Part III: Interpretation “Nebamun hunting in the Marshes with his wife and daughter” is an ancient Egypt wall painting that commissioned by Nebamun. The scene in the artwork is depicting his afterlife painting on his tomb. It is because he thought that people would remember him by seeing this painting. Besides‚ he wanted to show the different of status. According to the social pyramid of 18th Dynasty Egyptian‚ Nebamun is a scribe and grain accontant as well as nobleman that are in the middle class
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With these newfound religious ideas came new beginnings. Again throwing away Egyptian traditions he decided to build a completely different capitol city and abandon Thebes. This idea began the construction of Amarna or horizon of the sun which was built in a desolate land about 200 miles north of Thebes. Akhenaten’s justification for doing so was to escape the influences of the high priests. In the capitol he built the temple of Aten‚ a very open space that was
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tradition and started his own empire in a place called El-Amarna. Akhenaten’s goal was to completely reform the religion of Egypt‚ and changing the religion meant changing traditions‚ which led to changing the art
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Shaun’s most known forged piece was the “Amarna Princess”‚ which he planned to sell the piece to the Bolton Museum. The sculpture was said to a King Tutankhamun’s granddaughter that was 3‚300 years old. He said that the piece was a family heirloom that he forgot about. Shaun also forged documents
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Was Amana Art a radical break from tradition? • Armana period - during and just after the reign of Akhenaten (late 18th dynasty) Noticeably different from conventional styles. • Feminine depictions of Akhenaten‚ droopy stomach‚ lack of genitals‚ wide hips and thighs‚ narrow waist. • Traditional representations of men had chiseled muscles‚ animal representations‚ eg‚ theriocephaly - artistic descriptions of characters that simultaneously share human and animal traits. Ra‚ Sobek‚ Anubis
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as to why Akhenaten moved his capital to Amarna are distinctly contrasted‚ and the suggestions are numerous. These include three predominant theories promoted by various historians with divergent views of Akhenaten. These theories are all conceptually based on the concept of Akhenaten using Amarna to develop his religious ideals. Firstly‚ it is believed that having his revolutionary religious reforms reached their goals; Akhenaten employed the city of Amarna as an escape from Amun dominated Thebes
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For centuries‚ the god Amun served as the pre-eminent god in New Kingdom Egypt‚ and his priests enjoyed privileges and power. However‚ Akhenaten revolutionised religious life with his adoption of the cult of Aten and the introduction of monotheism to Egypt. Along with this religious change came many others‚ Akhenaten changed Egypt’s foreign policy‚ art and architecture. The Ancient Egyptians regarded the Sun as a powerful life source. Along with the flooding of the Nile‚ it produced their crops
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the intimate settings and placements of him and his royal family. Religiously‚ the forced monotheistic religion was artistically stylized by having the new deity‚ Aten‚ as the main theme in his reliefs. These emphases were what came to be known as Amarna art‚ an erratic‚ sensual‚ new style of art that celebrated the vibrancy and movement of the real world during Akhenaten’s reign. Akhenaten’s famous two relief sculptures‚ House Shrine and Akhenaten Making Offerings‚ reflect the revolutionary changes
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military leader that provided him with the opportunity to take the throne. He re-established the Amun religion in response to the failure of the Amarna revolution. He carried out the construction of new temples‚ and tombs while deconstructing other pharaoh’s buildings‚ yet he also restored pharaoh’s tombs that had been robbed. With the downfall of the Amarna revolution Horemheb rebuilt the society through a strong military base‚ and well-established administration system. Surely‚ however‚ he often took
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of Amun was physically removed from temple walls and any mention of him in literature was also erased. The administrative centre of Egypt moved from Thebes to Amarna‚ the city dedicated to Aten‚ with Akhenaten forcing people with government positions to relocate under threat of stripping them of their titles (Teeter‚ 2016). The move to Amarna may have been prompted due to Thebes having strong ties to Amun‚ further rejecting the god from Egyptian society as he wasn’t considered important enough anymore
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