. What does it mean to Appreciate? Appreciate: to value or regard highly; to be grateful or thankful for; to raise in value Is appreciation a requirement of enjoyment? Does appreciation yield enjoyment? What to expect from this course Learn to actively listen by studying musical
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Dedicating his life to music at a very young age by playing the clarinet and then eventually moving on to play in a navy band in Hawaii for a year after discovering the Eb saxophone was all difficulties he faced early on in his life. The tasks themselves weren’t difficult but experiencing them all at the age of twelve
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tracks on it but it is just about an hour of mind blowing jazz. John William Coltrane was born in Hamlet‚ North Carolina on the twenty third of September in 1926. He started playing the Clarinet but soon fell in love with jazz and decided to switch over to the alto saxophone (Wikipedia). He played the alto saxophone until about 1950 when he decided to switch over to the tenor saxophone. It was with the tenor saxophone that he made his name known to the masses. Coltrane was in small
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