Ambiguities of Madness: Henry James’s The Turn of the Screw Henry James developed a polemical novella when he penned The Turn of the Screw in 1898. His twelve installments for Collier’s Weekly permitted extensive access of this ambiguous text to more citizens. This coupled with the magazine’s affordability‚ prompted discussion amongst its readers who debated the twists and turns of the developing tale. As James eloquently unfolded his pot-boiler‚ he literally turned the screw by allowing his readers
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Similar to the pattern viewed in Slaughterhouse-Five‚ the townspeople in a Chronicle of a Death Foretold also use their belief in fate to justify Santiago’s death. Their lack of responsibility leads to their ability to condone the killing. In striving to understand their place in the murder‚ they resolve to believe that it was inevitable and their attempts to stop it would have been ineffective. Because fate disencumbered them from their responsibility‚ they easily justify the killing. For example
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To fully appreciate a play‚ one must put it into the cultural contexts of its time. One of the integral aspects of a piece of literary work is its religious base. Whether it is Christian‚ atheist or Daoist‚ religious contexts usually make a difference in the work. Hamlet is the same. The Shakespearian play is rather ambiguous with what form of Christianity it follows‚ uses religion to set up the tone of a character‚ and has religion as a major theme. Hamlet is rather vague on what specific Christian
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CHANGE: LEADING THROUGH TRANSITION‚ AMBIGUITY AND UNCERTAINTY There are many metaphors for change. I had been challenged one time at my church gathering to view change as a journey‚ from one place to another. It is easier to focus on where the journey started‚ and finally where it ended and forget any lessons learned while travelling. I have often heard it said‚ “When one door closes‚ another one opens”. What they don’t tell you‚ is that between the closed door and the open one is a long dark
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of identity is furthered by his inability to understand emotion. The narrator’s presentation of human emotion‚ specifically kindness and anger‚ creates opposing tones of ambiguity and lucidity‚ a conflict that answers to a greater theme of the novel. Situations where a sense of kindness is evoked indicate the narrator’s ambiguity. The first occurrence of this is when Grete brings Gregor food: "[In] the goodness of her heart...she brought him a whole selection of food‚ all set out on an old newspaper
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is marked by ambiguities of equality‚ servitude‚ and independence". By examining pertinent incidents in the text‚ the validity of this statement will be shown‚ and moreover‚ these ambiguities will be shown to be of Jane ’s own doing. It will be shown that she is the one who constantly thinks herself to be inferior‚ and even when she is said to be Rochester ’s equal‚ she thinks of some way in which she is inadequate‚ in order to sabotage her own happiness. While there are ambiguities of servitude
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The same passage is seen as ambiguous to other critics of Milton. This connects to the idea of Milton’s ambiguity on feminism‚ and whether or not Paradise Lost is a feminist or misogynistic work‚ or something in between. The common to interpretation of the phrase “Not equal‚ as their sex not equal seemed” (ibid 4.295-298) is that it is a reference to Eve’s inferiority to Adam. This is because of the context of later parts of the poem‚ but when it stands alone the passage is vague as to which sex
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“A fine gentleman like that‚ they said‚ had no need of books. Let him leave books‚ they said‚ to the palsied or the dying. But worse was to come. For once the disease of reading has laid upon the system it weakens it so that it falls an easy prey to that other scourge which dwells in the inkpot and festers in the quill. The wretch takes to writing”. Thus thought Mrs. Grimsditch‚ a housekeeper in Virginia Woolf’s sixth novel “Orlando”. Being a woman of the Elizabethan era‚ she quite obviously was
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Beowulf’s first villain Grendel is an exceptionally diverse character. His nature is ambiguous. He is a mix of man and beast and his fury is based on very human feelings of resentment and jealousy. Although Grendel is portrayed as an animal like demonic creature of some sort‚ upon further examination the reader begins to sympathize with the very human emotions that drive him to kill. Grendel is constantly portrayed as an evil creature in Beowulf. Before his name is even mentioned the narrator refers
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Kurt Vonnegut‚ an American writer who brings the techniques of science fiction‚ relies on the criticism of the moral ambiguity of the corporate world‚ while balancing with humorous scenes and characters. ‘Player Piano’‚ the first novel of his‚ published in 1952‚ describes a ‘dystopia’; a totally mechanized society‚ where automation brings a negative impact on people’s life. The author takes a satirical stance on automation in which the society is run by machines instead of people. The story is
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