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epistolary novel is a novel written as a series of documents. The usual form is letters. The epistolary form can add greater realism to a story‚ because it mimics the workings of real life The founder of the epistolary novel in English is said by many to be James Howell (1594–1666) with "Familiar Letters"‚ who writes of prison‚ foreign adventure‚ and the love of women. There are two theories on the genesis of the epistolary novel. The first claims that the genre originated from novels with inserted
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GOTHIC NOVEL The word "Gothic" has ben variously defined and interpreteted by various writer. Leslie Fielder says that Gothic shoddy mystery-mongerine‚ whereas F. Gunworth Fields defines the Gothic tradition‚ as a literary exploration of avenues to death. The editions of "The Reader’s Companion to World Literature" consider the Gothic novel as a novel of horror based on supernatural. Montague summers maintains; Gothic was the essence of romanticism‚ and romanticism was the literary expression
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Tragedies are mostly similar creatures. Whether it’s William Shakespeare’s Othello or Arthur Miller’s Death of a Salesman‚ a tragedy must abide by certain standards to be called a tragedy. Of course‚ it must be fatal; someone or something must die. Certain complexities like tragic flaws or foreshadowing may also appear. Irony plays a key part and takes many forms‚ including tragic‚ dramatic‚ or cosmic irony. There is‚ however‚ another necessary mechanism to create a solid‚ working tragedy: hamartia
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These days‚ there is an issue about whether people should always tell a truth. Some people strongly argue that it is very important not to tell a lie to friend or family to keep good relationship because they believe truth is bridge that connects between people. It is undeniable that truth is important‚ however‚ I believe telling a lie plays as significant role as telling a truth. It is implausible for people to tell a truth every time. I think people should know telling a lie is also sometimes beneficial
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Things Are Not Always As They Appear By Tammy Templeton I guess you could say that the mistakes that I make are my fault. And‚ I should take on the responsibility of the consequences of my actions. It seems that everyone wants to blame everyone else for their problems. They end up in trouble with the law‚ or with drugs‚ or financial debt‚ and then they want to blame everyone else but themselves. People don’t want to take a look at whom they are associated with and wonder how they got themselves
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The Postman Always Rings Twice was a novel written by an American writer James M. Cains. This novel was adapted into film in 1946 and it was directed by HYPERLINK http//en.wikipedia.org/wiki/Tay_Garnett o Tay Garnett Tay Garnett. Although there are some different descriptions between novel and film‚ the main story is a husband was murdered by his cheating wife and her lover. Greed‚ selfishness‚ desire and trustlessness of personalities are major themes depicted in both the novel and film incisively
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Is The Customer “Always Right”? Abstract The customer is always right. It is the merchant’s wealth to safeguard the interests of customers. Many sellers think that some the customer is unreasonable and vulgar. Customer is always right for three reasons. First‚ the customer is always right is not the criterion of distinguished between right and wrong but is the criteria of the service work because the focus of the work is how to help customers make the right choices‚ and how to provide
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Monday‚ December 27‚ 2010 Reasons for the Rise of the Novel in the Eighteenth Century Introduction: The most important gifts of the eighteenth century to English literature are the periodical essay and the novel‚ neither of which had any classical precedent. Both of them were prose forms and eminently suited to the genius of eighteenth-century English men and women. The periodical essayist and the novelist were both exponents of the same sensibility and culture‚ and worked on the same intellectual
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Julien D. Bonn in A Comprehensive Dictionary of Literature‚ a novel is a ‘long fictional narrative in prose‚ which developed from the novella and other early forms of narrative.’ Additionally‚ E.M. Forster in attempting to the define the term ‘novel’ in Aspects of the Novel cites the definition of a Frenchman named Abel Chevally; ‘a fiction in prose of a certain extent’ and adds that he defines ‘extent’ as over 50‚000 words. The novel tends to depict imaginary characters and situations but may include
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