Introduction to Film Art Fall 2013 Malcolm Turvey Office: Heimbold 304F Extension: 2644 E-mail: mturvey@slc.edu Syllabus Required Textbook: David Bordwell and Kristin Thompson‚ Film Art: An Introduction (New York: McGraw Hill‚ 2012; 10th edition) Class Schedule: NB: Readings marked (X) must be downloaded from MySLC Week 1 Conferences 9/10: NO CONFERENCES Screening 9/10: Collateral (Michael Mann‚ 2004‚ 120 min.) 9/11: Read: Introduction: Film as Art Film Art‚ Chapter 1
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LAMB TO THE SLAUGHTER ‘Lamb to the Slaughter’ is a short descriptive story written by Roald Dahl. The title depicts the image of an innocent lamb being led to the slaughter without its understanding. The story tells of a caring wife who is blindsided by her husband‚ Patrick. Patrick divorces Mary but she has her revenge by murdering him. The word slaughter is used as another meaning for kill. Mary and Patrick both made each other a helpless lamb. The most innocent lambs in this story are the
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Module 1 Homework Assignment Allied American University Author Note This paper was prepared for Introduction to Film History‚ Module 1 Homework Assignment‚ taught by Professor Stephanie Sandifer. Directions: Using word processing software to save and submit your work‚ please answer the following short answer questions. All responses to questions should be one to two paragraphs‚ composed of five to seven sentences‚ in length. Your responses should include examples from the reading
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Textual Analysis in Film Camera Analysis ← Composition ← Framing ← Camera Height ← Angle of view ← Depth of field ← Choice of lens Mise en Scene Film Analysis questions ← Dominant: Where is our eye attracted first? Why? ← ← Lighting Key: High Key? Low Key? High Contrast? Some combination of these? ← ← Shot and Camera Proxemics: What Type of shot? How Far away is the camera from the action? ← ← Angle:Are we ( and the camera)
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Film: Then and Now The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry’s existence‚ demonstrates a lot of information about the nature of capitalism. The modern film industry was born around
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Code and convention of horror film: A horror film follows certain code and convection to achieve its purpose of scaring and alarming the audience. The following are some of them: Setting/location: The location used for this genre of a film is isolated and lonely area that has been abandoned or an area where the victim will feel vulnerable. For example small communities‚ dark streets‚ narrow alleyways‚ roads‚ woods‚ haunted places‚ farms‚ country sides and cities etc… sometimes places with ‘dark’
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Tarit Tatiyarat ENGL102 10.00am-10.50am Barbara Kline Marketing in 1930s and 2013 Seattle‚ the crowded city that was full of theaters and super stars. Many people came across the world just to see and buy the films. It is the place where the film was distributed through out the state. Numerous questions were popped up into my mind about what Seattle was like about almost 100 years ago. Walking around the neighborhood‚ I was impressed by the mysterious building. I was really curious about
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DEVELOPMENT OF FILM Birth of Film 1878 | - 1st Motion Picture created by Eadweard Muybridge on a farm in California- Photographed a horse in fast motion using a series of 12 stereoscopic Cameras (00:51 to 00:58 - Birth of Cinema video) | 1888 | - 1st celluloid film shot by Louis Aime Augustin using single lens camera in Yorkshire‚ Great Britain called “Roundhay Garden Scene” (01:07 - 01:10 - Birth of Cinema video) | 1894 | - Thomas Edison and Whilliam Dickson invented the Kinetoscope
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important director who dealt with typically American themes. According to David Cook’s‚ “A History of Narrative Film‚” Hawks was “less a stylist than either von Sternberg or Ford. Hawks characteristically concerned himself with the construction of tough‚ functional narratives that embodied this personal ethic of professionalism‚ quiet courage‚ and self-respect.” Hawks directed a total of forty-three features. He contributed major films to every popular American genre‚ during his career that extended nearly
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many stylistics and thematic elements in both films the Killer and Internal Affairs. The theme of honor and friendship is present throughout both films. The structure of both films follows two men on opposite sides of the law who find a relation to each other in their opposition to a greater evil being a triad boss‚ who playing both sides. Both films have the elements of trust and betrayal‚ extreme moments of violence‚ and dark humor. The plot in both films were also somewhat similar because you have
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