Composer report: Ludwig van Beethoven On 17 December 1770‚ Ludwig van Beethoven was born. He was an amazing and great classical musical composer. He is known for being the most famous composer of the classical and romantic periods of music. According to the “Enjoyment of Music” manual‚ Beethoven was born in Bohn‚ Germany. His father‚ with his grandfather‚ was the two singers at the court of a local prince‚ Friedrich Max. (Forney and Machlis 197). Beethoven began to take an interest in music from
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background information on the piece and in some cases details about the composer. It also allows the audience to retrieve some sense of what to expect when listening to the work that is being offered. The reaction that I received in regards to Beethoven Fifth Symphony‚ First Movement; was that I immediately noticed the very catchy but strong opening that was displayed in my ears. In the beginning it was as if there were knocking on a door or someone running through a dark corridor of some sort.
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Distinctively Visual Essay – Shoe Horn Sonata & The Send Off In John Misto’s play ‘The Shoe-Horn Sonata’ (1996) and the poem ‘The Send-Off’ written by Wilfred Owen distinctively visual techniques are used to explore past experiences of war and individuals and society’s perceptions. These concepts are conveyed and explored through the use of distinctively visual techniques such as visual and aural imagery‚ stage directions and dialoged. In ‘The Shoe-Horn Sonta’ distinctly visual techniques
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different techniques used in the play “The Shoe Horn Sonata” that enable the text to be distinctively visual in conveying a point of view. Dramatic effects such as music‚ dialogue and flashbacks create the perspective of two women looking back on their memories and experiences of World War 2. Similarly‚ Kenneth Slessor uses distinctively visual elements to aid the description of mateship and death in the poem “Beach Burial”. The Shoe Horn Sonata‚ written by John Misto‚ recounts the experiences
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Distinctively visual texts use a variety of techniques to convey the experiences during the war. In John Misto’s 1996 play ‘The Shoe-Horn Sonata’ which is about women nurses enduring Japanese POW camps‚ such distinctive experiences as power and survival are shown through techniques like lighting‚ projecting image‚ sound‚ symbols‚ dialogue and body language. In Kenneth Slessor’s 1942 poem ‘Beach Burial’ he also comments about survival in war and the power in distinctively visual ways
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as being weak. This is what the main protagonists of both the play‚ Shoe Horn Sonata by John Mistro and the movie‚ Hunger Games directed by Gary Ross endured. Together with photographs‚ cinematic techniques and symbols‚ these texts represent the devastation of war‚ the bonds of friendship forged during a war and their respective will to survive. Friendship is defined as a relationship between friends. In Shoe Horn Sonata‚ when Sheila and Bridie first meet‚ it seems unlikely that they will ever be
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incomprehensible to those who have never experienced it‚ a dread that strikes at the root of one’s survival – an existential fear.” Experiences suffered by women and children in WWII Japanese POW camps are reflected in John Misto’s play‚ The Shoe-Horn Sonata. This is shown through a wide range of distinctively visual techniques such as stage directions‚ language‚ lighting‚ music and sound effects that are designed to put the audience in his characters positions. The fear confronted by the women of the
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Shoe Horn Sonata: In Misto’s play contrast is a powerful dramatic device. Describe its use in the Shoe Horn Sonata. “Shoe Horn Sonata is an impressive story of courage‚ hope‚ horror and friendship. This play is a tribute to commemorate the bravery of the women and to make their story of survival widely known. The historical context that the story has enables us to learn about the past events and to understand the true meaning of war and its consequences. The play draws on real events‚ the Massacre
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Distinctively visual texts are able to manipulate the emotions of the audience to influence the responses of a collective group. John Misto‚ the person behind the play The Shoe-Horn Sonata‚ uses his distinctively visual text as a memorial for the Australian Army nurses who died in the war‚ as they were refused one by the government. “I do not have the power to build a memorial. So I wrote a play instead.” This drama illustrates the way the women were treated in the Japanese prisoner of war camps
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correlate to nine levels of horrendous deeds is where you would find our irksome annoyances inserted. To navigate through the nine levels of madness‚ let us guide you through a journey with Beethoven in hand. With the attendance of the creators of this circle of hell‚ disastrous punishments lie ahead. Beethoven‚ a man with the sights for beauty on the musical side even though he does not have sight or the sense of hearing‚ an inspiration he is even with his irony. In this case‚ the punishes ranges
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