Cited: Baldwin‚ James. "Sonny ’s Blues." Literature: An Introduction to Fiction‚ Poetry‚ and Drama. X.J. Kennedy and Dana Gioia. Pearson/ Longman: New York. 2005. 53-76.
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dominated; the male was expected to do most of the work‚ and the woman was expected to stay at home. Chinese women feel like no one cares and it is much harder for them to live with an optimistic view on life. Although sexism is not a major theme of Amy Tan’s Joy Luck Club‚ it is clear that it does affect the lives of the mothers and daughters. Although sexism is not a major theme in this novel‚ it runs throughout the whole novel since the story is focused on Chinese women that grew up in China and
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“A Talk to Teachers” By James Baldwin (Delivered October 16‚ 1963‚ as “The Negro Child – His Self –Image” originally published in The Saturday Review‚ December 21‚ 1963‚ reprinted in The Price of the Ticket‚ Collected Non Fiction 1948-1985‚ Saint Martins 1985.) Introduction: This article discussed about the point of view of the author regarding the effect of education and educators on the truth that affects the life and the truth regarding the past which affects the future of an individual which
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In the short story “Two Kinds” by Amy Tan‚ with the use of epiphany and turning points the reader is able to see the protagonist’s growth and change in personality throughout the story. The protagonist‚ Jing-Mei and her mother emigrated from China to the US‚ thus the family struggled in adapting to the new culture and lifestyle. Heavily influenced by the opportunities and hopes with a new life in US‚ Jing-Mei’s mother wanted Jing-Mei to become a prodigy like the other girls on television. Jing-Mei
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The text under analysis is taken from the book “The Fire Next Time” by James Baldwin. It is a dedicatory letter to his nephew and namesake James‚ entitled in short "On the One Hundredth Anniversary of the Emancipation." Baldwin advises his nephew on how to deal with the racist world in which he was born. In spite the horrors of America‚ Baldwin believed the Negro must take the high road and show whites‚ in their ignorance and innocence‚ how to live the good life‚ how to love. The text is in the
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THE MOST HATEFUL WORDS By Amy Tan The most hateful words I have ever said to another human being were to my mother. I was sixteen at the time. They rose from the storm in my chest and I let them fall in a fury of hailstones: "I hate you. I wish I were dead...." I waited for her to collapse‚ stricken by what I had just said. She was still standing upright‚ her chin tilted‚ her lips stretched in a crazy smile. "Okay‚ maybe I die too‚ " she said between huffs. "Then I no longer be your mother
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Englishes I grew up with.” (Tan‚ 1) is the fact that language is the “tool of her trade”‚ meaning she uses it on a daily basis to preform her daily work and accomplish tasks. The different types of English‚ being proper or broken English‚ are useful to a writer because she can use them to work to create meaning with certain audience members‚ whether it be her mother‚ who uses more limited English‚ or an academic paper‚ which uses proper‚ academic English. The fact that as a writer‚ Tan still uses both forms
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hit his uncle were white drunk men although they didn’t mean to do it they drove away when they crashed into him. Those white men didn’t really care what happened to his uncle those white people; left him for death. In the story “Sonny’s Blues” James Baldwin argues that race limits what
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"Two Kinds‚" by Amy Tan is a story in which a Chinese mother believes that her daughter can do anything in the United States as long as she puts her mind to it and decides to push her daughter‚ Jing-Mei‚ into being a prodigy. Unfortuantely‚ Jing-Mei and her mother do not share the same views on things. Jing-Mei wants to establish her own identity apart from her mother and feels that she can be successful through her own efforts and determination. Jing-Mei’s desire to be an independent person leads
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Cited: Tan‚ Amy. “A Pair of Tickets.” An Introduction to Fiction . Ed. X.J. Kennedy and Dana Gioia. Eleventh Edition. Boston: Longman‚ 2010. 30-35. Print.
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