modern day sculpture in the round that shares many attributes to Woman (Venus of Willendorf) found in Willendorf‚ Austria. ca. 25‚000-20‚000 (Sayre 5). Both statues have particularly voluptuous figures and are seemingly human. The only difference being the Venus statue is missing a head and clothing‚ whereas the Buddha statue is fully clothed. Although very different contexts‚ both figures seem to be objects of praise. The Venus figure’s praise comes more from a place of female standard of beauty‚
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Venus of Willendorf from Willendorf‚ Austria 28‚000 – 25‚000 BCE Limestone Naturhistorisches Museum‚ Vienna Paleolithic - representation of a woman - female anatomy is exaggerated - serves as a fertility image - no facial features‚ just hair/hat - freestanding sculpture Statuettes of 2 worshipers from the Square Temple at Eshnunna (Tell Asmar)‚ Iraq 2700 BCE (early dynastic/Sumerian) Soft gypsum and inlaid with shell + black limestone Iraq Museum‚ Baghdad - represent mortals praying
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Introduction: Title: Venus of Laussel Date: 23‚000 B.C.E. Artist: Unknown Style: Upper Paleolithic Medium: Limestone Size: 18 in This is a carving in stone of a woman holding a horn. She has prominent breasts and a distended stomach. The woman has an undefined face and has long hair. Her breasts and genitals are accentuated to show her fertility . This woman does not appear to have much of a specific “beauty standard”
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The Venus of Willendorf is one of the oldest and most famous early images of a human. She represents what use to be the “ideal woman” with her curvy figure and the emphasis on fertility seen in the features of her sculpted body. This paper will analyze the Venus of Willendorf sculpture in terms of its formal analysis. Most of the information about the Venus of Willendorf is based on scientific research and theory because there is no actual documentation that dates back as far as the sculpture.
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well-known paintings in the year 1538. This work‚ Venus of Urbino (Figure 1)‚ is an oil painting that depicts a nude young woman reclining on a couch or bed in the luxurious surroundings of a Renaissance palace. Created for the Duke of Urbino‚ Guidobaldo II Della Rovere‚ this work commemorated his wedding to Giuliana Varano that took place in 1534. Titian’s work‚ based on his master‚ Giorgione’s Sleeping Venus — completed in 1510 (Figure 2) — places Venus in an indoor setting‚ which engages her with the
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Venus and Cupid by Lorenzo Lotto is definitely one of the most unusual paintings when viewed through 21st century eyes. The painting depicts Venus lying on her left side‚ naked‚ and Cupid standing about a foot behind her. Inspired by ancient marriage poems‚ known as “epithalamia‚” the painting was apparently painted to celebrate a wedding and Venus’s body type and facial features were taken from that of the bride to be’s. The painter included a few items in the picture that relate to Venus and to
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The Venus Flytrap Dionaea muscipula is a carnivorous plant that is native to North America and more specifically the southeastern parts of the United States. Most people know Dionaea muscipula by its common name‚ Venus Flytrap. The Venus flytrap is found mostly in North and South Carolina with a radius of about 60 miles from Wilmington‚ North Carolina. Although the Venus flytrap is native to this region‚ over the years people have transplanted the plant to Florida and Washington where they continue
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Catherine Tennison Humanities DC A3 Venus Figures Venus figures have been found in various places of the world‚ at different time periods. This implies that all cultures shared a common belief or a common thought of women and their bodies. The Venus figures are most popularly known to represent fertility. These figurines were typically made from soft stone (steatite‚ calcite or limestone)‚ bone‚ ivory‚ wood‚ or ceramic clays. The similarity of each Venus figurine from each time period shows
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Comparing Venus of Urbino Through inspiration from Giorgiones’ Sleeping Venus‚ Titian a younger contemporary‚ developed the standard for the female nude‚ in his Venus of Urbino. Unlike his predecessor‚ Giorgione‚ Titian’s painting is one of the first indoor nudes in the renaissance era. The painting portrays a reclining nude in oil‚ her body softly rounded is unapologetically sensual and her attributes are painted as a commoner instead of a goddess. The compositional aspects of the painting must
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The Venus of Willendorf Ever since the beginning of the Stone Age around 25‚000 B.C. and throughout the late classical period in 400 B.C.‚ we can infer and see that both men and women have been portrayed in many ways when viewing particular cultures around the time period. The representation of the female body can be seen through numerous pieces of Art. Ladies and Gentleman the figurine in front of you is called “The Venus of Willendorf”‚ and it is the oldest female figurine statuette
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